White Studio Houdini Movie Photos

The following two White Studio, NY “Houdini Movie Photos” advertised as “originals”  from an estate of magic and circus collection sold yesterday on eBay.

  • Original Houdini Magic Studio Photo #1 ($371.00 + $8.95 shipping):

Note: This is from Terror Island

  • Original Houdini Magic Studio Photo #2 ($515.09 + $8.95 shipping):

Note: This is from The Grim Game

The following White Studio photo below shows the above two White Studio photos (2 Terror Island, 8 Grim Game) plus other White Studio photographs from his movies (1 The Grim Game, 5 Haldane, 6 The Man From Beyond, 9-11 Master Mystery)

Note: This photo is courtesy of The New York Public Library for the Performing Arts, Billy Rose Theatre collection. It was also part of the Houdini Art and Magic exhibition/book.

100 Year Anniversary – Houdini Breaks Wrist

Photo courtesy of Marc Wanamaker, Bison Archives

On June 30th, 1919 Houdini informs Oscar Teale that he has broken his wrist while filming The Grim Game. [Silverman NOTES to Houdini!!!].

One paper reported:

HOUDINI, the handcuff king now working at the Lasky Studio on the Pacific Coast, met with a bad accident while filming a new thriller now in preparation. Houdini’s wrist was broken and he will be incapacitated for a fortnight or more. [Reading Times, July 4, 1919]

Another paper reported:

Houdini, star of “The Grim Game” now being filmed at the Lasky plant, broke his left wrist a few days ago while doing a simple trick for the picture. [Buffalo Evening News, July 19, 1919]

So how did he break his wrist?

One paper reported Houdini sustained injury in making “The Grim Game” doing the following stunt:

In a fierce battle in which Houdini fights with a quartet of burglar “extras” his wrist snapped in the midst of the action and, though the scene was finished, further work on the picture had to be postponed for several weeks for it was found that a large bone in his wrist had been broken clearly in two. [The Mt. Sterling advocate, March 02, 1920].

However, I can tell you that the incident described above was how he broke his wrist in “The Master Mystery” not “The Grim Game”. That is, he broke his wrist in the Master Mystery while swinging from a chandelier during the fight. So how did he break his wrist in “The Grim Game”?

Silverman has an answer:

And in escaping one of the prison cells, he again fractured his left wrist, not as badly as the year before [in making the Master Mystery], but enough to have his arm wrapped and delay completion of the film by two weeks. [Houdini!!! The Career of Ehrich Weiss by Kenneth Silverman]

According to Houdini:

“It is unexpected that always happens.” Though doing daring stunts thousands of feet above good old Mother Earth, flying in cranky aeroplanes, climbing the outside of buildings, swinging from the top of a swaying flag-staff a hundred feet in the air, leaping on and off heavy motor trucks and the like, I never got a hurt, but from a three-foot fall I again broke my left wrist, not so badly as before, however for then a bone was broken in three places, while this time I escaped with one fracture. This accident has detained me in California longer than expected, but my wrist is now rapidly completing its “knitting work”, and I shall soon be able to give the necessary personal attention to the finishing stunts of the picture and return to New York. [MUM July 1919]

BTW: On July 26th, The Los Angeles Times reports:

Mr. Houdini has just completed the making of his mystery serial entitled “The Grim Game.”

What effect did Houdini breaking his wrist have on the film?

It delayed completion of the film by two weeks, but had no effect on the aeroplane stunt despite what Silverman reports:

Houdini had been willing to attempt the transfer despite his arm sling, but Willat refused to risk aborting his picture by losing his star.

You see, the aeroplane stunt which Houdini was never scheduled to do, took place well before Houdini broke his wrist.

But it did affect other footage. According to the Paramount Script:

Houdini frees himself from a straitjacket, swings like a pendulum at the end of the rope, catapults his body through a small window; and then scales a wall and disappears over the other side.

Photo courtesy of John Cox

However, this changed to the following:

Captured after a fight, Houdini was taken to a rooftop, strapped in a straitjacket and suspended head down over the side.  He released himself, fell into an awning, then dropped to the ground [right hand is holding awning and you can’t see the left hand].

And, if you watch the movie closely, there are scenes filmed where the cast on his wrist is visible, despite the fact they try to hide it and not film his left-side. For example, before he boards the plane (when he is still on the ground), Houdini’s left arm is in a cast but when you see him on the wing, the cast isn’t there; obviously filmed at different times.

100 Year Anniversary – Aeroplane Crash Tidbit continued

Last week, I shared a tidbit about the Aeroplane Crash in The Grim Game that was not widely known. That is, I shared that the camera plane may have “indirectly led” to the collision, due to a delay in mounting the camera that caused the planes to do the stunt in the rough air of the afternoon as opposed to the calm air of the early morning. I also shared a bonus tidbit, that the stuntman was supposed to make his way to the rear cockpit or drop into the rear seat.  In addition, I shared a couple advertisements from my personal collection showing how the accident happened.

Today, I thought I would share the flip side of the newspaper ad (Toledo Times October 19, 1919) displayed last week, that has a nice jail scene still and describes how “Houdini is supposed to let himself down into the cockpit beside the murderer by means of a rope, and throttle him”:

One of the most amazing air accidents in the history or aviation forms the sensational climax of a new Paramount-Artcraft picture, “The Grim Game,” starring Houdini, the most famous handcuff king, which is coming to the Temple all of this week.

According to the story, Houdini in an airplane is pursuing a murderer, who is trying to escape in another machine. At a height of 3,000 feet Houdini is supposed to glide above the other machine, let himself down into the cockpit  beside the murderer by means of a rope, and throttle him.

All went well, with the stunt, the two machines circling one above the other  and a third , containing Director Willat and the photographer, about a hundred yards away, until Houdini was just about to loose his hold on the rope. Then suddenly a gust of wind lifted  the lower ‘plane into the upper one, and their  propellers locked. They dropped like rockets, revolving nose on nose, with Houdini still dangling on the rope and the the two aviators making frantic efforts to control their machines. Death seemed certain. But a few hundred feet from the ground, with both propellers gone, one of the airmen by a miracle, succeeded in falling into a glide, and, though the other crashed nose-on into a field, the only injuries sustained were slight bruises.

100 Year Anniversary – Aeroplane Crash Tidbit

The 100th Anniversary of the infamous Aeroplane Crash in The Grim Game is coming up on May 31st.

Of course, it is now “widely known”, that it was stunt double, Robert E. Kennedy, on the rope and not Houdini.

For the 100th year anniversary, thought I would share a tidbit about the plane crash that is “not widely known”. It involves the third machine with the camera.

According to “The Motion Picture Stunt Pilots and Hollywood Classic Aviation Movies by H.Hugh Wynne”, the camera plane may have indirectly led to the collision.

The studio rented three DeMille airplanes and pilots, and scheduled the flight for the calm air of the early morning on May 31, 1919. Maintenance problems and a delay in mounting the camera held things up until after lunch. Finally three airplanes took off in the early afternoon. David E. Thompson and Christopher Pickup flew the stunt planes. Al Wilson piloted the camera plane with Irving Willat, the director-cameraman, riding in the back seat with his camera.

In compliance with the flight plan, Pickup, with Kennedy aboard, flew straight and level while Thompson, with less weight and wind resistance, and better visibility in the lower machine, moved into position directly below. Al Wilson maintained a steady camera platform position to the left, and in line with the performing machines, so that neither his tail section nor wing tip appeared in the camera’s field of vision. By this time of day the air was rough and it was difficult for the pilots to maintain their positions.

Willat recorded the spontaneous incident on film and the studio revised the script to include the mid-air collision.

Bonus tidbit:

The script called for Harry Houdini [Kennedy], to climb down a knotted rope attached to the front mid-wing strut of one plane, drop to the top wing of another machine flying just below, and make his way to the rear cockpit.

Patrick Culliton spoke with Irvin Willat about this stunt and was told that Kennedy was supposed to drop into the rear seat.

When the stunt was filmed it was contrary to the plan and turned out to be one of the most exciting air stunts ever recorded on film.

To be continued…

Related:

100 Year Anniversary – HHCE attends Screening on Terror Island plus more

On Friday May 17th, I took the Catalina Express out of San Pedro at 8:45 am to Catalina Island (Houdini’s Terror Island) to see the 100th year anniversary screening of “The Grim Game” sponsored by the Catalina Island Museum.

Despite rain the previous day, it turned out to be a gorgeous day to visit the Island. I walked to the Catalina Island Museum to see their new exhibits, including the permanent Houdini Terror Island Exhibit.

Jessica Zumberge (a curator at the Catalina Island Museum) was my tour guide.

The Terror Island exhibit showcases lobby cards (Mark Willoughby collection), a film ad from the Press Book (John Cox collection), article on boat rescue, locations of the film’s most important scenes, and a video of the overboard box escape from the film.

If you look at the 2018 image of Toyon Bay, you will see me in photo, where the natives are in the 1919 photo.

And I am also credited as the one who uncovered the video of the overboard box escape that is missing from the existing movie.  This footage is not available to view anywhere else, so visitors to the island get a rare treat.

I was then joined by fellow Houdini Nuts, Julie Perlin Lee (Executive Director at the Catalina Island Museum) and John Cox (Houdini Expert).

If you look at the old Catalina Map in the photo, you can see a beach called Pebbly Beach to the left of Julie and a beach called Banning Beach (now called Toyon Bay) to the right.  These were key film locations in the Terror Island Movie.

John Cox and I then went to the Blue Water Grill where we talked Houdini, before going to check out “Houdini Point” at Descano Beach.  This is where Houdini took part in a real-life nautical drama. A small vessel had been disabled and was in immediate danger of capsizing or smashing into the rocks off Sugar Loaf Point (I like Julie Perlin Lee’s idea to change the name to  “Houdini Point”).

We then made our way to Overlook Hall, to set up for the main event of the evening, the 100th anniversary screening of “The Grim Game”. Overlook Hall, originally built in 1929, has emerged as Catalina’s premier venue for special events.

It was standing room only.  John Cox who introduced the movie, tweeted:

It truly was a great night for a very special movie with music provided by Award Winning composer, Michael Mortilla. Below are photos from the event:

Hanging out with Michael Mortilla, John Cox, and Michael’s wife.

John Cox hanging out with guests, including Magician Lee Terbosic from Discovery Channel’s Houdini’s Last Secrets.

Hanging out with some of Catalina Island Museum’s amazing staff, Gail Fornasiere, Kellie Costello and Kevin Liebson.

Well it was now time to catch my 9:45 boat back home or was it? Half-way to the boat, my phone rings and I get an invitation to stay over with Perlin Lee Family for the Catalina Island Museum Silent Film Benefit, the next day.

What a treat! The brunch, dancers, speakers, movie and live orchestral music by Michael Mortilla & The Accompanists was incredible.  Bravo!

Below are a couple photos from this amazing event:

David & Julie Lee Perlin and Lee Terbosic & Girlfriend Jessie Marie dancing in the ballroom, plus John, Lee & Jessie in the Art Deco Avalon Casino Theater.

Special Thank You to Julie Lee Perlin and her family for making this trip extra special.

Related:

100 Year Anniversary – The Original Grim Game Story

In honor of the 100 Year anniversary of Houdini filming The Grim Game, thought I would share the Original Grim Story for comparison to what is depicted on film.

That is, I plan to compare the 24 page Synopsis (that was intended as a special guide for the scenario writer) and the actual scenario as depicted on the existing print.

I thought I would start by sharing the story from the existing print as described in the Exhibitor’s Press Book:

Next, I thought I would share a 1-page synopsis of the original story:

THE GRIM GAME by Arthur B. Reeve & John W. Grey

Sterling Steele, star crime reporter of a yellow journal owned by a man named Clifton Allison, is in love with Julie Cameron, the ward of the old recluse known as Moneybags Cameron. Because the old recluse disfavors his suit, Steele is forced to resort to stealthy means in order to see Julie. He opens a locked and bolted door to gain entrance to the Cameron house.  Old Cameron’s choice for Julie is Dr. Harvey Tyson, his personal physician. Tyson, the publisher Allision who is in desperate straits because his newspaper is failing and Richard Raver, Cameron’s lawyer, are close friends.

To bolster up the newspaper’s circulation, Steele proposes a plan. Dr. Tyson is to secretly order Natalie Nelson, a chorus girl, to act as Cameron’s nurse and take him on a trip to Maine. Then Steele will act as if he had done away with the old man, confess to the murder and the newspaper will increase its circulation by getting the scoop on the story.

Everything goes as planned, except it is discovered that Cameron has actually been murdered.  For a time it seems that Steele will be convicted on a charge of insanity and imprisoned in an asylum. He escapes from his prison cell, is captured and taken to an insane asylum, where he momentarily eludes his prisoners and runs to the roof. Again captured and bound with, a straight jacket, Steele manages to slip over the edge of the roof and while his captors are holding him by a rope, he slips from the jacket in mid-air and again escapes.

Natalie Nelson, who is none other than the sweetheart of Richard Raver, is tricked into going to a mountain lodge where she is set upon by a gang of desperadoes.  Allision, Julie, Tyson and Steele, followed by the police, proceed to the mountain lodge where the desperadoes attack Steele, tie him securely, and suspend him from a tree.  He extricates himself in time to go the rescue of Julie and Natalie, both of whom have been attacked and locked in a closet by a mysterious assailant. Steele battles with the assailant and reveals him to be Allison.  The police break in, Steele is cleared of the murder while Allison is held for it; Raver and Natalie are happily brought together and Steele is sentenced to life in matrimony with Julie.

Well, if you compare the pressbook story and the one-page synopsis, you will notice some differences. Mary Cameron was originally Julie Cameron; Harvey Hanford (HOUDINI) was originally Sterling Steele; Ethel Delmead was originally Natalie Nelson; the two old servants are not part of the original story, nor are any guard(s); HOUDINI is not Cameroon’s nephew in the original story; and there is no references to the Call or any aeroplanes in the original story.

At this point, I will share snippets of the original story for comparison:

Sterling Steel was the chief police reporter of “The Star”

At the home of Clifton Allison, owner of the Star, we find Allison, Richard Raver, his attorney, and and Dr. Tyson, who is also a well-know alienist, talking over the coffee and cigars.

Allison has called the other two together because, through friendship, Raver has succeeded in securing for him a promise of an endowment of half a million dollars for the foundation of the Allison School of Journalism. This fund is to be administered by Allison, with Raver and Tyson as trustees. Cameron has not yet made the gift but is about to do so.

While the meeting is taking place, Julie and Sterling are talking over their plans. Cameron awakes, hobbles out to the porch and discovers the two lovers. Julie is frightened and turns toward her lover when Cameron threatens to disinherit her if he sees Sterling again. Sterling leaves to keep an appointment with Allison to talk over a plan to increase the circulation of the Star.

When Sterling arrives, they stop the discussion and talk over plans for the paper. Because of his fight with Cameron, Steele has thought of a plan which will surely increase circulation. He knows the paper advocates the abandonment of capital punishment.

“What would be the effect,” he asks, “if a man accused himself of committing a crime and all the evidence pointed to his guilt? If, then, it was brought out that the crime was a frame-up that the man had not been murdered, then would not the Star gain great circulation over the sensational crime story and greater circulation and credit though proving the inadequacy of circumstantial evidence and scoring this point in its campaign against capital punishment.

The others listen as he expands the idea. He suggests that Cameron be made to disappear. He knows Tyson’s connection with Cameron, and tells Tyson to order Cameron away to a sanitarium in Maine. He tells them to have someone telephone the police. He will arrange to get caught and confess to making away with Cameron. He will say the body is buried in quick lime in the cellar of Cameron’s own house. The police investigate and they will find some of Cameron’s easily identified jewelry which Raver can supply in the quicklime. They will find blood on Steele’s cuffs, which will really be rabbit’s blood placed there by himself.

Now—each of the three has his own motives to fall in line with Sterling’s suggestion.  They all agree that, with Cameron out of the way, the manipulation of the half million will be easy. Tyson figures that this will give him a good opportunity to win Julie, during the old man’s absence. Raver also has his own private secret plan to double cross Allison and win the love of Natalie,

Allison suggests that in order to get Cameron to go away it might be a good plan to send a pretty nurse with him. He knows a girl who could fill the part admirably. She is Natalie Nelson of the chorus of Gamorrah Theatre.

He goes to the phone and calls a number which the others overhear, Steele does not pay much attention to it at the time, although later he remembers the incident. Raver hears it and smiles darkly to himself.

Cameron likes the nurse…Raver gets the check for the endowment and leaves Dr. Tyson with Cameron and Julie. Cameron tells Tyson to watch over Julie while he is gone and Tyson accepts the nomination gladly. While Julie packs her things to go to her Aunts Tyson is making unwelcome love to her and in the cellar we see Raver dropping some of Cameron’s jewels into the quick lime which had been delivered secretly.

Tyson tells Cameron he will send a cab to take him to the station that night. He leaves him his ticket and tells him to meet the nurse at the station where they will take a night train.

At the office of the Star Steel begins to act peculiarly. The city editor notices this as well as the reporters. Steele is playing his part and leaves the office nervously.

Some time later we see Natalie and Raver in Natalie’s apartment. Natalie looks at her watch, then calls the police as pre-arranged. She tells them she had reason to believe that there has been a murder committed at Cameron’s house.

The paper learns from the police blotter and the editor hunts for Steele.  Allison who is at the paper shows great surprise.  The editor phones Steele’s house.  The landlady answers and goes to call Steele. Steele is washing something from the sleeve of a shirt when she finds him.

Natalie, now alone in her apartment, receives a note which tells her to take the enclosed ticket and the night train for Staggcliff in the Adirondacks, as plans have changed. She will meet her patient there. The note is signed with Dr. Tyson’s name.  She crumples the note and leaves to catch her train.

Through the telephone call and an anonymous letter broadly hinting at Steele, he is suspected. The detectives catch him leaving his house. He is accused of the crime and the landlady now suspicious, remembers seeing him washing his cuffs of his shirt.

Steele is arrested. They find the shirt in his closet and it is taken as evidence.

At her Aunt’s house Julie sees the paper and is very pleased that her lover put his story over.

Out of curiosity she goes to her guardian’s house. Immediately the detectives detain her. They take her to the cellar where she finds a key which has been overlooked by them.

To the astounded Julie, Dr. Tyson now declares before the detectives that he has found traces of human remains in the quicklime.

Julie goes to the jail and tells Steele of the finding of actual human remains in quick lime.

Left in the lurch by everyone, Sterling now appeals to Julie. “Find Cameron and that nurse, “ he directs.

He also demands that the blood stains be analyzed. They are not human blood, he asserts.

Julie first goes to Allison, Tyson and Raver…denies everything.

After she goes, Allison demand the check from Raver and Raver refused to give it up. They quarrel and each is suspicious of the other.

We next see Natalie at the Adirondack Lodge. She has been made a prisoner by “Grumbler” Grimwood, a guide and game warden at the Lodge. Cameron has not shown up at the Lodge. He has really been murdered.

Julie in the city has already learned that her guardian is not at the appointed place in Maine. She realizes that he is dead and begins to believe more strongly in Dr. Tyson and to suspect her own lover.

She does not go to the jail anymore. Steele decided that he must break jail to see her.

Steele finds Julie and convinces her of his innocence. He then remembers the telephone number which Allison had called. He tells her to trace it.

While Steele is hiding, Julie locates the apartment of Natalie and uses the key which she found, thus discovering what key it is.  She finds the crumpled note signed by Dr. Tyson’s name and thus learns of Staggcliff.

The police follow her from the apartment to where Steele is hiding. Thus Steele is captured after Julie has told him of Adirondack Lodge and that she is going there. The police overhear this and Ravor, Tyson, and Allison hear of it as well, and that the police and Julie know.

We next see Allison, Raver, and Dr. Tyson each hurrying away. The police have begun to get suspicious. The blood on the shirt has been found to be rabbit’s blood, not human blood.

Julie arrives at Staggcliff, meets Natalie, who is a prisoner. She tells of entering her apartment and finding the note. Natalie asks her how she got in and Julie shows her the key.

While this is going on, we notice that Raver, Allison and Dr. Tyson, each independent of the other have arrived in the neighborhood of the lodge.

Natalie is about to tell something when a gloved hand comes in through the door and smothers the kerosene light. A man enters the darkened room and rushes to Natalie’s side. He sees Julie and turns on her savagely. This leaves Natalie to believe that Raver has been caught and she in turns rushes to Julie’s assistance and tries to protect her from the unknown assailant.

Steele alluding his pursuers, is now in the neighborhood of the Lodge. He comes upon an abandoned cabin, enters and provides himself with rubber boots which he steals from the cabin, because in freeing himself from the straightjacket and the rope he was forced to remove his shoes.

Following the corduroy road which leads to the lodge he is suddenly set upon by Grimwood and his men who have had orders to permit no one to enter the Lodge. They overpower Steels and do a spectacular stunt by suspending him from four saplings by ropes.

Steele releases himself, eludes Grimwood and the others and approaches the Lodge as Julie is battling with unknown assailant. He hears someone coming. Natalie is unconscious, having been struck down by him and he wickedly tosses Julie into a closet, locking the door.

The unknown assailant then seizes a bolo from the wall and hides under a cot.

Steele enters, strikes a match, lights the lamp and throws the burning match on the floor. It drops near the side of the cot and we see the match burn. A hand comes out from under the cot, puts the match out before it sets fire to the floor. Steele know now there is someone under the bed.

As the bolo swings viciously all we see is that it cuts through Steele’s boots.

Steele, however has swung himself to a rafter, leaving his boots on the floor. He hangs by his toes, reaches down and lifts the cot from over the man. He tosses it aside and pounces on the man whom we recognize as Allison.

A terrific fight continues between Allison and Steele.  Allison with the bolo is trying to kill his opponent. We next see the detectives who have forced Grimwood and his men to release Tyson and Raver whom they previously seized…They start for the Lodge.

Steele is just overcoming Allison when the detectives, with Raver and Dr. Tyson, followed by Grimwood and his men rush in, with asylum keepers.

Steele rushes to the closet door where Julie is a prisoner and by his strength bursts it down. Raver rushes over to Natalie who is now recovering consciousness.

As Steele frees Julie, Raver tells Natalie of Allison taking the check from him under force.

Natalie, asks Raver to show her his key to her apartment. He does so.

Natalie leaves Raver and rushes to the chief detective. She points toward Allison and accuses him of the crime.

As she is accusing Allison, Julie comes forward and produces the key which she found in the quick lime.

The detective demand that Allison produce the key to Natalie’s apartment, Natalie asserts that there are only two keys – one given by her to Raver, the other to Allison.

She accuses Allison of keeping her a prisoner at Staggcliff, a hunting lodge which he hired for the purpose. Grimwood confirms this.

Julie then shows Tyson the note and asks him to explain it. He swears the note is a forgery and Allison is again confronted.

Caught in the net, Allison is unable to produce the key and cannot deny hiring the Lodge and writing the Tyson note.

Although weakened from a wound he attempts to escape but is overpowered and made prisoner.

The detectives exonerate Steele as Allison breaks down and confesses. Turning to Steele he speaks:

“Circumstantial evidence implicated you – now it frees you.”

As the detectives handcuff Allison and lead him out followed by the crowd, Julie, now happy, turns toward her lover. “You have escaped the death sentence – to be sentenced for life”

H A P P Y  1 0 0  Y E A R  A N N I V E R S A R Y !

Credits

  • Synopsis Snippets courtesy of Paramount Files at Margaret Herrick Library

100 Year Anniversary – HHCE attends Screening at Sierra Madre Playhouse

On May 3rd, I had the pleasure of attending the Sold-Out 100 Year Anniversary screening of “The Grim Game” at the Sierra Madre Playhouse.

The Sierra Madre Playhouse in collaboration with Catalina Island Museum, knocked it out of the park.

Below our photos from the highly successful event:

Your’s truly, arriving at the Sold-Out event.

Tom Ogden (Comedy Magician) and John Cox (Houdini Expert) hanging out before John Cox introduced the movie.

Kevin Liebson, from Catalina Island Museum (Co-Sponsor of the event) talking up activities at the museum, which includes the permanent Houdini Exhibit and the up and coming showing of “The Grim Game”  on May 17th.

Michael Mortilla (Award Winning Composer), and I hanging out before he conducted the live piano accompaniment to “The Grim Game”.

Large Screen that Houdini’s best movie, “The Grim Game”, was projected on.

John Cox, Michael Mortilla and Kevin Liebson answering questions after the movie.

The speakers, movie and piano accompaniment, were incredible. Congratulations to all involved.  See you on Catalina Island, May 17th for the outdoor screening of “The Grim Game”.

Related:

Houdini the Grim Game Glass Movie Slides

Congrats to the winner of this beautiful slide that just sold for $846.99 on eBay:

A similar slide sold for $2,350.00 on 10/11/2015:

Back in the day you could get this slide as part of a set of four for sixty cents:

Image from 1919 Grim Game PressBook

Today that set would cost you a tad bit more. Below are some sale prices/dates and color images of the other three slides from the set that sold at auction:

6/16/2015 $161.00

4/10/2016 $232.00

8/2/2015 $950.00

6/16/2015 $611.00