“The Master Mystery” Broadside of Newspaper Reviews

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I shared the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

And as promised, today, I tie all the reviews together by sharing from my personal collection, this special broadside used to advertise “The Master Mystery” when it first came out:

Master Mystery 101 Years Ago – Variety

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I am sharing from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

  • Sat Nov 9
  • Sunday Nov 10
  • Friday Nov 15
    • Variety
  • Saturday Nov 16
    • Exhibitors Trade Review
    • The Billboard 
  • Saturday Nov 23
    • Motion Picture News
    • The Moving Picture World

And at the conclusion of this series, I will do a special post that ties it all together.

Today, I share the review from Variety:

Master Mystery 101 Years Ago – The Morning Telegraph

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I am sharing from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

  • Sat Nov 9
  • Sunday Nov 10
    • The Morning Telegraph
  • Friday Nov 15
    • Variety
  • Saturday Nov 16
    • Exhibitors Trade Review
    • The Billboard 
  • Saturday Nov 23
    • Motion Picture News
    • The Moving Picture World

And at the conclusion of this series, I will do a special post that ties it all together.

Today, I share the review from The Morning Telegraph:

 

 

 

Master Mystery 101 Years Ago – The New York Review

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I am sharing from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

  • Sat Nov 9
    • The New York Review
  • Sunday Nov 10
    • The Morning Telegraph
  • Friday Nov 15
    • Variety
  • Saturday Nov 16
    • Exhibitors Trade Review
    • The Billboard 
  • Saturday Nov 23
    • Motion Picture News
    • The Moving Picture World

And at the conclusion of this series, I will do a special post that ties it all together.

Today, I share the review from The New York Review:

 

 

Read What the Papers Say of HOUDINI in “The Master Mystery”

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Coming up on 101 years, The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I plan to share from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

And at the conclusion of this series, I will do a special post that ties it all together.

100 Year Anniversary – Houdini Breaks Wrist

Photo courtesy of Marc Wanamaker, Bison Archives

On June 30th, 1919 Houdini informs Oscar Teale that he has broken his wrist while filming The Grim Game. [Silverman NOTES to Houdini!!!].

One paper reported:

HOUDINI, the handcuff king now working at the Lasky Studio on the Pacific Coast, met with a bad accident while filming a new thriller now in preparation. Houdini’s wrist was broken and he will be incapacitated for a fortnight or more. [Reading Times, July 4, 1919]

Another paper reported:

Houdini, star of “The Grim Game” now being filmed at the Lasky plant, broke his left wrist a few days ago while doing a simple trick for the picture. [Buffalo Evening News, July 19, 1919]

So how did he break his wrist?

One paper reported Houdini sustained injury in making “The Grim Game” doing the following stunt:

In a fierce battle in which Houdini fights with a quartet of burglar “extras” his wrist snapped in the midst of the action and, though the scene was finished, further work on the picture had to be postponed for several weeks for it was found that a large bone in his wrist had been broken clearly in two. [The Mt. Sterling advocate, March 02, 1920].

However, I can tell you that the incident described above was how he broke his wrist in “The Master Mystery” not “The Grim Game”. That is, he broke his wrist in the Master Mystery while swinging from a chandelier during the fight. So how did he break his wrist in “The Grim Game”?

Silverman has an answer:

And in escaping one of the prison cells, he again fractured his left wrist, not as badly as the year before [in making the Master Mystery], but enough to have his arm wrapped and delay completion of the film by two weeks. [Houdini!!! The Career of Ehrich Weiss by Kenneth Silverman]

According to Houdini:

“It is unexpected that always happens.” Though doing daring stunts thousands of feet above good old Mother Earth, flying in cranky aeroplanes, climbing the outside of buildings, swinging from the top of a swaying flag-staff a hundred feet in the air, leaping on and off heavy motor trucks and the like, I never got a hurt, but from a three-foot fall I again broke my left wrist, not so badly as before, however for then a bone was broken in three places, while this time I escaped with one fracture. This accident has detained me in California longer than expected, but my wrist is now rapidly completing its “knitting work”, and I shall soon be able to give the necessary personal attention to the finishing stunts of the picture and return to New York. [MUM July 1919]

BTW: On July 26th, The Los Angeles Times reports:

Mr. Houdini has just completed the making of his mystery serial entitled “The Grim Game.”

What effect did Houdini breaking his wrist have on the film?

It delayed completion of the film by two weeks, but had no effect on the aeroplane stunt despite what Silverman reports:

Houdini had been willing to attempt the transfer despite his arm sling, but Willat refused to risk aborting his picture by losing his star.

You see, the aeroplane stunt which Houdini was never scheduled to do, took place well before Houdini broke his wrist.

But it did affect other footage. According to the Paramount Script:

Houdini frees himself from a straitjacket, swings like a pendulum at the end of the rope, catapults his body through a small window; and then scales a wall and disappears over the other side.

Photo courtesy of John Cox

However, this changed to the following:

Captured after a fight, Houdini was taken to a rooftop, strapped in a straitjacket and suspended head down over the side.  He released himself, fell into an awning, then dropped to the ground [right hand is holding awning and you can’t see the left hand].

And, if you watch the movie closely, there are scenes filmed where the cast on his wrist is visible, despite the fact they try to hide it and not film his left-side. For example, before he boards the plane (when he is still on the ground), Houdini’s left arm is in a cast but when you see him on the wing, the cast isn’t there; obviously filmed at different times.

An Hour With Houdini in His Thrilling Serial of Breathcatching Stunts

New York, Oct 5 – “No one works harder than Houdini,” declared an actor last week, which information suggested a visit to the studio where the big serial, The Master Mystery, is now in the making, with the famous handcuff king performing remarkable feats that defy the fates.

Tho the hour was early Director Burton King had already shot a scene in a Chinese club [found in Episodes 9, 12/13] which reeked of incense, grotesque idols, huge emblems and Oriental atmosphere.  And be it said every stick of furniture, bric-a-brac, matting and draperies were the genuine article.

Looking thru the immense studio-two of them—and many outbuildings filled with all the paraphernalia and furnishings of costly design convinced us that the Houdini serial will eat up a good-sized fortune before it sees the light of day.

A tank lined with thick glass 12 feet high was being built to accommodate the intrepid magician.  In a few scenes Houdini plays a secret service man and the adventuress, with her accomplices, are anxious to destroy the man.  Here is where the location man came in and ordered us all into big touring cars, camera and director leading the way to a tall apartment house up to whose roof we pussyfooted, for the tenants were curious and some were inquisitive-asking “Where’s the fire?” etc,

All the actors were in makeup and excited comment from the women on the opposite roof, who were hanging out their Monday [Sep 30, 1918] wash. No time was lost in arranging the scene [Episode 5], with the huge water tank as the principle objective, for the villains must throw him, bound hand and foot, into the depths of water and leave him to perish.  According to the script these were the directions given, and a paragraph added: “But how in h—- —- is he going to get out of it?”

But Houdini smiled like the cat who had swallowed the canary, for who has ever caught him in a place from which he had not extricated himself?

Looking at the formidable sheet iron cover of the ugly tank made us shudder, Suppose this time he could NOT get out? Perish the thought.  But his left wrist was in bandages the result of a fall while making a scene [Episode 1] which caused a severe dislocation.

“Now let’s rehearse a bit,” ordered the director, and the beginning of the scene was gone over, with Miss Britton in yellow satin and black fox furs, leading the cutthroats up the stairs.  All was bustle and excitement, with Mr. King shouting: “You do this,” “You remember that,” “Action over there,” Move quick,” “Ye Gods do you think this is a funeral?” And then they had to go all over it again and the plate was marked N. G., for a cook on the opposite building had loomed forward in the focus of the camera, spoiling the scene.

Finally Houdini, roped and helpless, was carried up a ladder and thrown into the dark aperture of the big tank. “Keep it up,” called the director, as the camera ground rapidly,” “nail down the cover”-Bill, move faster keep going—speech—hurry—now let him…down, Joe—Miss Britton, make them follow you—righto-good-stop.”

That scene was over, but the great Houdini was wallowing in the rising water with hands tied behind his back and the cover nailed tight.

Cold chills crept over us as we waited.  Supposing he were DROWN? “Shoot” came the command, and in breathless suspense we waited.  Suddenly the cover was flung off the top of the deathholding tank, and Houdini dripping wet, his hands free from the ropes, and raced madly after the conspirators.

He had done the trick.

Yet they say a screen star’s life is not a strenuous one!

Source: Billboard October 12, 1918

BONUS:

Image courtesy of Kevin Connolly

Here are my notes from the UCLA archive of The Master Mystery that describe the Water Tower Escape footage (which doesn’t exist on The Miracle Factory, Kino, and McIlhany archives):

  1. Water Tower is filling up with water and Harry Houdini (HH) is unconscious.
  2. HH wakes up when the water hits his face
  3. HH frees his feet first and places them on ladder for leverage.
  4. HH frees hands and starts getting rope off body.
  5. HH’s head is underwater and then he turns his body and you see his head coming out of the water but the rope is still around his neck tied to pipe.
  6. HH tosses and turns and gets rope off his neck and starts climbing ladder inside the tank
  7. HH opens lid and goes down ladder on outside of tank.

Special thanks to Kevin Connolly for allowing me to share the image of the Water Tower Escape from his personal collection.

Book The Houdini Serial that was shown 99 years ago

In my last 2 posts (Nov 4 and Nov 11), I shared two color ads announcing different release dates for the Houdini Serial that premiered 99 years ago today:

What I didn’t share was the reverse side of these ads telling you to book the Houdini Serial (The Master Mystery):

I also didn’t share that it was shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City before it officially premiered in Boston on November 18, 1918.

Houdini Serial to be released on Armistice Day

The Houdini Serial, The Master Mystery, to be released on November 11th (Armistice Day) as opposed to November 4th, according to the following ad (Oct 26) from Motion Picture News:

As it turned out, the first showing of The Master Mystery was November 18th, 1918 in Boston.

That said, production plans have been shattered by the epidemic and the war.  Peace means profits according to the following ads (Nov 16, Nov 30) from Motion Picture News:

Armistice Day (which coincides with Remembrance Day and Veterans Day, public holidays) is commemorated every year on 11 November.  Please honor and remember those who have served in the Armed Forces.