Houdini’s escape from jail cell(s) in Amsterdam, January 1903?

I am amazed than other than the two posters above, that there is very little information about this jail escape.

According to Brainy History, Harry Houdini performed at Rembrandt theater Amsterdam on January 12, 1903 and escaped the police station Halvemaansteeg in Amsterdam on January 21, 1903.

Based on the Sphinx Vol 1 No 11 Jan 1903, we know Houdini was at the Rembrandt Theatre, Amsterdam, Holland Jan 1-31.

According to the two posters it was Jan 12, 1903, he escaped police station Halvemaansteeg. Note: One of the posters that lists Jan 12, 1903 at the top, also lists Jan 1902 at the bottom.

Frank Koval Research Diary for 1903 lists Jan 12 based on the poster (depicted on p19). Frank also references a photograph (most likely the basis for the posters) on p21 from the Sidney Radner Collection, which Houdini had written that it was probably taken in 1904. Koval states that Houdini was mistaken and that it was taken in 1903.

However, that photograph appears in The Adventurous Life of a Versatile Artist, with the caption: Houdini as Handcuffed and Manacled by the Dresden (Germany) Police, September 1900. Frank Koval’s Research Diary for 1900 has Houdini in Dresden the month of September and on Sep 20 escaping from cuffs and leg irons before Von Windheim, Germany’s highest police official.

That photograph also appears on German postcards from 1900 and 1902, that sold on eBay. So based on photographic evidence, it appears the image used for the poster(s) was based off an earlier escape in Dresden Germany not Amsterdam Holland.

According to Mahatma February 1903: Harry Houdini has returned from England and is now in Amsterdam, Holland. He broke out of two police cells in one day [no date given] – in a nude condition at that.

And last but not least, Silverman’s only mention is the following sentence on page 93: …escaping nude from an Amsterdam jail cell and conquering unusual bolted cuffs, horseshoe-shaped, that fettered his cross hands. [Source: Nieuwe Winschoter Courant, 23? Jan 1903.] FWIW: Houdini’s hands are not crossed on the Amsterdam poster.

That’s all I got, if you have additional information, please share.

An Hour With Houdini in His Thrilling Serial of Breathcatching Stunts

New York, Oct 5 – “No one works harder than Houdini,” declared an actor last week, which information suggested a visit to the studio where the big serial, The Master Mystery, is now in the making, with the famous handcuff king performing remarkable feats that defy the fates.

Tho the hour was early Director Burton King had already shot a scene in a Chinese club [found in Episodes 9, 12/13] which reeked of incense, grotesque idols, huge emblems and Oriental atmosphere.  And be it said every stick of furniture, bric-a-brac, matting and draperies were the genuine article.

Looking thru the immense studio-two of them—and many outbuildings filled with all the paraphernalia and furnishings of costly design convinced us that the Houdini serial will eat up a good-sized fortune before it sees the light of day.

A tank lined with thick glass 12 feet high was being built to accommodate the intrepid magician.  In a few scenes Houdini plays a secret service man and the adventuress, with her accomplices, are anxious to destroy the man.  Here is where the location man came in and ordered us all into big touring cars, camera and director leading the way to a tall apartment house up to whose roof we pussyfooted, for the tenants were curious and some were inquisitive-asking “Where’s the fire?” etc,

All the actors were in makeup and excited comment from the women on the opposite roof, who were hanging out their Monday [Sep 30, 1918] wash. No time was lost in arranging the scene [Episode 5], with the huge water tank as the principle objective, for the villains must throw him, bound hand and foot, into the depths of water and leave him to perish.  According to the script these were the directions given, and a paragraph added: “But how in h—- —- is he going to get out of it?”

But Houdini smiled like the cat who had swallowed the canary, for who has ever caught him in a place from which he had not extricated himself?

Looking at the formidable sheet iron cover of the ugly tank made us shudder, Suppose this time he could NOT get out? Perish the thought.  But his left wrist was in bandages the result of a fall while making a scene [Episode 1] which caused a severe dislocation.

“Now let’s rehearse a bit,” ordered the director, and the beginning of the scene was gone over, with Miss Britton in yellow satin and black fox furs, leading the cutthroats up the stairs.  All was bustle and excitement, with Mr. King shouting: “You do this,” “You remember that,” “Action over there,” Move quick,” “Ye Gods do you think this is a funeral?” And then they had to go all over it again and the plate was marked N. G., for a cook on the opposite building had loomed forward in the focus of the camera, spoiling the scene.

Finally Houdini, roped and helpless, was carried up a ladder and thrown into the dark aperture of the big tank. “Keep it up,” called the director, as the camera ground rapidly,” “nail down the cover”-Bill, move faster keep going—speech—hurry—now let him…down, Joe—Miss Britton, make them follow you—righto-good-stop.”

That scene was over, but the great Houdini was wallowing in the rising water with hands tied behind his back and the cover nailed tight.

Cold chills crept over us as we waited.  Supposing he were DROWN? “Shoot” came the command, and in breathless suspense we waited.  Suddenly the cover was flung off the top of the deathholding tank, and Houdini dripping wet, his hands free from the ropes, and raced madly after the conspirators.

He had done the trick.

Yet they say a screen star’s life is not a strenuous one!

Source: Billboard October 12, 1918


Image courtesy of Kevin Connolly

Here are my notes from the UCLA archive of The Master Mystery that describe the Water Tower Escape footage (which doesn’t exist on The Miracle Factory, Kino, and McIlhany archives):

  1. Water Tower is filling up with water and Harry Houdini (HH) is unconscious.
  2. HH wakes up when the water hits his face
  3. HH frees his feet first and places them on ladder for leverage.
  4. HH frees hands and starts getting rope off body.
  5. HH’s head is underwater and then he turns his body and you see his head coming out of the water but the rope is still around his neck tied to pipe.
  6. HH tosses and turns and gets rope off his neck and starts climbing ladder inside the tank
  7. HH opens lid and goes down ladder on outside of tank.

Special thanks to Kevin Connolly for allowing me to share the image of the Water Tower Escape from his personal collection.

A Look Back at 2017

2017 was an amazing year for Harry Houdini Circumstantial Evidence (HHCE) for a number of reasons.

Started the year off by sharing some amazing information about Houdini’s relationship with Hardeen, the Keaton’s, and Hackenschmidt. Included new insight to Coney Island story, additional info on Buster Keaton story, and evidence of Houdini promoting wrestling matches.




Shared some thoughts and answers to the following questions:

Shared evidence of a second prison cell and Barrel Mystery poster:

Shared Chef Houdini recipes while honoring Chef Gene, a fellow Houdini Nut, who just got married this year:

Shared beautiful 1976 Volare Auto brochures and 1977 Pharmaceutical calendar ads of iconic Houdini feats:

Shared some amazing Tony Curtis and Janet Leigh ads:

Shared Houdini’s last week leading up to his death as reported by The Philadelphia Record Newspaper:

Shared some national holiday related posts:

Shared my holiday travels:

Shared news from Houdini Museum – Scranton:

Last but not least, shared some incredible ads, photos, and not widely known info about Houdini and his movies.

Master Mystery:

Grim Game:

Terror Island:

Man From Beyond:

Thanks to all the readers out there for your support. And a special thanks to Dick Brookz, Narinder Chadda, John Cox, Dorothy Dietrich, Leo Hevia, and Fred Pittella for your many contributions to this site.

Also would like to give a shout out to my fellow Houdini bloggers for keeping Houdini alive and well in 2017 at their excellent blog sites:

2018 should be another amazing year for Houdini.

LINK: How About Some Magic for the Holidays

Dayton Daily News, Dec 11, 1916, page 4

Traveling back 101 years this week to December 1916 in Dayton Ohio, Houdini was one of three performers competing for viewers.

Dayton Daily News, Dec 10, 1916, page 8

Below is a link to a 2016 Dayton News Archive article by Bill Stolz about families seeing a performance during the holidays which has some nice references to Houdini performance at B.F. Keith’s Theatre in 1916.

H A P P Y  H O L I D A Y S ! ! !


Back to Work on Dec 4th

I am back to work on Dec 4th after a vacation that wasn’t long enough.

In 1911, Houdini also returned to work on Dec 4th after a vacation that wasn’t long enough:

“I…am confined to my bed with strict instructions not to move,” he wrote Goldston on November 20, “So I am taking a vacation laying on the broad of back and doing some thinking. I have cancelled a number of weeks, but I will be able to go to work as the hemmorrage [sic] has already stopped, but must give the broken vessel [that burst early in Nov during one of his escapes in Detroit] a chance to heal.”

By November 30, Houdini was walking around. “I am allowed to go to work next week, under the condition that I do not do any strait jackets for several months,” he wrote Dr. Waitt. [Source: The Secret Life of Houdini p269; Image: Collection of Joseph Hanosek]

On Dec 4th, Houdini opened in Columbus, Ohio at the B.F. Keith’s Theatre.


School of Visual Arts Master of Arts Program with Elane Bryne and Dorothy Dietrich

On Tuesday, November 21, 2017, New York’s Prestigious School of Visual Arts Master of Fine Arts program presented world famous artist Elaine Byrne who spoke about her works including her recent video installation, “women boxed”.

“women boxed” features found footage of the magic trick of women being sawed in half and an interview with barrier-breaking magician Dorothy Dietrich.

women boxed is a three-channel video installation that invites dialogue about how women’s labor is viewed in society, using the magic trick of sawing a woman in half as a pivotal metaphor.

Dorothy Dietrich.is known as “the first lady of magic,” “The Woman Who Saws Men in Half”, and the first and only women in history to accomplish the jinxed catching of a bullet in her mouth, often called the stunt that scared Houdini.

Dorothy Dietrich was scheduled for final interview portion of the event.

Byrne observes, “The world of magic has been dominated by men, where the magician actively drives the story and the female assistant functions as a spectacle for the male gaze. The magician’s assistant brings the action to a stop and captures the spectator’s attention—she freezes the flow of events for moments of erotic contemplation.” Evoking ever-present gender inequality, the female assistant plays the role of victim. She is a woman literally encased in a box, seeming to await her fate. In actuality, the female assistant is largely responsible for the success of the trick, but her labor is hardly recognized.

One of Byrne’s three videos was recently filmed on location at the Houdini Museum in Scranton, Pennsylvania, where the artist filmed the renowned female magician, Dorothy Dietrich. Dietrich speaks about her role as a female magician in a male-dominated industry. At a time when women continue fighting for many freedoms and equalities all over the world, women boxed alludes to these struggles through the arena of magic and illusion.

“women boxed” was coordinated by Alexandra Friedman, Program Coordinator, ISCP. ISCP supports the creative development of artists and curators, and promotes exchange through residencies and public programs. This exhibition was supported, in part, by Yoko Ono, by New York City Department of Cultural Affairs in partnership with the City Council.

“Maker” magician Mario Marchese gave a fun magic performance, and an interview and question and answer session between the guests followed. Dorothy Dietrich was asked by an audience member is she could do a magic trick. She took a sheet of newspaper from someone in the front row and proceeded to tear it in half in whimsical manner, and the audience gasped when she instantaneously restored it, that brought on resounding applause.