Stone Lithograph and Missing Scene from Episode Three of The Master Mystery

mm-e3-poster

The beautiful Otis Litho-one sheet poster (Lot 95) above just sold at the November 2016 Haversat & Ewing Auction for $28,080. It came from the collection of Dorothy Dietrich and Dick Brookz, which I was fortunate enough to see in person. Congratulations to the winner!

The Episode 3 scene depicted in the poster is missing from the current Kino DVD release of the film.  Below is a description from my personal notes that may help put the scene in context:

Zita Dane tells Herbert Balcom “Before Brent went mad he made a list of inventions which we have suppressed.”  Herbert says “That list would put me behind bars.”

Locke [Houdini] has combo to safe that Eva is about to open when Herbert and Zita walk in.

32935_medEva opens safe and Herbert oversees numbers and writes them down.  Eva hands Herbert a Letter:

Board of Directors

Internantional Patents, Inc

New York City.

 

Gentlemen:

In view of the Government’s anti-trust investigation I have prepared this list of inventions we have suppressed.  I think we should discuss at our annual meeting the advisability of surrendering our rights to these inventions, no matter what may happen to the corporations we have been protecting.

 

Very truly yours,

Peter Brent

President

Herbert says “Should that letter reach the Department of Justice we are ruined.”

Eva puts letter and money back in safe and everyone leaves except Locke and Eva.

Locke [Houdini] tells Eva, “This electrical device will notify me, as well as hold anyone who attempts to open the safe.  In this way I hope to discover who is in the automation.”

aug-17-1919-3rd-episode

In fact most of Episode 3 is missing from the Kino DVD release, but is available on the print at the UCLA Film Archives:

Balcom and Brent, owners of International Patents, a firm that has made a fortune by keeping patented inventions off the market, quarrel, the outcome of which leaves Brent stricken by the “Madagascar (or laughing) madness.” A giant automaton whose secret retreat is under the Brent house is responsible for the crimes committed and Quentin Locke, the newly engaged head of the laboratories endeavors to aid Eva, daughter of Brent, in solving the mystery. In attempting to find an antidote to restore Eva’s father to sanity, Locke has been thrown from a dock by the emissaries of the automaton. Miraculously he escapes. One of the emissaries is captured and put in jail, and Locke impersonates him in order to get to the automaton at the acid mills. Eva is coerced into going to the acid mills to meet Locke, but instead is abducted by the automaton. Locke is left suspended over a seething vat of acid, with Eva unwittingly the key to his demise should she open the door to where Locke has been shackled.

Related:

Lost Houdini Film(s) Based on The Master Mystery – Mystery Solved

As promised, here is a post that sums up the mystery of all of the movies, we discussed in the previous four posts:

Well, it is pretty obvious, that The Master Mystery was re-cut into these four new attractions, which according to John Cox at Wild About Houdini was a practice that went on in the days of silent films.

With that said, I believe the following ad that appeared in the Moving Picture World on January 8, 1921 and January 15, 1921 pretty much sums up the mystery of the four movies:

moving-picture-world-ad-for-mm-pirated-movies-jan-1921

Now, we just need to find prints of these pirated movies.

Possibly Depicting a Scene From The Master Mystery?

mm-ogle-rb-pandp

The very nice publicity illustration above just sold ($1600) at the Potter & Potter Auction for the Magic Collection of David Baldwin.  Congratulations to the winner!

Below is the auction description:

LOT 0288 DETAILS

[Houdini, Harry (Ehrich Weiss)] Ogle, R.B. Original Publicity Illustration of Houdini. Circa 1920s. Pen and ink on paper, possibly depicting a scene from The Master Mystery (1920), in which Houdini is shown climbing through an open window into a bedroom at night and bearing down on a man wielding a dagger. “Kinema Comic” annotated in pencil in lower margin, with scattered printer’s annotations and stamps. Artist’s name identified on verso. 10 x 13″. Old central vertical fold.

The description mentions that it is “Possibly Depicting a Scene from The Master Mystery”.

Well, we know the artist R.B. Ogle has created Aeroplane sketches for Kinema Comic that depict scenes from The Grim Game.  The originals (seen below) are now in the Arthur Moses Collection which I was fortunate enough to see in person.

036037

Since I have finally seen all of The Master Mystery, plus studied the script, synopsis, and book, I feel that I am qualified to answer the question if the publicity illustration sold by Potter & Potter auction depicts a scene from The Master Mystery.  The short answer is, No.

That said, Episode 11 of The Master Mystery has an incredible scene in a deserted shack,where the Madagascan Strangler attempts to stab Houdini that I would like to describe.

The following are two title cards from Episode 11:

FOREWORD

At Paul’s instigation, Eva has

been abducted; and one of his

followers disguised as a minister,

attempts to perform a false mar-

riage ceremony.

 

—while Quentin Locke has been

bound and placed under the

coverings of a sofa, where he

is left to the tender mercies

of the Madagascan.

While Eva is being married to Paul against her will, the Madagascan Strangler thrusts a knife into the form of Locke (Houdini) laying on the sofa.  To his surprise, the Madagascan is caught at his ankles and thrown to the floor.  Houdini had shifted his position to meet the expected attack and ironically “strangles” the Madagascan Strangler.

A little later in Episode 11, they flashback and reveal exactly how Houdini caught the Madagascan off guard:

  • Houdini all tied up is seen rolling out from the sheet in the back of the sofa where he escapes his bonds.  He then rolls underneath the sofa as the Strangler approaches with the knife.

Note: This scene only appears in the movie, it does not appear in The Master Mystery Novel.

Lost Houdini Film(s) Based on The Master Mystery – The Doctor’s Vengeance

As promised in my last post, here is evidence of another one of the four films based on The Master Mystery – The Doctor’s Vengeance.

The first ads that I could find are from January, 1921:

the_public_ledger_tue__jan_18__1921_the_public_ledger_wed__jan_19__1921_

[The Public Ledger (Maysville, Kentucky)]

I also found some ads from March 1921:

wichita_daily_times_wed__mar_2__1921_wichita_daily_times_thu__mar_3__1921_

[Witchita Daily Times (Wichita Falls, Texas)]

May 1921 is the last time I could find an ad for the picture.

the_houston_post_fri__may_18__1923_

[The Houston Post (Houston, Texas)]

Next week:

  • Lost Houdini Film(s) Based on The Master Mystery – Mystery Solved

Lost Houdini Film(s) Based on The Master Mystery – The Law Pirates

As promised in my last post, here is evidence of another one of the four films based on The Master Mystery – The Law Pirates.

The first ads that I could find are from October 31, 1920.  Below are a couple of them.

the_pittsburgh_press_sun__oct_31__1920_the_pittsburgh_press_sun__oct_31__1920_-1

[The Pittsburgh Press, Pittsburgh Pennsylvania]

So what was the gist of The Law Pirates.

According to an ad for the Colonial Theatre, dated Nov 17, 1920, it was:

“Reaiizing the menace that the future wars will bring by the deadly submarine the government has placed a premium on all devices that will overcome it.  A poor inventor has perfected a wonderful submarine suit and in seeking aid in his experiments interests Houdini. A band of ‘law pirates’ headed by a clever but unscrupulous lawyer try to steal the invention.”

[The Daily Gate City and Constitution Democrat, (Keokuk, Iowa)]

the_journal_news_fri__nov_19__1920_the_journal_news_fri__nov_19__1920_-1

[The Journal News, (Hamilton, Ohio)]

And from ads for the Grand Theatre, dated Nov 19, 1920, we know that Houdini is Very Pleasing in “The Law Pirates”:

“Houdini is just as mysterious an ever in ‘The Law Pirates’ in which he is now being seen at the Grand theatre.  Houdini is just naturally a man of mystery and in ‘The Law Pirates’ he does all kinds of thrilling mysterious things.  Big houses saw the initial presentation of this picture last night and everyone was pleased.  It remains the attraction at the Grand today and tomorrow with ‘The Water Plug’, a clever comedy as the added feature.”

[Hamilton Evening Journal (Hamilton, Ohio)]

“Unusually large houses greeted Houdini in ‘The Law Pirates’ at the Grand last night.  Houdini is becoming quite a screen favorite in Hamilton especially among those who like mystery and action and Houdini is not anything if he is not mysterious.”

[Hamilton Evening Journal (Hamilton, Ohio)]

And from ads, dated Dec 13 and 14, 1920, we learn the following:

“Supported by Ruth Stonehouse in this great picture Houdini will be seen as an inventor of a device for the government to overcome the deadly submarine and a band of parties seek to steal it.  If you have seen Houdini in ‘Terror Island’ you know him as the man of mystery.”

[The Gettysburg Times, (Gettysburg, Pennsylvania)]

And from an ad, dated March 10, 1921:

the_public_ledger_thu__mar_10__1921_-1

[The Public Ledger, (Maysville, Kentucky)]

October 1921 is the last time I could find an ad for the picture.

the_des_moines_register_thu__oct_6__1921_

[The Des Moines Register, (Des Moines, Iowa)]

Next week:

  • Lost Houdini Film(s) Based on The Master Mystery – The Doctor’s Vengeance

Lost Houdini Film(s) Based on The Master Mystery – The Lure Of Power

As promised in my last post, here is evidence of another one of the four films based on The Master Mystery – The Lure Of Power.

Based on the date of the ads, The Lure of Power appears to be the first of the four films that showed up in theatres in early October 1920.

fitchburg_sentinel_fri__oct_1__1920_

[Fitchburg Sentinel, Fri, Oct 1, 1920]

fitchburg_sentinel_sat__oct_2__1920_

[Fitchburg Sentinel, Fri, Oct 2, 1920]

February 1921, is the last time I could find any ads for the picture.

the_public_ledger_wed__feb_2__1921_

[The Public Ledger Wed Feb 2, 1921]

Next week:

  • Lost Houdini Film(s) Based on The Master Mystery – The Law Pirates

Lost Houdini Film(s) Based on The Master Mystery – The Marked Woman

Well, back in May 2013, Bill Mullins, over at the Genii Forum shared two December 1920 advertisements for Houdini appearing in the film “The Marked Woman”.  And John Cox over at Wild About Harry followed up with a post about the ads titled, A Houdini movie mystery.

the_bristol_daily_courier_tue__nov_30__1920_snippet

[The Bristol Daily Courier, Nov 30, 1920]

Well, not only have I found additional ads (see above for one) for The Marked Woman, but I have found evidence for three other films based on The Master Mystery.

  • The Lure of Power
  • The Law Pirates
  • The Doctor’s Vengeance

In the coming weeks, I will do separate posts for each of these other three films and end with a post that sums up the mystery of all of these movies.

Meanwhile, let’s take a closer look at The Marked Woman:

The first ads that I could find are from November 1920.  Below are from the Princess Theatre in San Antonio, Texas:

san_antonio_evening_news_sat__nov_13__1920_

[San Antonio Evening News Nov. 13, 1920]

san_antonio_evening_news_mon__nov_15__1920_san_antonio_evening_news_tue__nov_16__1920_

[San Antonio Evening News Nov. 15 and 16]

So what was the gist of the mystery drama, titled The Marked Woman.  According to an ad for the New Colonial Theatre, dated Nov 30, 1920, it was:

“One of those gripping stories in which two women fight for an immense fortune.  One uses fair means — the other foul.  Everything seems to work against the rightful heir and clever band of crooks operating with perfect accord seems to have the fortune within their grasp many times only to be frustrated by Houdini.”  [The Bristol Daily Courier, Bristol, PA]

And from December 1920 ads, we know that the “hand-cuff King Houdini the man of mystery is supported by Ruth Stonehouse and an all star cast [Charles E. Graham, Marguerite Marsh, Wm. Pike]”.

The Gettysburg times ad from Dec 27, 1920 lists the price for Adults as 20 cents and 15 cents for Children, but the next day ad for Dec 28 lists the price for Children as 10 cents, not 15 cents.

We also know from the ads that the picture is “not a serial, but a five reel drama of mystery by the world’s greatest magician”.

the_gettysburg_times_tue__dec_28__1920_

July 1921 is the last time I could find any ads for the picture.

the_des_moines_register_wed__jul_13__1921_

[The Des Moines Register Jul 13 and Jul 14, 1921]

Next week:

  • Lost Houdini Film(s) Based on The Master Mystery – The Lure Of Power

UCLA FTVA Master Mystery Contents

UCLA Film Televison Archive Logo

As promised, I am going to review each incomplete version of the Mastery Mystery (i.e., The Miracle Factory, Kino, McIlhany and UCLA FTVA) that I have seen and go over what pieces they contain and don’t contain.  This post will focus on the UCLA FTVA copy of the Master Mystery.

The UCLA FTVA does not contain Episode 8 or Episode 10, but it does contain all of the other episodes ( 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13, 14 and 15) on 16 mm safety print reels that were transferred onto two VHS tapes for non-circulating research and study.

UCLA Media Lab

Below are the UCLA Master Mystery Episode Descriptions:

Episode 1:

International Patents, a firm controlled by Balcom and Brent, has made a fortune by inducing inventors to trust the marketing of their inventions to their care, and then keeping the inventions off the market to protect holders of previously existing patents. Brent, tormented by a guilty conscience, decides to make amends and release the patents to the world. On the eve of his decision, he and his foreign representative, Flint, are stricken down by the Madagascar (or laughing) Madness. A giant automaton, whose secret retreat is under the home of Brent, administers poison by the smoke of candles and pursues Eva, Brent’s daughter, to her boudoir, while Quentin Locke, the newly hired manager of Brent Laboratories, has been bound in a straight jacket brought by an ambulance which came to remove Brent to the sanitarium.

Episode 2:

International Patents, Inc., a firm controlled by Balcom and Brent has made a fortune by keeping patented inventions off the market. A giant automaton that lives under the home of Brent has secretly administered poison through the smoke of candles that causes the Madagascar (or laughing) madness. Quentin Locke, the newly engaged head of the laboratories endeavors to aid Eva, daughter of Brent in solving the mystery. While Flint is captured by the automaton and given an antidote for the laughing madness, Locke has a chemist friend working to find an antidote for Brent. Through Flint, the automaton arranges for Eva to go to to the docks in order to get a antidote, as she mistakenly thinks that Locke and the chemist have failed. While Eva is chased by the automaton, Locke is thrown from the dock by henchmen while bound and shackled in chains.

Episode 3:

Balcom and Brent, owners of International Patents, a firm that has made a fortune by keeping patented inventions off the market, quarrel, the outcome of which leaves Brent stricken by the “Madagascar (or laughing) madness.” A giant automaton whose secret retreat is under the Brent house is responsible for the crimes committed and Quentin Locke, the newly engaged head of the laboratories endeavors to aid Eva, daughter of Brent, in solving the mystery. In attempting to find an antidote to restore Eva’s father to sanity, Locke has been thrown from a dock by the emissaries of the automaton. Miraculously he escapes. One of the emissaries is captured and put in jail, and Locke impersonates him in order to get to the automaton at the acid mills. Eva is coerced into going to the acid mills to meet Locke, but instead is abducted by the automaton. Locke is left suspended over a seething vat of acid, with Eva unwittingly the key to his demise should she open the door to where Locke has been shackled.

Episode 4:

Balcom and Brent, owners of International Patents, Inc., a firm that has made a fortune by keeping patented inventions off the market, quarrel; the outcome of this leaves Brent stricken with the Madagascar (or laughing) Madness). A giant automaton whose secret retreat is under the Brent house, is responsible for the crimes committed. Quentin Locke, the newly engaged head of the laboratories, but secretly an agent of the Department of Justice, endeavors to aid Eva, daughter of Brent. Captured by the emissaries of the automaton, Locke is suspended over a vat of seething acid, but miraculously manages to escape. Locke decides that one of the patents, for a diving suit, must be tested. He knows that if anything happens to his airline it would mean certain death. The automaton sends one of his emissaries underwater to cut Locke’s airline. Locke manages to escape the diving suit, but is then shackled and put in a crate to be thrown off the dock, while Eva is in the clutches of the automaton.

Episode 5:

International Patents, Inc., a firm that has made a fortune by keeping inventions off the market, is owned Balcom and Brent. Brent has been overcome by a giant automaton whose secret retreat is under the Brent house. Quentin Locke, a Department of Justice operative, has fallen in love with Eva, daughter of Brent, who is engaged against her will to Paul, son of Balcom. Seeking evidence, Locke goes to an old warehouse dock, where he is abducted by emissaries of the automaton, shackled, put in a crate, and thrown off a dock. Miraculously he escapes. Locke goes to Deluxe Dora’s penthouse to ask questions and investigate Paul, but he is caught in a trap when a smoke bomb goes off. Deluxe Dora and her henchmen take Locke to the roof, and tie him to the bottom of a water tower. When water begins pouring in, it looks like certain death, but miraculously, he escapes. Locke and Eva meet at the apartment of Davis, the inventor who was promised restitution by Brent before his attack of laughing madness. Locke and Eva find themselves in an apartment with a ticking time bomb, planted by Zita Dane.

Episode 6:

International Patents, Inc., a firm that has made a fortune by keeping inventions off the market, is owned by Balcom and Brent. Brent has been overcome by a giant automaton whose secret retreat is under the Brent residence. Quentin Locke, a Department of Justice operative, in trying to solve the mystery, keeps an appointment at an old inventor’s where a bomb has been planted, timed to explode at eight o’clock. When the bomb goes off, the automaton is carried away by his emissaries. Eva and Locke tend to the dying inventor, who says that the automaton was created by a fanatical inventor in Madagascar named Dr. Q, who gave the automaton a human brain. Eva announces her plans to call for the release of all the patents at the directors board meeting the next day. Eva and Locke, on the trail of the automaton, find themselves in the clutches of a “Mad Genius” who has invented an electric chair. While Eva is abducted by the automaton, Locke is strapped into the electric chair, which means certain death.

Episode 7:

Quentin Locke, accumulating evidence against Herbert Balcom of International Patents Inc., enters the den of Dr. Q, the mad inventor, with Eva Brent. They are overpowered by a giant automaton and its emissaries, and Locke is strapped in an electric chair. Locke escapes in time to rescue Eva from the clutches of the automaton. Quentin follows Paul to the Black Tom Cafe, his underworld domain. There Quentin finds Deluxe Dora, who says that she will help him implicate Paul in illegal doings, but it is a ruse. Quentin and Eva find themselves led into conspiracy’s tangled web. Dr. Q’s emissaries wrap Locke up in barbed wire, while the automaton pours deadly acid on the floor that starts to flow towards Locke struggling on the ground.

Episode 9:

Quentin Locke, at the command of the automaton, is overcome, bound, and thrown beneath a descending elevator, while Eva has been abducted. At the very last minute, Locke escapes his bindings and manages to escape, aided by Zita Dane who is dressed like a man. Zita Dane admits that her jealousy of Eva and Locke prevented her from intervening earlier. To the Chinese Curio Shop comes a man from Madagascar, and Long Fang, a Monarch of the Underworld, is introduced. Deluxe Dora tells Eva Brent that there is a man who knows of a cure for Eva’s father, but he sails for Madagascar that night. Eva and Locke are led into a trap at the Chinese Curio Shop, and are attacked by the automaton and its emissaries. Locke is strapped to a wall.

Episode 11:

At Paul’s instigation, Eva has been abducted; and one of his followers disguised as a minister attempts to perform a false marriage ceremony. Quentin Locke, meanwhile, has been bound and placed under the coverings of a sofa, where he is left to the tender mercies of the Madagascan. After a miraculous escape and a brawl with Paul’s men, Locke follows the wounded Paul to a fishing shack. Zita Dane hides Paul in the attic of the shack, and Locke swears that he will find him. While Eva is being abducted by the Automaton, Quentin Locke is tied and bound head to toe in a fishing net.

Episode 12:

Quentin Locke, while in pursuit of Paul, is overpowered by the emissaries of the Automaton and is entangled in the meshes of a fishing net, while Eva is left helpless before the advance of the Automaton. Locke miraculously escapes the fishing net and they escape. Eva acquires proxies that give her absolute control over International Patents, Inc., and now she can force Balcom out of the company. Locke gives Balcom 24 hours to arrange his affairs before his arrest. Balcom persuades Locke to come to his apartment, under the pretext that Balcom will turn state’s evidence. Meanwhile, Zita and Paul join forces at the home of Dr. Q, and decide on a pretext to get Eva to the office of a hypnotist on River Street. Locke arrives at Balcom’s and the apartment is full of unseen chlorine gas. Zita decides to save Locke, explaining her secret love for him. Zita and Locke rush to the hypnotist to save Eva, and Locke finds himself trapped in a noose, suspended over a fire trap.

Episode 13:

Eva, hypnotized by a medium and carried through a secret panel into a Chinese Temple, has been turned over to the Automaton and its emissaries, to be offered as a sacrifice to the rays of the Burning Eyes of the Fire God. Quentin Locke, attempting her rescue, is made captive and suspended over a fire trap with a noose around his neck. Miraculously he escapes in time to save Eva. Zita Dane, reaching the cross roads of conscience, offers further assistance in untangling the affairs of International Patents, Inc., while at the same time trying to find records to confirm that Brent is her father. Balcom prepares to do away with important documents to conceal his manipulation of the company. An important clue is the record of Zita’s birth, which would help solve the mystery. The Automaton takes Brent, while Eva and Locke discover that his cave is beneath the Brent house. Locke encounters Balcom in the secret passages of the cave, and both are buried in an explosion.

Episode 14:

While trying to solve the mystery of the Automaton and the underground passages beneath Brentrock, Quentin Locke encounters Balcom and a struggle ensues. An explosion occurs and they are buried beneath the wreckage. Meanwhile Eva and Zita have sought to discover an outside entrance to the underground retreat. Balcom has been killed by the explosion, and Brent is rescued. Dr. Q finds that with Balcom’s death, he is no longer under his influence, and discovers from Balcom’s diary that Zita Dane is his daughter. He explains to Locke, Eva, and Zita that Balcom, knowing his hatred for Brent, brought him back from Madagascar. Balcom took advantage of Dr. Q’s insanity, and used his invention, the Automaton, to accomplish his evil ends. Many years previously, Balcom had told Dr. Q that his wife and children were dead, one of the blows that wrecked his intellect. As Dr. Q announces that with Balcom’s death the Automaton will bother them no more, the mechanical man bursts into the room.

Episode 15:

[No description was supplied by UCLA]

The Episode Title Cards listed the episode number (e.g., Six) followed by Part One:

BA ROLFE

Presents

HOUDINI

in

THE MASTER MYSTERY

Episode Six Part One

This was followed by FORWARD title card(s) and footage recapping the previous episode.

Each episode ended with the following title card:

The continuation of the

HOUDINI SERIAL

will be shown at this theatre

NEXT WEEK.

As far as I can tell, these 13 episodes are complete with the following exceptions:

The last title card from Episode 1 found on all other versions (e.g., Miracle Factory, Kino, McIlany) is not included:

As the shadow on the sun dial lengthened.

The Baker’s Dock sequence in Episode 3 shows two thugs left on the dock instead of three after HH and the first thug hit the water. Kino’s George Eastman House footage shows three thugs left on the dock at this point and then mentions a second thug hurling himself into the water to finish the task that cost the first thug his life. But UCLA FTVA does show a giant fish swimming [not on George Eastman House footage] when all of a sudden there is a splash from HH and the first thug hitting the water.  The first thug is then seen floating up, which is followed by HH escaping his chains.

So to make the most complete 15 episode Master Mystery, we need the 13 UCLA FTVA episodes, plus Episode 8 from Kino (or McIIhany EPISODE 4] and Episode 10 from Kino with the addition of the first part of UCLA FTVA Episode 11 that recaps where Episode 10 left off.  Plus, we need to add one title card to Episode 1 of the UCLA FTVA version and merge the UCLA FTVA Baker Dock sequence in Episode 3 with the George Eastman House footage found on Kino.

Related:

 

William H McIlhany Master Mystery Contents

 

Master Mystery 1918 VHS McIlhany 1998 001

As promised, I am going to review each incomplete version of the Mastery Mystery (i.e., The Miracle Factory, Kino, McIlhany and UCLA FTVA) that I have seen and go over what pieces they contain and don’t contain.  This post will focus on William H. McIlhany Special Edition Video released in 1998.

Master Mystery McIlhany Video Release FrontMaster Mystery McIlhany Video Release Back

The Master Mystery (1918) Video Release by Williams H. McIlhany by arrangement with The Douris Corporation Owners of the Raymond Rohauer Motion Picture Archive runs for 193 minutes on two VHS tapes. Part 1 of 2 runs for 1 hour 56 minutes and Part 2 of 2 runs for 1 hour 18 minutes.

Edited from the original 15 chapter serial (1918) with full music score & editorial notes.

The following title cards appear at the beginning:

William H. McIlhany presents

 

The Master Mystery (1918) starring Harry Houdini

 

Released by arrangement with The Douris Corporation Owners of the Raymond Rohauer Motion Picture Archive

 

Digitally Mastered by James Starr

 

Music by Michael D. Mortilla Published by MIDI-LIFECRISIS-BMI Copyright 1998, All Rights Reserved.

 

Special Edition Copyright 1998 William H. McIlhany.  All rights reserved.

 

The Master Mystery, digitally titled the Houdini Serial was copyrighted in 1918 and released in 1919 by B.A. Rolfe and Octagon Films.  Houdini was forced to sue the producers to recover about $33,000 of his promised share of the profits.

 

What you are about to see may be the best surviving version of this 1918 serial, Rohauer edited the serial, originally 15 chapters, into approximately 11 chapters.  Compared with the novel based on the original 15 chapters, the Rohauer version contains most of the story content.

 

The missing footage included repetitive chapter openings. We have added footage not in the Rohauer archive and hope that an even more complete video release will be possible in the future.

 

Raymond Rohauer Presents HARRY HOUDINI in THE MASTER MYSTERY (1919)

It added its own Episode Title Cards [EPISODE 1, 2, 3, 4, 5, 6, 7, 10, 11, 8, and 9] which had no correlation to the original 15 episodes with the exception of Episode 1 and part of Episode2.  EPISODE 1 included Lockpicking a door, a Handcuff Release and Straitjacket escape.  EPISODE 2 had him tied to wall with rope.  While tied to wall with rope, EPISODE 3 had him using his feet to strangle a guy, get his key’s and open door [originally in Episode 2];  EPISODE 3 also included packing crate escape [originally in Episode 5] with underwater footage not in Kino, and concluded with Barbed Wire and Acid [originally in Episode 7].  EPISODE 4 started with Barbed Wire escape [originally in Epsiode 8] and ended with being bound in rope in an elevator shaft [originally in Episode 8].  EPISODE 5 had him escape the elevator [originally in Episode 9] and concluded with the Strangulation Torture [originally in Episode 9].  EPISODE 6 started with Strangulation Torture Escape [originally in Episode 10] and ended with being put in an Electric Chair [originally in Episode 6]. Episode 7 included the Electric Chair escape [originally in Episode 7].  After EPISODE 7, the following title card appeared:

The following footage from three Rohauer chapters has been arranged in what is believed to be their original order

EPISODE 10 flashed on the screen and was followed by Fishnet escape [originally in Episode 11/12].  EPISODE 11 followed with the Noose escape [originally in Episode 12/13].   After EPISODE 11, we go to EPISODE 8 where he frees himself from underground wreckage [originally in Episode 14] and then the serial concludes with EPISODE 9 [originally in Episode 15].  After the serial was over, the following title card appears:

Additional incomplete chapter footage not in the Rohauer archive.

This included some nice footage of him hanging over vat of acid and the Baker’s Dock scene where he is thrown overboard in chains.

Unfortunately, The Jail Cell with the X-ray view of the lock, Diving Suit escape, Water Tower escape, and sofa escape are missing, as is much of the story.

That said, the William H McIIhany Special Edition Version contained all of the original footage, escapes and spoken title cards that appeared on Kino.  And it contained the underwater packing crate footage not on Kino, as well as the Baker’s Dock Chain Escape without the nitrate damage that appeared on Kino.

Next week, we take a closer look at the UCLA FTVA Master Mystery Contents which will fill in the rest of the story and the missing escapes.

Related:

KINO Master Mystery Contents

TMM KinoAs promised, I am going to review each incomplete version of the Mastery Mystery (i.e., The Miracle Factory, Kino, McIlhany and UCLA FTVA) that I have seen and go over what pieces they contain and don’t contain.  This post will focus on The Kino International DVD released in 2008.

The 1918 original was slightly longer than 5.5 hours. The back of the Kino DVD case implies “that portions of THE MASTER MYSTERY no longer survive today.  The Kino edition runs almost four hours, and bridges the missing passages with explanatory text.

Below is the explanatory text that appears on the DVD:

The remainder of episode three exists in fragmentary form.  Surviving footage of the Baker’s dock sequence suffers severe nitrate deterioration.  It is presented here by special arrangement with the George Eastman House.

 

A second thug, an expert swimmer, hurls himself into the fray to finish the task that cost the other his life.

 

In episode four, Locke investigates the emissaries by posing as a prison inmate.  He intercepts a secret message, but is accidentally locked in the cell.  Employing his escapists talents, Locke frees himself and (dressed as one of the emissaries), infiltrates the gang.  He is soon unmasked and dangled by his heels over a vat of acid.

 

In episode five, Locke decides to test a “self-liberating diving suit,” with Eva’s assistance. Beneath the waters of a nearby cove, he is shocked to encounter another diver.  The fellow diver draws a long knife and, “There, under the sea, commenced a battle royal.”  The underwater assassin severs Locke’s oxygen tube, but Locke manages to escape the water-filled suit.

 

The ingenious diving suit is reclaimed by a boatman, but when Locke goes to retrieve it, he falls into another of the emissaries’ traps.

 

After escaping the packing-crate, Locke is apprehended, bound and placed in a tank, which is steadily being filled with water (thus concluding episode five).

 

Episode six concludes with Lock [Locke] once again a captive of the emissaries, being strapped into the “Chair of Death”.

 

[End of episode 10] “During the mock wedding ceremony, Locke’s body is hidden inside a couch.  The Madagascan stabs the couch, presumably killing the man within. “

 

“In episode eleven, it is revealed that Locke avoided the blade of the Madagascan’s knife. Locke tracks the criminals to a fisherman’s shack.  His efforts to arrest the emissaries are thwarted by an old hags and he is wrapped in a fishing net, while the automation stalks Eva.”

 

The Kino DVD also has the following disclaimer title cards before it starts:

“THE MASTER MYSTERY was first released

in 1919 as a fifteen-chapter serial.

 

Portions of the film have been lost.

 

To compensate for the missing footage,

various distributors condensed and

rearranged the episodes to give the film

the illusion of completeness. “

 

This edition restores the episodes and

surviving fragments to their proper sequence,

using as a blueprint the published novel and

documents in the archives of the

New York Censor Board.

 

The Kino Video version was thought to contain chapters 1, 2, 7, 8, 9, 13, 14 and 15 in complete form and fragments from chapters 3, 4, 5, 6, 10 and 11.

Episode 1 is almost complete except for a couple of close-up shots (e.g., note written to Locke and a note written to Brent) that appear in the original.

And episode 2 that was thought to match the original does not.

Episode 2 includes the straitjacket and Houdini tied to the wall with rope, but does not include Houdini escaping from wall and the Baker’s Dock Chain escape until Episode 3 [both appear in Episode 2 in the original]. The Baker’s Dock sequence footage from Harry Ransom Center also suffers severe nitrate damage on the Kino version.  A more complete version exists without severe nitrate damage.

Most of episodes 3, 4, 5, and 6 are missing which includes the jail escape, vat of acid escape, diving suit, underwater footage of packing crate escape and water tower escape.  Although part of the vat of acid escape appears in “The Censor’s Report” which is part of the Special Features on the DVD.

Episode 7 is complete except for a few missing original title cards throughout.

Episode 8 appears complete.

Episode 9 is complete.

Episode 10 appears to be almost complete except for the end and Episode 11 is completely missing.

Episodes 12, 13, and 14 are complete.

Episode 15 is almost complete except for a close-up shot (i.e., note written to Locke) that appeared in the original.

Next week, we take a closer look at the William H. McIlhany Special Edition Master Mystery Contents.

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