Rare Letter(s) Revealing an Essential Element of Houdini’s Philosophy

Houdini-opoly creators Dorothy Dietrich and Dick Brookz of the Scranton Houdini Museum just shared with me a RARE LETTER REVEALING AN ESSENTIAL ELEMENT OF HOUDINI’S PHILOSOPHY that is available at Manhattan Rare Book Company for $9,500.  The description is as follows:

HOUDINI, HARRY.

Typed Letter Signed

”The one great way to succeed in the world is to make up your mind to do certain things, go after them and get them…”

HOUDINI, PRAISING “DOGGED DETERMINATION” AND “STICK-TO-IT-IVNESS”, OFFERS HIS ADVICE ON THE SECRET TO SUCCESS.

The letter, responding to a request by an American teacher S.D. Green to offer inspiring words to his students, is typed on Houdini’s letterhead and singed in ink “Houdini”. It reads in full:

278 W. 113th St.
New York, N.Y.
October 6, 1922.

Mr. S. D. Green,
Department of Business Instruction,
Trenton, N. J.

Dear Sir: –

Just returned from Boston where I have been appearing in person with my latest production “The Man from Beyond”, therefore my apparent procrastination in answering your letter of Sept. 18.

You ask me to inspire a double quartette of boys to do better work in school, to be better citizens in the business world. What could be a better example than your “stick-to-itveness” [sic] in having written three letters until you pugnaciousness has caused me to write this letter.

The one great way to succeed in the world is to make up your mind to do certain things, go after them and get them and if they follow your example, they must succeed.

I have had a young man come into my office for five months. There was nothing for him to do but last night I had to rush him per special automobile to get the Wolverine express to get in Detroit in time. Had he not possessed the dogged determination to get a position in this field he would have been entirely forgotten.

Trust that the boys will look upon this example right in their midst as a far better example than going abroad and looking for the bluebird.

Regards,

Sincerely yours,

[Signed] Houdini

HH:JS

Houdini was famous for insisting that he didn’t have any special talents or magical abilities, but that his success was the product of intense hard work and practice. In an oft-quoted passage from a 1918 interview in American Magazine, he explains:

“You must not think for one moment that these things came easy to me; that I have done them because, for instance, I have ‘double joints,’ as they are called. I have only to look at the mirror to see the results of the hard, grueling work I have gone through. The constant mental and physical strain has turned my hair gray; and, at forty-six, I look ten years older than I really am… No one except myself can appreciate how I have to work at this job every single day, never letting up for a moment… In each tow where I play I hire an empty stable, or loft, or room, and here I put in hours upon hours of study and experiment. But when I have perfected a thing after weeks and months of study and practice, there is a sense of satisfaction I cannot describe….”

Written at the height of his fame, the letter to Mr. Green underscores Houdini’s deeply-held belief in hard work and dedication.

Note: “The Man from Beyond,” which Houdini mentions in the first sentence of the letter was a silent movie he starred in; it opened a few months earlier in April 1922.

WITH: A subsequent typed letter signed to Mr. Green from 1924 reading:

Dear Mr. Green: –
Your letter was mixed up with a bunch of mail. Came to light this morning.

You have my permission to use the letter written to you by me on October 6, 1922, for the purpose stated in your letter.

Will you kindly change the tautology in the fourth paragraph where I say “to get the Wolverine Express, to get to Detroit”.

Trusting you will attend to this.

Sincerely yours,
[Signed] Houdini

HH:JS

Main letter: One sheet of 8×10.5 inch letterhead with Houdini’s image on the top left. New York: October 6, 1922. Usual folds; fine condition with very strong Houdini signature. Subsequent letter: 5.5 x 8.5 inch sheet letterhead, usual folds.

Links to Houdini Opoly News Since December

Supporters started receiving pawns and certificate last month and the creators Dorothy Dietrich and Dick Brookz (D&D) just informed me that the games are getting ready to be shipped from the manufacturer to them, so we are getting close to seeing this amazing project come to fruition, can’t wait.

Below are related links of interest that D&D shared with me:

NEWEST FIRST.
1)  Houdini Opoly used in college case study on how to run a successful Kickstarter!!!
We are mentioned at least 14 times in this 50 page thesis.  Do a keyword search for Houdini
Aalto University, School of BusinessThe main objective of this study was to discover and identify the key determinants contributing to a gaming crowdfunding campaign’s success.
3) Finished Houdini Opoly Parts at the factory
4) The proofs are back from the manufacturers.
We will be sent parts of the game out in December-(Pawns).
The proofs can be seen at 
http://houdiniopoly.com/houdiniopolyproofs.html
Below that are individual links to each of the ten proof pages as well.
5) Latest news can be found here
https://www.kickstarter.com/projects/1726279887/houdini-opoly-fun-exciting-legend-and-magic-hero-bAs well as here
http://HoudiniOpoly.com

Houdini’s escape from jail cell(s) in Amsterdam, January 1903?

I am amazed that other than the two posters above, that there is very little information about this jail escape.

According to Brainy History, Harry Houdini performed at Rembrandt theater Amsterdam on January 12, 1903 and escaped the police station Halvemaansteeg in Amsterdam on January 21, 1903.

Based on the Sphinx Vol 1 No 11 Jan 1903, we know Houdini was at the Rembrandt Theatre, Amsterdam, Holland Jan 1-31.

According to the two posters it was Jan 12, 1903, he escaped police station Halvemaansteeg. Note: One of the posters that lists Jan 12, 1903 at the top, also lists Jan 1902 at the bottom.

Frank Koval Research Diary for 1903 lists Jan 12 based on the poster (depicted on p19). Frank also references a photograph (most likely the basis for the posters) on p21 from the Sidney Radner Collection, which Houdini had written that it was probably taken in 1904. Koval states that Houdini was mistaken and that it was taken in 1903.

However, that photograph appears in The Adventurous Life of a Versatile Artist, with the caption: Houdini as Handcuffed and Manacled by the Dresden (Germany) Police, September 1900. Frank Koval’s Research Diary for 1900 has Houdini in Dresden the month of September and on Sep 20 escaping from cuffs and leg irons before Von Windheim, Germany’s highest police official.

That photograph also appears on German postcards from 1900 and 1902, that sold on eBay. So based on photographic evidence, it appears the image used for the poster(s) was based off an earlier escape in Dresden Germany not Amsterdam Holland.

According to Mahatma February 1903: Harry Houdini has returned from England and is now in Amsterdam, Holland. He broke out of two police cells in one day [no date given] – in a nude condition at that.

And last but not least, Silverman’s only mention is the following sentence on page 93: …escaping nude from an Amsterdam jail cell and conquering unusual bolted cuffs, horseshoe-shaped, that fettered his cross hands. [Source: Nieuwe Winschoter Courant, 23? Jan 1903.] FWIW: Houdini’s hands are not crossed on the Amsterdam poster.

That’s all I got, if you have additional information, please share.

UPDATE:

In the Amsterdam poster, the other nude photo of Houdini in the lower right hand corner is from the 1899 earliest Houdini Nudes that he had in an ad in Mahatma Magazine when he signed with Martin Beck.  The “nudes” were taken by Bushnell company in San Francisco in 1899.

John Cox also covered this picture…

http://www.wildabouthoudini.com/2013/10/ebay-auction-dates-first-houdini-nude.html

That said, I believe the main image was taken in Dresden.

Special Thanks to Dorothy Dietrich, Dick Brookz and John Cox for sharing info on the other photo in the lower right hand corner.

An Hour With Houdini in His Thrilling Serial of Breathcatching Stunts

New York, Oct 5 – “No one works harder than Houdini,” declared an actor last week, which information suggested a visit to the studio where the big serial, The Master Mystery, is now in the making, with the famous handcuff king performing remarkable feats that defy the fates.

Tho the hour was early Director Burton King had already shot a scene in a Chinese club [found in Episodes 9, 12/13] which reeked of incense, grotesque idols, huge emblems and Oriental atmosphere.  And be it said every stick of furniture, bric-a-brac, matting and draperies were the genuine article.

Looking thru the immense studio-two of them—and many outbuildings filled with all the paraphernalia and furnishings of costly design convinced us that the Houdini serial will eat up a good-sized fortune before it sees the light of day.

A tank lined with thick glass 12 feet high was being built to accommodate the intrepid magician.  In a few scenes Houdini plays a secret service man and the adventuress, with her accomplices, are anxious to destroy the man.  Here is where the location man came in and ordered us all into big touring cars, camera and director leading the way to a tall apartment house up to whose roof we pussyfooted, for the tenants were curious and some were inquisitive-asking “Where’s the fire?” etc,

All the actors were in makeup and excited comment from the women on the opposite roof, who were hanging out their Monday [Sep 30, 1918] wash. No time was lost in arranging the scene [Episode 5], with the huge water tank as the principle objective, for the villains must throw him, bound hand and foot, into the depths of water and leave him to perish.  According to the script these were the directions given, and a paragraph added: “But how in h—- —- is he going to get out of it?”

But Houdini smiled like the cat who had swallowed the canary, for who has ever caught him in a place from which he had not extricated himself?

Looking at the formidable sheet iron cover of the ugly tank made us shudder, Suppose this time he could NOT get out? Perish the thought.  But his left wrist was in bandages the result of a fall while making a scene [Episode 1] which caused a severe dislocation.

“Now let’s rehearse a bit,” ordered the director, and the beginning of the scene was gone over, with Miss Britton in yellow satin and black fox furs, leading the cutthroats up the stairs.  All was bustle and excitement, with Mr. King shouting: “You do this,” “You remember that,” “Action over there,” Move quick,” “Ye Gods do you think this is a funeral?” And then they had to go all over it again and the plate was marked N. G., for a cook on the opposite building had loomed forward in the focus of the camera, spoiling the scene.

Finally Houdini, roped and helpless, was carried up a ladder and thrown into the dark aperture of the big tank. “Keep it up,” called the director, as the camera ground rapidly,” “nail down the cover”-Bill, move faster keep going—speech—hurry—now let him…down, Joe—Miss Britton, make them follow you—righto-good-stop.”

That scene was over, but the great Houdini was wallowing in the rising water with hands tied behind his back and the cover nailed tight.

Cold chills crept over us as we waited.  Supposing he were DROWN? “Shoot” came the command, and in breathless suspense we waited.  Suddenly the cover was flung off the top of the deathholding tank, and Houdini dripping wet, his hands free from the ropes, and raced madly after the conspirators.

He had done the trick.

Yet they say a screen star’s life is not a strenuous one!

Source: Billboard October 12, 1918

BONUS:

Image courtesy of Kevin Connolly

Here are my notes from the UCLA archive of The Master Mystery that describe the Water Tower Escape footage (which doesn’t exist on The Miracle Factory, Kino, and McIlhany archives):

  1. Water Tower is filling up with water and Harry Houdini (HH) is unconscious.
  2. HH wakes up when the water hits his face
  3. HH frees his feet first and places them on ladder for leverage.
  4. HH frees hands and starts getting rope off body.
  5. HH’s head is underwater and then he turns his body and you see his head coming out of the water but the rope is still around his neck tied to pipe.
  6. HH tosses and turns and gets rope off his neck and starts climbing ladder inside the tank
  7. HH opens lid and goes down ladder on outside of tank.

Special thanks to Kevin Connolly for allowing me to share the image of the Water Tower Escape from his personal collection.