Today, I continue my series where I share 4 page supplements that appeared in Kinematograph and Lantern Weekly and promoted Houdini’s movie serial, The Master Mystery, in the UK.
It appeared on supllement pages xiii-xvi of the January 23, 1919 Kinematograph and Lantern Weekly
Houdini Schooldays: Plus history of the story is now available on Amazon.com and Amazon.co.uk
Product Description:
Joe M. Notaro brought Houdini’s full novella, ‘The Zanetti Mystery” into print and now he tackles ‘Houdini’s Schooldays’.
‘Houdini’s Schooldays’ was serialized over 30 weeks (9/18/1920 to 4/2/1921) in the ‘Merry and Bright’ comics and has never been published in book form until now. Herbert Allingham was the author and Harry Houdini owned the dramatic and screen rights.
This is a BIG story. An extremely fine production in all respects.
Don’t miss this amazing yarn.
A MAN LIKE HOUDINI could not fail to have had a wonderful early life, and this story tells of his adventures while still at school.
In addition to sharing ‘Houdini’s Schooldays’ with original illustrations, Joe. M. Notaro shares his research on the history of the story, along with photos of rare items (from various collections). Research includes other Allingham stories with Houdini’s name attached, Copperfield’s ‘Merry and Bright’ books, Houdini and Allingham correspondence, Houdini’s education (Appleton, Milwaukee), and a look at possible illustrators for the story.
Joe M. Notaro is a Houdini historian, author, collector, blogger, and expert on his movies and writings. For more info, please visit his website: HarryHoudiniCircumstantialEvidence.com
BONUS:
While supplies last, the first 52 customers (U.S. only) to purchase directly from me via PayPal will receive an autographed copy of the book with a signed and numbered limited edition bonus card (1 per customer):
Please inquire about price and availability via email: Joe.M.Notaro@gmail.com
Today,starts a series, where I share 4 page supplements that appeared in Kinematograph and Lantern Weekly and promoted Houdini’s movie serial, The Master Mystery, in the UK.
Image courtesy of WildAboutHoudini; Credit Mark Mawston Collection
I first learned about the above 4-page “Houdini Herald” supplement via the following WildAboutHarry post:
It appeared on pages 33-36 of the February 6, 1919 Kinematograph and Lantern Weekly
BONUS
The following appeared on page 76 of the February 6, 1919 Kinematograph and Lantern Weekly:
The Houdini Serial – The New Bio is giving two big Trade shows at the Lonon Pavilion on Feb. 11 and 12 of “The Master Mystery.” featuring the great Houdini. Apart from the merits of the picture, we understand that the firm is negotiating for the serial rights which will be reproduced in one of the leading papers, and also that is contemplating putting out a most novel competition in connection with this serial, which should be of great interest both to the public and to exhibitors. We hear most enthusiastic reports in connection with the drawing powers of this film, and we feel sure exhibitors will be the fits to realise the great attractive powers of Houdini name. We are asked to state by the New Bio that those exhibitors who have not yet written in for reserved tickets for the London Pavilion music hall for February 11 and 12 should do so immediately, owing to the very heavy demand.
The following appeared on page 68 of February 13, 1919 Kinematograph and Lantern Weekly:
The ‘Houdini Herald”
It has been said that half the art of advertising lies in attracting attention. If this is so, then the Houdini Herald, which we published as a supplement last week, is cetainly an outstanding advertiement, for it could not be missed by anyone seeing the paper. The advertisement has been the subject of much comment and discussion, and we congratulate the firms handling the Houdini serial on that fact. It needs the commercial courage to test new methods, but, we think, the people concerned will find ample reward in this case. This Herald serves the double purpose of interesting the exhibitor in both a business and more personal sense, as the articles are interesting reading for anyone, and also form pulling publicity for the exhibitor to use later.
Grim Game lobby cards came in 11×14 and 8×10 sizes.
Lobby cards were traditionaly made in sets of 8, plus a title card. The images were selected to give a sense of the story line of the movie and to supply the credits. The rotogravure process used in printing Lobby Cards made them more durable than the fragile photographic stock on which the movie stills were printed.
But what about these phographic stock Grim Game production (298-xx) and newspaper reproduction only (L302-xx) stills?
Grim Game stills (photos) are typically 8×10, but recently I acquired an original 11×14 still:
14×11 still (HHCE Collection)
The 14×11 still was created from a photo image with a 5:4 ratio, so you lose an inch on the width and height.
Thus you only see L302-8 vs L302-84.
You can also see this rare still in the Henning book on pages 78 and 79.
Bonus:
10×8 Still 298-84 (MHL Collection)
Postcard of still 302-84
I am the proud caretaker of Houdini’s signed copy of the Merry & Bright Book he compiled with the Houdini’s Schooldays Story.
Houdini’s Schooldays was serialized over 30 weeks (9/18/1920 to 4/2/1921) in the Merry and Bright comics. Herbert Allingham was the author and Harry Houdini owned the dramatic and screen rights to this yarn.
I plan to release the story in book form (with original illustrations), and share my research on the history of the story (with photos of rare items from various collections). Research includes other Allingham stories with Houdini’s name attached (e.g., The Amazing Exploits of Houdini), Copperfield’s Merry and Bright books, Houdini and Allingham correspondence, Houdini’s education (Appleton, Milwaukee), and a look at possible illustrators (e.g., Ogle) for the story.
Today, I continue my series of posts where I share an interview that Pictures and Picturgoer magazine did with Harry Houdini:
“WILL you step this way, please?” The call-boy of a popular London music-hall beckoned to PICTURES representative, and hurried along endless corridors to a dressing room where reposed the man whose name is a household word the world over—Harry Houdini—the Handcuff King. Repose may seem an inadequate term to use in connection with this live, active and almost restless personality, but it is accurate. Houdini works hard, plays hard, and rests hard.
We talked of many things; of life and hopes and ambitions, of business and of romance.
His pleasure in films.
One of his reasons for his pleasure in the popularity of films is rather delightful. “Because they give old people a chance of securing work as actors,” he said.
This feeling is no doubt born of his long and happy association with stage-folk, whom he dearly loves, and while at the Lasky studios making The Grim Game he met two or three hundred men and women of the theatrical world who were too old for the stage, yet were earning a generous livelihood at film-acting.
One more word about Houdini ; he neither drinks nor smokes. Movieland be glad to welcome him into its fold—on and off the screen, for we are glad to know we have men of such ideals amongst us. M. O. B.
Source:
Today, I continue my series of posts where I share an interview that Pictures and Picturgoer magazine did with Harry Houdini:
“WILL you step this way, please?” The call-boy of a popular London music-hall beckoned to PICTURES representative, and hurried along endless corridors to a dressing room where reposed the man whose name is a household word the world over—Harry Houdini—the Handcuff King. Repose may seem an inadequate term to use in connection with this live, active and almost restless personality, but it is accurate. Houdini works hard, plays hard, and rests hard.
We talked of many things; of life and hopes and ambitions, of business and of romance.
His fertile brain.
Not so engulfed in his own career that he has no time to watch what is going on in the outside world, Houdini is interested in topics and problems of the day, and has also various hobbies.
One of these is—invention. He loves inventing things, and the scheme of the new American travelling trunk now on the market emanated from his fertile brain. He got the idea for this while on tour with a circus many years ago, when facilities for carrying luggage were such that it required great ingenuity to carry anything at all.
Will power is one of Houdini’s strong points—always he had the will to succeed. Perhaps that is why he did. Once having made up his mind that a thing is possible he will never rest until he has accomplished it. An example of this is when once he practised for six weeks in order to get one effect [scaling the wall of a building, then climbing out on the flagpole and then doing some additional fancy work while hanging by his knees] on the screen [The Grim Game].
Source:
Today, I continue my series of posts where I share an interview that Pictures and Picturgoer magazine did with Harry Houdini:
“WILL you step this way, please?” The call-boy of a popular London music-hall beckoned to PICTURES representative, and hurried along endless corridors to a dressing room where reposed the man whose name is a household word the world over—Harry Houdini—the Handcuff King. Repose may seem an inadequate term to use in connection with this live, active and almost restless personality, but it is accurate. Houdini works hard, plays hard, and rests hard.
We talked of many things; of life and hopes and ambitions, of business and of romance.
His greatest happiness.
“I find my greatest happiness, ” he said, in my library among my books, in the company of my wife. I have a number of rare editions and a choice collection—one of the greatest in the world, I believe—of theatrical books. Some of my most treasured possessions, too, are souvenirs of various kinds, of famous stage-folk whom I have met in my career.
“My greatest ambition—maybe I’ll surprise you with my answer—it’s just this—to be worthy of my mother.” And in that one can sum up the character of this many-sided and amazing personality.
Houdini is a dark, slim man, in the early forties, active as a boy, always in the pink of condition, thanks to the healthy, athletic life he leads, and with a super-abundance of energy. Curiously enough he declares that. the less he sleeps the better he works.
Source:
Today, I continue my series of posts where I share an interview that Pictures and Picturgoer magazine did with Harry Houdini:
“WILL you step this way, please?” The call-boy of a popular London music-hall beckoned to PICTUR ES representative, and hurried along endless corridors to a dressing room where reposed the man whose name is a household word the world over—Harry Houdini—the Handcuff King. Repose may seem an inadequate term to use in connection with this live, active and almost restless personality, but it is accurate. Houdini works hard, plays hard, and rests hard.
We talked of many things; of life and hopes and ambitions, of business and of romance.
His pet superstition.
For instance. I once broke my wrist getting out of a window three feet from the ground. I reckon a brave man is one who takes risks while fully realising what he is undertaking—it is the fool who is reckless.
I’m not superstitious, really, but like most people I have one pet superstition, and it is that it is unlucky to keep a lock of another person’s hair. Once when I was experiencing a run of bad luck I remembered that I was carrying a lock of the famous Duke of Wellington’s hair as a souvenir. Directly I remembered this I determined to lose no time in getting rid of it. It was 4 o’clock in the morning when I thought of the lock, but I got up and burned it—and my luck changed.
When the conversation turned on ” happiness,” Houdini warmed to the subject and divulged what that magic word meant to him.
Source:
Today, I continue my series of posts where I share an interview that Pictures and Picturgoer magazine did with Harry Houdini:
“WILL you step this way, please?” The call-boy of a popular London music-hall beckoned to PICTUR ES representative, and hurried along endless corridors to a dressing room where reposed the man whose name is a household word the world over—Harry Houdini—the Handcuff King. Repose may seem an inadequate term to use in connection with this live, active and almost restless personality, but it is accurate. Houdini works hard, plays hard, and rests hard.
We talked of many things; of life and hopes and ambitions, of business and of romance.
His future film plans.
Houdini has left his picture work for a few months, only because he had an old music hall contract to fill—that is why he is in London now, but he is going back to it, and has already on hand scenarios for four more films. “I intend to devote myself to the film profession for good when my variety contract is concluded,” he informed me,” and shall take several English players back to America with me to play in my future pictures. The studio work interests me immensely, and I’ve made up my mind to never fake an effect; I never have yet, on stage or screen, and I never shall.
“There is an aeroplane stunt in The Grim Game, my Famous Players-Lasky film, which you will see here next autumn, which was an unrehearsed accident, and the chances were a million to one that all the players would meet their death—yet no one was injured.
“I am absolutely devoid of fear, through keeping my nerves in perfect order, and though I had to risk my life several times daily while making The Grim Game, I never had a single nervous moment. Strangely enough, the few accidents I have ever had have been caused at times when danger was at a minimum.
Source: