Two reels of Houdini Film

Received the following email from our friends Dick Brookz and Dorothy Dietrich (D&D) at the Houdini Museum in Scranton:

Hi Joe,

Just got 14 minutes of digital Houdini film highly watermarked to protect ownership

.Each reel is about seven minutes

One is Houdini hanging from a bed sheet from a 4 story building, swinging from window to window swinging over to a drain pipe and lowering himself to the ground.  It is in broken segments as it was filmed.

The other is various clips we have seen small part of before but these are more lengthy.  One lowering a person on a shipment, and kissing Bess, a couple quickies wit Harry Kellar, Houdini taking a bow, the putting him a crate and dumped overboard, him being tied up by a gang of monks, etc.

Any thoughts?

Dick Brookz and Dorothy Dietrich

Without seeing the film clips, my initial thought was that they all sound familiar and that there is a “hanging from a bed sheet” scene in The Man From Beyond (TMFB).

Meanwhile, D&D let the owner know I was an expert on Houdini Films, and got permission for me to review and comment on the two reels.

It turns out, I had seen these two Pathe reels at a Houdini Nuts gathering at the Magic Castle last year, but at the time was not allowed to describe what I saw, nor study the films.

Well, thanks to D&D, and the owner of the footage, I can now share what’s on them.

Here’s a breakdown of the Houdini Footage on Reel 1.

Monk Table Tie Escape (0:00:00)

This is footage of Houdini doing an escape on the set of Haldane of The Secret Service. This is not from the movie itself. The scenario appears to be that he’s being challenged by monks (played by actors and assistants.) This is the same cut footage that has appeared in documentaries. The uncut version shows the full escape and Houdini being raised up on the of the shoulders ecstatic monks.

Houdini, Kellar and Hardeen (0:01:48) 

This is familiar footage of Houdini shaking hands with Kellar, and then the two getting into backseat of car driven by Hardeen.

Houdini and Kellar Rope Ties (0.02:15) 

This footage (found on Film-Flamming and other documentaries) was shot in front of Dash’s house in Flatbush (where Houdini may have been living at the time). The footage is so clear you can read the address on the porch.  Houdini and Kellar are seen taking turns demonstrating rope ties. You also see a shot of Bess with Kellar and Houdini in front of the house. As well as Kellar having fun demonstrating his famous Kellar rope tie escape by having Houdini and Hardeen tie his wrists.

Behind the Scenes filming of The Man From Beyond (0.03:21)

You see Houdini rehearsing a scene on a vessel and then consulting with Burton King about the scene. You also see the famous footage of Bessie “sprucing up” Houdini and getting a little smooch from him.

Master Mystery Packing Case (0.05:02)

This is familiar footage from the Master Mystery movie of Houdini doing a Packing Case escape.

Miscellaneous (0.06:15)

This is familiar footage of Houdini in white bathing suit handcuffed with 4 pairs of handcuffs.  You then see Houdini surfacing and resurfacing with the handcuffs, checking to see they got some good shots.

So the footage on Reel 1 has appeared on documentaries and much of it is available on YouTube.

But Reel 2 is a different story.

Scaling a Building (0:00:00)

Houdini is hanging from a bed sheet from a 4 story building, swinging from window to window swinging over to a drain pipe and lowering himself to the ground. It is in broken segments as it was filmed.

(0.00.00) We see Houdini opening the shutters of the top window of a 4 story building and looking around. He then pulls out bed sheet’s tied together and hooks them to the window. Houdini then puts his left leg outside the window and grabs the bed sheet ladder.

(0.00.47) We see the bed sheets hang down to the bottom of the second window. Houdini grabs the bed sheet ladder and starts climbing down. He kicks open the right shutter of the second window below and climbs down grabbing hold of the left shutter. He then swings himself attached to the shutter and bed sheet to the adjacent window where he grabs the right shutter and lets go of the bed sheet ladder. He then swings the right shutter close while grabbing the left shutter.

(0.01:50) We see Houdini holding onto a drain pipe and then dropping to the ground and walking away.

(0.01.59) Similar to (0.01:50) footage.

(0.02:06) We see back of Houdini from the waist down on the drain pipe jumping down and walking away.

(0.02:14) Similar to (0.02.06) footage

(0.02:25) We see back of Houdini’s head and hand on drain pipe looking down before he starts to climb down.

(0.02:30) Similar to (0.02:25) footage

(0.02:41) We see Houdini from the waste up climbing down the drain pipe and jumping down.

(0.02:54) We see most of Houdini climbing down the drain pipe and jumping down and walking away.

(0.03:03) Similar to (0.02:54) footage

(0.03:12) Similar to (0.00:00) footage.

(0.03:52) We see Houdini on adjacent window after he let go of bed sheet ladder and shutter of adjacent window. And then we see him make his way to the next adjacent window shutter and then the drain pipe. He then climbs down the drain pipe pass two stories of windows until he reaches the ground.

(0.05:30) We see Houdini at the top window going down the sheet ladder to window below, swinging over to the adjacent window, and from there swinging over to another adjacent window.

(0.06:36) We see Houdini swinging over to another adjacent window, transfer to drain pipe and then slide down the drain pipe.

So where is this footage from?

The Man From Beyond (TMFB)

This footage is not the one from TMFB, nor is it from The Grim Game (TGG).

Although TMFB had an escape where Houdini freed himself from bedsheets, then used the bedsheets to scale down the building.

And TGG synopsis for the scenario writer had Houdini escaping from a jail, then using the rope of a flag pole from the building to scale down each story; arriving on each window ledge, he cuts off the end of the rope, ties it to he cell bar on the window and lowers himself again. TGG script also had Houdini freeing himself from a strait-jacket, swinging like a pendulum at the end of a rope, catapulting his body through a small window, and then scaling a wall and disappearing over the other edge.

Escaping and scaling buildings definitely was a theme in some of his movies.

And Houdini was also known to do “human fly” stunts.

Per a Wild About Houdini post:

He climbed the exterior of 278 to bring Bess flowers on their anniversary. He performed at least one human fly stunt during his return tour of the UK in 1920, when he climbed to the top of a castle in Newcastle and dangled from a parapet.

Houdini also shot random scenes in London, Edinburgh and Paris for a movie he was going to call The Dupe. Some of that footage was later used in Haldane of the Secret Service. But some footage was never used.

All of this said, this footage on reel 2 has never appeared on any known Houdini movie, nor documentary for that matter. Incredible!

Thoughts?

Special Thanks to D&D and the owner for allowing me to review and comment on this footage.

Related:

Rare Letter(s) Revealing an Essential Element of Houdini’s Philosophy

Houdini-opoly creators Dorothy Dietrich and Dick Brookz of the Scranton Houdini Museum just shared with me a RARE LETTER REVEALING AN ESSENTIAL ELEMENT OF HOUDINI’S PHILOSOPHY that is available at Manhattan Rare Book Company for $9,500.  The description is as follows:

HOUDINI, HARRY.

Typed Letter Signed

”The one great way to succeed in the world is to make up your mind to do certain things, go after them and get them…”

HOUDINI, PRAISING “DOGGED DETERMINATION” AND “STICK-TO-IT-IVNESS”, OFFERS HIS ADVICE ON THE SECRET TO SUCCESS.

The letter, responding to a request by an American teacher S.D. Green to offer inspiring words to his students, is typed on Houdini’s letterhead and singed in ink “Houdini”. It reads in full:

278 W. 113th St.
New York, N.Y.
October 6, 1922.

Mr. S. D. Green,
Department of Business Instruction,
Trenton, N. J.

Dear Sir: –

Just returned from Boston where I have been appearing in person with my latest production “The Man from Beyond”, therefore my apparent procrastination in answering your letter of Sept. 18.

You ask me to inspire a double quartette of boys to do better work in school, to be better citizens in the business world. What could be a better example than your “stick-to-itveness” [sic] in having written three letters until you pugnaciousness has caused me to write this letter.

The one great way to succeed in the world is to make up your mind to do certain things, go after them and get them and if they follow your example, they must succeed.

I have had a young man come into my office for five months. There was nothing for him to do but last night I had to rush him per special automobile to get the Wolverine express to get in Detroit in time. Had he not possessed the dogged determination to get a position in this field he would have been entirely forgotten.

Trust that the boys will look upon this example right in their midst as a far better example than going abroad and looking for the bluebird.

Regards,

Sincerely yours,

[Signed] Houdini

HH:JS

Houdini was famous for insisting that he didn’t have any special talents or magical abilities, but that his success was the product of intense hard work and practice. In an oft-quoted passage from a 1918 interview in American Magazine, he explains:

“You must not think for one moment that these things came easy to me; that I have done them because, for instance, I have ‘double joints,’ as they are called. I have only to look at the mirror to see the results of the hard, grueling work I have gone through. The constant mental and physical strain has turned my hair gray; and, at forty-six, I look ten years older than I really am… No one except myself can appreciate how I have to work at this job every single day, never letting up for a moment… In each tow where I play I hire an empty stable, or loft, or room, and here I put in hours upon hours of study and experiment. But when I have perfected a thing after weeks and months of study and practice, there is a sense of satisfaction I cannot describe….”

Written at the height of his fame, the letter to Mr. Green underscores Houdini’s deeply-held belief in hard work and dedication.

Note: “The Man from Beyond,” which Houdini mentions in the first sentence of the letter was a silent movie he starred in; it opened a few months earlier in April 1922.

WITH: A subsequent typed letter signed to Mr. Green from 1924 reading:

Dear Mr. Green: –
Your letter was mixed up with a bunch of mail. Came to light this morning.

You have my permission to use the letter written to you by me on October 6, 1922, for the purpose stated in your letter.

Will you kindly change the tautology in the fourth paragraph where I say “to get the Wolverine Express, to get to Detroit”.

Trusting you will attend to this.

Sincerely yours,
[Signed] Houdini

HH:JS

Main letter: One sheet of 8×10.5 inch letterhead with Houdini’s image on the top left. New York: October 6, 1922. Usual folds; fine condition with very strong Houdini signature. Subsequent letter: 5.5 x 8.5 inch sheet letterhead, usual folds.

Premier of The Man from Beyond

Press and Sun Bulletin Mar 24 1922

Beginning Sunday Eve, April 2, Houdini premiers in person and on the screen in “The Man From Beyond” at Times Square.

New York Times Sun Mar 26 1922

Below is a bi-fold program for the premiere of Houdini’s movie “The Man From Beyond” that I recently acquired:

Joe M. Notaro Collection

And the following are some reviews:

New York Tribune Mon Apr 3 1922

 

The New York Times Tues Apr 4 1922

 

Other Related Posts:

Review of The Man From Beyond for the UK

It is not widely known that The Man From Beyond (TMFB) was released in the UK shortly after Houdini’s untimely death in 1926.

In a 2015 post, our friend, John Cox asked the question:

So who released the film in the UK in ’26, I wonder?

I shared with John that TMFB (5,700 feet) was reviewed and picked up by a London-based company (i.e., Unity Film Company) and shown at a Trade Show on May 20, 1926 [correction May 10, 1926] for release on Dec. 27, 1926.

[1927 The Kinematograph Year Book]

What I didn’t share was the actual review (page 64 below) from the May 20th, 1926 Kinematograph Weekly No. 986 that I obtained in 2015 from the British Film Institute:

There is another mention on page 62 in the same 1926 Kinematograph issue:

“Films at a Glance – Continued.”

Title and Renter:  MAN FROM BEYOND, THE  (Unity)

Running Time and Certificate: 60 min ()

Stars: Houdini

Type: Sensational drama

Remarks: Poorly constructed return-from-the dead story with rescue from waterfall climax.

Box-Office Angle: Mediocre popular book-ing.

Do you agree with the review?

“The Man From Beyond” and a Personal Appearance of another Escape Artist

Harry Houdini was known to make personal appearances at his movies.

While visiting Fred Pittella in NYC, he shared evidence of another Escape Artist making a personal appearance at one of his movies.  Fred graciously allowed me to share this evidence below:

In 1922 on Friday, Saturday & Sunday, December 15th, 16th, & 17th,  The Man From Beyond”was playing at the Stadium Theatre located at Third Ave & 119th street, New York.  As an added attraction in conjunction with Harry Houdini’s master production “The Man From Beyond”, the escape artist Genesta was to make a personal appearance and escape from a barrel of water:

Genesta and TMFB Pittella Collection A

Credit: Fred Pittella Collection

Wizard of wonders in his sensational and death-defying escape from a barrel of water. After being securely handcuffed by a committee selected from our audience and locked in a barrel.  This is positively the most sensational death-defying stunt ever attempted.  Bring your own padlock.  Inspect barrel in front of theatre. This barrel is the exact duplicate of the infamous torture barrel used in Russia by the Bolshevicks which many of the royalty were tortured and put to death.  To see it is to believe it.

Genesta Pittella Collection A

Credit: Fred Pittella Collection

Special Thanks to Fred Pittella!

FP_LOGO_0009_small_bannerPlease check out Fred Pittella’s excellent website, Houdini and Escapes Museum to see lots of photos of Fred’s magnificent Houdini and restraints collection.

UPDATE:

Nevertheless, to get his picture talked about he made personal appearances with it for about three weeks…

He also created four touring companies, hoping to gain a national audience for The Man From Beyond by presenting it in connection with “The Houdini Wonder Show of 1922.” One or two well-known magicians or escape artists headed each unit, notably Frederick Eugene Powell…

Houdini appeared at the opening show of each unit, and made it clear that these were his shows, combined with his movie. [Silverman]

 

Happy Valentine’s Day to all the Ladies

Below are five romantic photos of Houdini with his leading ladies from his movies. Can you guess which movie each is from and who the lady is?

HVD Leading Lady Image 1a

Image 1 – courtesy of Harry Ransom Center

HVD Leading Lady Image 2

Image 2 – courtesy of Wild About Houdini

 

HVD Leading Lady Image 3

Image 3 – courtesy of Wild About Houdini

 

HVD Leading Lady Image 4

Image 4 – courtesy of Random Treasures

 

HVD Leady Lady Image 5

Image 5 – courtesy of Harry Ransom Center

Each correct movie is worth one point and each correct lady is worth another point.

Click here for the answers.

How many did you get correct?

Hopefully you got lucky and scored a perfect 10.

And enjoyed the images and had a Great Valentine’s Day!

 

Drifting Away From Vaudeville

airplane-collision-in-the-clouds

amazing-under-water-scenesBefore relocating to Hollywood to fulfill a contract with Famous Players-Lasky, Houdini wrote: “I am drifting away from vaudeville, and with the exception of my European dates have no plans re[garding] a return

Scenes-From-Photoplays-30Scenes-From-Photoplays-31Once he had filled these European dates [Sailed Dec 30, 1919 from New York City to Britain] and returned to the United States [July 12, 1920], Houdini stopped performing in theatres for more than a year-and-a-half while attempting to launch his own independent film production company, the Houdini Picture Corporation

Source:

  • Magicians and the Magic of Hollywood Cinema during the 1920s by Matthew Solomon
  • The Career of Ehrich Weiss by Kenneth Silverman pages 243, 262-263

Houdini Goes Over The Edge

This is positively a photographic reproduction of a genuine frame cut-out from the film, The Man From Beyond. MFB_exhibitorstrad00newy_1138 [Exhibitor’s Trade Review Volume 11 Number 17]

These are stunt dummies going over the falls, possibly shot as part of an alternative ending in case of disaster.

In the actual ending of the movie, the shots of the canoe going over the falls are dummy-free.

The Man From Beyond is a great heart-throb, mystery, love story in which Houdini is shown going to the edge of Niagara Falls to rescue the girl.

Related Posts with some amazing photos from the John C. Hinson Collection and Kevin Connolly Collection:

Burton King to be Houdini’s Director

First Production Which Will Be Made Is From An Original Story

HH Burton King exhibitorsherald12exhi_0_0281

The choice of director for Houdini in his first picture for his own producing company, Houdini Picture Corporation, has fallen to Burton King, a director with a noteworthy record.

Mr. King began directing ten years ago when, for Thomas H. Ince, he produced, “The Battle of Gettysburg,” “A Southern Cinderella,” “The Pride of the South” and a number of other Ince pictures. Since then he has directed for Famous Players, Metro, World Film Corporation, Vitagraph, Universal, Lubin, Selig, B.A. Rolfe and for his own company, Burton King Production.

Among his better known later day pictures are “The Spell of the Yukon,” “The Last Battalion,” “The Master Mystery,” in which Houdini made his film debut; “The Soul of a Magdalene” and “Silence Sellers”

His first picture for the Houdini Picture Corporation will be made from an original story by Houdini bearing the working title of “The Far North.” [AKA The Man From Beyond]

Source: April 16, 1921 Exhibitor’s Herald