Houdini the Wing Walker

Today, John Cox at WILD ABOUT HARRY is giving me the honor to share and comment on an excerpt from ‘High Lights in the Strenuous Career of Harry Houdini, Edited and Compiled by Houdini’s Brother Hardeen’. This rare footage comes from the collection of escape artist Rick Maisel.

According to Hardeen, we are looking at Houdini changing planes in mid-air and we are also looking at one of the first to accomplish this feat.

Houdini claimed that it was he that was the first to be photographed in a plane transfer, but he always gave credit to Ormer Locklear as the first to actually make the transfer.

Well, most Houdini nuts know that is stunt double Robert Kennedy (in the mid-air shots) attempting to accomplish this feat, not Houdini (seen in the close-up shots filmed at Lookout mountain in Laurel Canyon). But you may not know that It was the first time that Kennedy ever attempted a plane change.

And it was his last time.

A playlist of these clips from ‘High Lights in the Strenuous Career of Harry Houdini’ can be found on the WILD ABOUT HARRY YouTube Channel.

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Weird Tales April 1924 – Ask Houdini (Answers)

This post looks at Houdini’s answers to questions posed in an earlier post.

No. 1

Years ago there traveled around the country a man named Samri S. Balwin, known as the “White Mahatma,” Could you tell me if he is still living, and if so, where a letter could reach him. Were there any other White Mahatmas that did the same kind of work?

There were a number of While Mahatmas, all imitating Samri S. Baldwin, who is still alive and now resides in San Francisco, California. A letter addressed to the Golden Gate Assembly of the Society of American Magicians, care of the Tiffin Studio will reach him.

No. 2

Many explanations have been offered of this practice [used by dowsers to find water] and I am anxious to hear your opinion regarding same.

This is not new; in fact, it is centuries old, and you will find any number of books in your library regarding same.

The fact remains that these “dowsers” or water diviners were not always accurate, and in view of this infallibility, it is unwise to believe that they were capable of locating water or metals.

The Psychical Research Society have gone thoroughly into this class of humans, and I would advise you to look up their literature on this subject.

No. 3

During one of the sittings or seances, the medium sat directly in front of me, held both of my hands in her right hand, and placed he other hand on my shoulder. Then I could see by glancing upward, then a guitar and then a mandolin. This instrument, would float over the heads of the sitters, and I have never been able to discern how this was accomplished. Can you explain?

There are several ways of the medium getting one hand free when you are supposed to hold both. It is one of the best known ruses used by fraud mediums.

In order to guard yourself in the future, when you go into a seance room, insist on holding the medium’s hand in your own. You do the holding, and do not allow the medium to hold you. See that there is no confederate to produce the manifestations, which is frequently done.

No. 4

You are answering all questions on spiritualism. Do you consider yourself a human encyclopedia on the subject? I know you will not dare to answer this.

How do you explain Jacoby, who in his autobiography said he saw a number of musicians in his room and they played until early morning?  Jacoby was a brilliant man and gifted scholar.

How can you, at the present time, explain how this happened?

I do not think you would care answer this question, but am sending it to relieve my mind.

No, I do not consider myself a human encyclopedia, but I have been delving in mystery ever since I could walk and talk, and if there is anything in the line of mystery I do not know, I certainly am going to try and find out.

Any time you see me billed anywhere, drop around and have a chat.

I am not prejudiced, as I keep telling people. I am perfectly willing to believe, but I have not been convinced or converfted as yet.

Jacoby did write that he saw and heard musicians in his room. He called his servants, if you remember the incident, but they were unable to see them.

After I am suspended from the top of a building by my ankles and make my escape from the restraint and come down to earth, the whole population and the houses whirl about me, but that does not signify it is true.

Theefore, I claim that he might have thought he had seen the musicians and heard them, but that does not necessary make it true, although in his own mind, it was true.

You go to any insane asylum where you are permitted to go by the authorities, and you will find a lot of poor mortals who hear voices and see forms. I think that Jacoby simply hads hallucinations at the time this happened, and that is all there is to it.

No. 5

Why do mediums employ various paraphernalia in conducting their seances. For instance, why is it necessary for the departed one to speak through the medium with the aid of a trumpet or horn? If there is such a thing as communication with the dead, can you advance a logical explanation of why a trumpet or horn should be used?

The aid of trumpets, tambourines and musical instruments used in seances, to the best of my knowledge and belief is simply to give auricular proof that the spirits are present, and in speaking through a trumpet, it is the simplest thing in the world to muffle your voice and make it difficult to recognize.

No. 6

The question I asked on the slip of paper, “H*—, have you any relief from your suffering?” My handwriting was purposedly bad and I wrote the proper noun in such a manner that it would be hard to distinguish whether the word was Harry or Henry. I did this to discover if the medium actually read the questions or not. I am convinced that she did but how? Perhaps you can offer an explanation.

The method used by this medium is very simple and is not new. It has been greatly improved upon recently. If I am not mistaken it was first used in the early 70’s. When you tied the handkerchief with the gloves over her eyes, she simply frowned as much as possible. Then by raising the eyebrows she was enabled to see enough to suit her purpose.

You understand I am not exposing a legitimate performer’s efforts. When a medium resorts to trickery, I feel that the deception should be explained to prevent their playing upon the gullibitiy of this public as much as possible.

 

Weird Tales April 1924 – Ask Houdini (Questions)

FOREWORD

Ingrained in me is a love of mystery and marvel. As a child, Red Riding Hood, Ali Baba, and the Arabian Nights found as much favor with me as the stories from the Bible. All were read to me by my mother. Stories of the weird and wonderful exercise a surpassing charm over my imagination. I feel there are many thousands like me and from these I will be delighted to hear. Who knows but that this department may be the means of bringing to light another Poe or another Hawthorne? Only by writing can you learn to write. By throwing off restraint, the greatest pieces of literature have been produced. This department is yours as much as mine.  HOUDINI

No. 1

Years ago there traveled around the country a man named Samri S. Balwin, known as the “White Mahatma,” Could you tell me if he is still living, and if so, where a letter could reach him. Were there any other White Mahatmas that did the same kind of work?

No. 2

Many explanations have been offered of this practice [used by dowsers to find water] and I am anxious to hear your opinion regarding same.

No. 3

During one of the sittings or seances, the medium sat directly in front of me, held both of my hands in her right hand, and placed he other hand on my shoulder. Then I could see by glancing upward, then a guitar and then a mandolin. This instrument, would float over the heads of the sitters, and I have never been able to discern how this was accomplished. Can you explain?

No. 4

You are answering all questions on spiritualism. Do you consider yourself a human encyclopedia on the subject? I know you will not dare to answer this.

How do you explain Jacoby, who in his autobiography said he saw a number of musicians in his room and they played until early morning?  Jacoby was a brilliant man and gifted scholar.

How can you, at the present time, explain how this happened?

I do not think you would care answer this question, but am sending it to relieve my mind.

No. 5

Why do mediums employ various paraphernalia in conducting their seances. For instance, why is it necessary for the departed one to speak through the medium with the aid of a trumpet or horn? If there is such a thing as communication with the dead, can you advance a logical explanation of why a trumpet or horn should be used?

No. 6

The question I asked on the slip of paper, “H*—, have you any relief from your suffering?” My handwriting was purposedly bad and I wrote the proper noun in such a manner that it would be hard to distinguish whether the word was Harry or Henry. I did this to discover if the medium actually read the questions or not. I am convinced that she did but how? Perhaps you can offer an explanation.

A future post will look at Houdini’s answers to these questions.

Weird Tales March 1924 – Ask Houdini

THE name, “Houdini,” has long been synonymous throughout the world with such words as “uncanny” and “supernatural.” Indeed, so widely known is Houdini’s name, that it appears in this connection in Funk & Wagnalls’ Dictionary.

Houdini emphatically does not believe in occult superstitions, and he probably would deny, jus at vigorously, that his miraculous escapes from prison cells and handcuffs are aided by disembodied “spirits” – as so many believe they are. And yet there is no denying that many of his amazing exploits smack of the supernatural. No wonder his name is associated with things that cannot be explained!

His strange adventures in the far corners of the world are as hair-raising, as uncanny and as deeply absorbed as the fiction we have published in WEIRD TALES. Wherefore, mindful of what our readers like, we proposed to Houdini that he select from his vast store of experiences a particularly thrilling adventure and tell our readers about it.

He acquiesced – and the first installment of his extraordinary article appears in this issue of WEIRD TALES. You probably have read it before turning back here to read The Eyrie; and we think you will agree with us that it’s one of the most interesting things we’ve ever published.

Unless we’re grievously mistaken, you will like the second and final installment still better.  Terrifying, to say the least, were Houdini’s adventures in that underground, torture chamber, but more terrifying still are the things that follow.  In the April issue of WEIRD TALES the Houdini article will be concluded, and we can promise you that you’ll feel well repaid for having read the rest of it.

We recommend that you order the April issue early. Tell your newsdealer to save a copy for you. There is likely to be an unprecedented demand for it; and you will feel chagrined if the salesman says, in response to your belated request, “We’re all out of April WEIRD TALES.”

We also suggest that you miss none of our forthcoming issues. This Houdini article, remember, is only the first of a series.  More will follow.  Watch for them.

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