1978 Jan Feb Calendar – The Milk Can

Previously, the six hard to find 1977 Stuart Pharmaceutical calendars from the series numbered DM-73301 to DM-73306 were shared:

  1. June: Escape from Prison when Manacled in Handcuff and Irons(HHCE Collection)
  2. July: The Celebrated Straitjacket Release(HHCE Collection)
  3. August: The Challenging Release From Wet Sheets (John Cox Collection)
  4. September: The Perilous Escape From the Spanish Maiden(HHCE Collection)
  5. October: The Spectacular Release From the Cannon(HHCE Collection)
  6. November/December: Escape From a Nailed Packing Box (HHCE Collection)

Each featured Spectacular Houdini Feats and original artwork by James Barkly.

This month, I share the first of six (even harder to find) 1978 Stuart Pharmaceutical calendars from the series numbered DM-17301 to DM-17306:

  1. January/February (George Goebel Collection)
  2. March/April (HHCE Collection)
  3. May/June (HHCE Collection)
  4. July/August (HHCE Collection)
  5. September/October (Missing)
  6. November/December (HHCE Collection)

In future months, I will share the four from my (HHCE) collection. Still looking for September/October.

4 Page Flyer for lecture at Hillstreet Theatre

Our friends, Dorothy Dietrich and Dick Brookz at the Houdini Museum in Scranton, PA and the Library of Congress (LoC) share a 4 page fold over flyer for one of Houdini’s early spiritualist exposure lecture’s at the HillStreet Theatre in Los Angeles, CA:

Page 1 (LoC hs00301)

Pages 2 and 3 (LoC hs00302 and hs00303)

Page 4 (LoC hs00304)

Related:

The Amazing Exploits of Houdini – The Gold Melters

During my visit to the McCord Museum, I was fortunate enough to have read a compilation (April 24, 1920 v1 n1 to June 5th 1920 v1 n7) of “The Amazing Exploits of Houdini” found in The Kinema Comic.

  1. The Bride & The Orangutan.
  2. The Jewel Thieves.
  3. “Stop Thief!”
  4. THE GOLD MELTERS.
  5. Adventure of the Midland Express.
  6. In The Dead of Night.
  7. Out of The Sky.

Each issue contains a several page serialized fictional story (by-lined by Houdini). This week I share my paraphrased version of “The Gold Melters” found in the May 15 1920 v1 n4 issue:

On the ride from the Midlands to Manchester, winds were battering against the windows, as the limo surrounded on each side by desolate moors, raced up the incline to the top of the hill.

Suddenly, Houdini was thrown against the side of the car. Something had gone wrong. Shattered glass was all around and all the lights had gone out.

Concerned for his limo driver, “Are you all right, Bob?”

“Quite Sir! It might have been worse; The steering column has snapped, and it was simply luck that she took this side of the road. If she had swerved to the other side, we should both be lying at the bottom of the valley, perhaps dead, but certainly pretty badly messed about.”

Bob had made up his mind as to what they should do. He would stay with the car all night while Houdini went and looked for shelter from the elements at some hotel or house.

The quest was not an easy one in that district. Moors stretched for miles on every side, and it was pitch black outside. Houdini was about to turn back until he saw a faint twinkle of a light below in the valley.

Without hesitation, Houdini turned off the road and scrambled down the side of the moor. It was an adventurous journey thru the woods.

A half hour later, he came upon a house with the light coming through a downstairs window.

Houdini approached the uncovered window and peered into the room and saw a tall well built man about middle age melting down sovereigns to use the gold for commercial purposes.

Suddenly there was a sound of footsteps coming from the woods. Moving from beneath the window, Houdini made his way around the building until he reached the front door. The doorbell was not working, so he knocked a number of times until the man he saw in the window slowly crack open the door.

Houdini told the man he was searching for shelter since his car met with disaster at the top of the moors.

The man told Houdini he couldn’t put anyone up.

Suddenly another voice from behind Houdini was heard, “Can I have a word with you before you turn the gentleman out of the house?”

The man at the door left his position and stalked past Houdini.

After a conference, the man returned and lied:

“My man tells me that we can accommodate you. Only he and I live in the house, so you will find things very rough and ready, but I must ask you to take things as you find them. If you will follow me, I will show you to your room. Except for our own two rooms, it is the only one that is habitable in the house. Come this way.”

The man immediately moved off in the direction of the stairs, and Houdini followed in his wake. They climbed up three stories, then a long passage. At the door of one room the man paused.

And beckoned Houdini to enter the apartment.

“You have seen too much, my friend and must stay here until you forget. That may be tomorrow. On the other hand, it may be forever”

The door swung shut and Houdini was trapped.

Houdini examined the lock. It was a simple contrivance and he could escape anytime he wanted.

After a couple hours, Houdini rose to his feet and unlocked the door. To one who has broken out of some of the most famous prions in Europe, the proposition of that door was a very elementary matter.

Moving as quietly as he could, Houdini made his way to the stairs. No one appeared to be about, so he removed his boots and descended the stairs without making a sound. Not a light shone anywhere. He had to grope his way along the hall. At the far end, he found a door leading to the room where the gold-melting operations were being carried on. The men were still at work there.

Houdini returned to the hall, and after unscrewing the bells, took down the receiver and asked Exchange to be put into communication with the nearest police.

“There’s a man here who’s melting down golden sovereigns. Perhaps you and a few of your colleagues had better run through and make a few investigations.”

The official at the other end of the wire thanked me, and said that they would be there  as soon as they possibly could.

“Good! And when you come, you might bring some food along with you. Enough to satisfy two hungry men.”

On receiving the promise that food would be brought, Houdini crept back to the room he was supposed to be imprisoned in.

The rest of the story is simply told. The police came on the scene and captured the men red-handed at their unpatriotic work.

But, what was more important, the police brought food for Houdini and Bob.

Arrange for Houdini to Make Own-Story Features (and be directed by Burton King)

While doing some research on Burton King, who first directed Houdini in The Master Mystery (1918), I came across the following Moving Picture World, March 8, 1919 article that I found very interesting.

But wait a minute, shortly after The Master Mystery was released, Lasky approached Houdini with a contract. So looks like Houdini abandoned (postponed) forming an independent production company and signed a deal with Famous Players Lasky (FPL).

  • Per Variety, in March 1919, Houdini was placed under contract by FPL), for a term beginning in May, (where he did the Grim Game).
  • Then in September 1919, according to Motion Picture News, he signed a new contract to appear in feature films, starting with Terror Island (TI).

TI did $111,000 in the United States and $54,000 abroad. Probably because of those low grosses Lasky and Paramount decided not to invest any more time or money in Houdini. His contract for further films was not picked up.

What makes the Moving Picture World article particularly interesting, is that appears to be the precursor to what would become the Houdini Picture Corporation (HPC), an independent production company formed “to make feature films with the magician as star” where “Houdini will write his own stories, and will be directed by Burton King.” After FPL broke ties with Houdini following TI, he made two features (The Man From Beyond and Haldane of Secret Service) for the HPC with Burton King as the director.

Related:

HHCE Search for New York World Vanishing Elephant Photos

The only known photos of Houdini’s Walking Through A Brick Wall can be found in the August 2, 1914 New York World Magazine. The Harry Ransom Center (HRC) at The University of Texas at Austin has made a copy from their Harry Houdini Scrapbook Collection available online:

Courtesy of HRC

The World Magazine, also did an article about Houdini’s Vanishing Elephant. The elusive article is said to show six photos of the illusion, but it has vanished, just like the “Holy Grail”.

At Wild About Harry, Patrick Culliton commented:

[Nov 13, 2013] About the six photo spread about the elephant in The World, it was supposed to be in the rotogravure section of the Sunday N.Y. World one week early in the run of Houdini and his elephant in “Cheer Up” at the Hippodrome. In the microfilms of the World, every Sunday rotogravure (a magazine section) is recorded–but that week’s rotogravure section is missing.

 

[Dec 16, 2016] Why wasn’t that page or pages of photos in the Walter Gibson scrapbook? It would HAVE to be. Why isn’t it in any collections, the Robinson-Locke scrapbooks or Houdini’s own scrapbooks? I wrote down the date of that Sunday issue the rotogravure section of which was to contain the photos. I went straight to the microfilms. The paper was there, but, no rotogravure. I have since misplaced the date, but, I went through the Sunday NY Worlds from Dec. 1917 to Dec. 1918, ONLY ONE ROTOGRAVURE WAS MISSING. And it was the one that was supposed to have the photos. I firmly believe that the bosses saw what Houdini saw and out of genuine friendship, they killed the little magazine that one time.

Armed with the above information, I (HHCE) decided to conduct my own search.

I started by seeing what libraries had the NY World Newspaper and noticed that the Univ of Texas at Austin had it. My thinking was, well they had the issue with Houdini Walking Through A Brick Wall, in their Houdini Collection, why not the Elephant Issue in their newspaper archives.

Courtesy of HRC

Below is my correspondence with Univ of Texas at Austin:

[Aug 26, 2019] The library is supposed to have old copies of The New York world newspaper:

https://catalog.lib.utexas.edu/search/0?searchtype=o&searcharg=13486042

I am interested in the volume: NEWSPAPER  1917-18 APR-DEC FILM POS (AVAILABLE)

Specifically, I am interested in the rotogravure (The World Magazine section) of the Sunday N.Y. World that has a six-photo spread about Houdini and his vanishing elephant. It should either be in the World Magazine Section of the December 30, 1917 or January 6, 1918 newspaper. If you have it, I would love to get a scan of the six-photo spread about Houdini and his vanishing elephant and would pay whatever it costs. This is for a research project on Houdini.

Please advise if this is request is something you can help with or if I need to send my request to another part of the library.

Thank you for your time,

Joe M. Notaro

 

[Aug 26, 2019] Hi Mr. Notaro,

We’ll try, but we never seem to have any luck with New York World! There were different editions of this newspaper, that were published with different frequencies, and we only own the tri-weekly edition. I’ve placed an order to have the microfilm reel sent to our office from remote storage; I think it should arrive tomorrow, and I’ll take a look for the article about Houdini. To be honest, though, I’ll be surprised if I find it.

 

Best wishes,

Rachel

 

[Aug 27, 2019] Hi Mr. Notaro,

 

I’m afraid my hunch was right. I’ve just looked at the reel in question, and confirmed that we don’t have any Sunday editions of the New York World. The tri-weekly edition was only published Monday, Wednesday, and Friday.

 

Sorry we can’t help,

Rachel

 

[Aug 27, 2019] Hi Rachel!

Thank You so much for all your efforts to look into this for me. You were very helpful. I can now rule out the tri-weekly edition. Any idea what institution would have the Sunday edition for 1917 and 1918?

Much appreciated,

Joe

 

[Aug 28, 2019] Good morning Mr. Notaro,

So, I’ve examined the records for this title in OCLC First Search, and I’m attaching a PDF of the entry for the daily edition. If you scroll to the bottom of the record, you’ll see that the OCLC number for this ed. is 13846132 (a useful number to have handy when you’re placing an Interlibrary Loan request).

 

I’m also attaching a PDF of the libraries listed as owning at least some of this title. We’re listed, but as you can see, we only have a few scattered issues of this edition. That seems to be the case for most of the holders, but there are a few that appear to have complete runs of the title… especially, as you might expect, in New York. The New York Public and New York State libraries (NYP and NYG, to use their OCLC codes which I always do since it’s quickest) both look like good bets. There’s also the University of Arkansas (AFU), Syracuse University (SYB), the Library of Congress (DLC), University of Massachusetts (AUM), Duke University (NDD), Princeton (PUL), Cornell (COO), and the University of Washington (WAU).

 

Good luck! I hope you can find that article.

 

Best wishes,

Rachel

 

[Aug 28, 2019] Hi Rachel,

Thank You for the additional information. I was using the wrong OCLC number (ie. 1077831862) for the edition I want. Now that I have the right OCLC number (ie. 13846132) and a list of holders, I have more avenues to pursue for this elusive article.

Cheers,

Joe

Armed with new information, I figured that the New York resources had already been tapped by others so I decided to contact the University of Washington and below is my correspondence:

[Aug 31, 2019] Question: The library is supposed to have old copies of New York world daily edition newspaper from 1893(v.23)-1931 (v71). The OCLC number for this edition is 13846132
I am interested in the years 1917(v57) and 1918(v58).
Specifically, I am interested in the rotogravure (The World Magazine section) of the Sunday N.Y. World that has a six-photo spread about Houdini and his vanishing elephant. It should either be in the World Magazine Section of the December 30, 1917 or January 6, 1918 Sunday newspaper. If you have it, I would love to get a scan of the six-photo spread about Houdini and his vanishing elephant and would pay whatever it costs. This is for a research project on Houdini.

 

[Sep 5, 2019] Dear Joe Notaro,

One of our graduate students just did a pretty extensive search of the New York World newspaper on our microfilm copy, but did not find a photo spread of Houdini and the vanishing elephant. This is her report on her findings:

“I spent the better part of two hours today looking for this “six photograph spread”. I checked the dates that were suggested, Dec. 30, 1917, and Jan. 6, 1918. Although the paper does contain a World Magazine and a section dedicated to photos called the “New Gravure” there were no photos of Houdini. All of the photos shown in these two issues pertained to World War I. I also checked the Sunday issues on the following dates: Dec. 9, 16, and 23, 1917; Jan. 13, 20, 1918. I was unable to find anything pertaining to Houdini in those issues as well.

After looking through the film I decided to do a bit of searching online. I did find that Houdini performed his act with the vanishing elephant on Jan. 7th 1918. I was also able to find an article about Houdini and his career in the New York Times on Jan. 13, 1918. I even looked on Chronicling America and I did find a newspaper called “The Evening World” but it looks like it wasn’t published on Sundays.”

Sorry not to be of more help, but let us know if there are other papers you would like us to check. You could also request the microfilm of the New York World through your local library’s interlibrary loan system.

Best,

Kian

 

[Sep 5, 2019] Please thank the Graduate Student for their efforts to search for this elusive 6 photo spread of Houdini and the vanishing elephant in the New Gravure section of the World Magazine found in the Sunday World Newspaper.   It is very much appreciated.  The New Gravure section of the World Magazine for Sunday is definitely where it should appear.  I thought it would have appeared before Houdini first performed it, but apparently not.  Houdini performed it for 19 weeks from Jan 7, 1918 to May 17, 1918, so it is supposed to be in one of these Sunday Magazine New Gravure Sections of the World Newspaper.  Many, many years ago, a Houdini expert and colleague of mine searched the run of microfilm for The World at another institution, and every Sunday New Gravure section was recorded but one, the one with the 6-page spread of Houdini was missing, but he couldn’t remember the week that was missing.  My hope was that your library would have this missing week, but that would require a more extensive search of the rest of the 1918 Sundays issues through the end of May.  Unfortunately, I live in Southern California, or I would schedule an appointment and do the search myself.  Would love to know if all the Jan thru May 1918 Sunday World Magazines are accounted for at your library and ultimately find this elusive 6 photo spread.  Please advise if you have someone willing to do this extra research.

 

Either way, I really appreciate everyone’s time.

 

Joe

 

[Sep 9, 2019] Hi Joe,

I’ve passed your thanks (& message) along to the graduate student who has been working on your question. While we don’t have the staff resources to quickly research the Jan-May 1918 issues of the Sunday World Magazines, our graduate student will start chipping away on the search over the course of the next couple of weeks. Once we’ve concluded the search or come across the photo spread in question, we will let you know. We appreciate your patience!

 

Best,

Kian

[Oct 13, 2019] Hi Kian,

It’s been 5 weeks since we last touched base. Just thought I would check in to see if the graduate student had any more time to see if all of the Jan thru May 1918 Sunday World Magazines are accounted for at your library and ultimately find this elusive 6 photo spread.

Thanks for your time,

Joe

 

[Oct 14, 2019] Hi Joe,

Thanks for checking in — we’ve checked through February 17th and haven’t found the photo spread yet. We’ve been busy with the start of the quarter, but will continue to find time to check additional issues when the opportunities arise.

Best,

 

Kian

 

[Oct 15, 2019] Hi Kian and Chris,

 

I spent majority of the day looking through the rest of the Sundays for the World Magazine, circa 1918. I could not find the Houdini page spread in any of the New Gravure sections. Most, if not all, were related to World War I. I also looked at all of the Sunday issues carefully to see if the spread may have been included somewhere else and no luck. Here are the dates that I looked at:

 

Feb. 17

Feb. 24

Mar. 3

Mar. 10

Mar. 17

Mar. 24

Mar. 31

Apr. 7

Apr. 14

Apr. 21

Apr. 28

May 5

May 12

May 19

May 26

 

I cross referenced these dates with the NewsBank calendar for 1918  to get all the approximate Sundays, checking off each one on my search.

 

Best,

Addy

 

[Oct 16, 2019] It looks like you have accounted for all the weeks/issues.  Finding this photo spread is turning out to be as difficult as finding the Holy Grail.  Although we didn’t find it and make Houdini history, at least I now know where it isn’t.  Please thank everyone who was involved in the search for this elusive photo spread.  I truly appreciate all the time and efforts. If I ever find it, will let you know.

Sincerely,

Joe Notaro

 

Conclusion: So, if all of the Rotogravures are accounted for, then the planned New York World elephant spread would have had to have been replaced before the magazine was published, as opposed to just pulling the magazine from the newspaper.

Special Thanks to everyone who helped at the University of Texas at Austin and the University of Washington.

A Look Back at 2019

2019 was an amazing year for Harry Houdini Circumstantial Evidence (HHCE) for a number of reasons.

Celebrated the 100 year anniversary of The Grim Game movie by attending screenings and sharing some incredible ads, photos, and not widely known info about the movie:

Also, shared info about some of his other movies.

Terror Island:

Master Mystery:

Received Joe Posnanski’s new book, “The Life and Afterlife of Harry Houdini”, which included how I discovered the name of the daily mirror reporter, my current thoughts on how Houdini escaped the mirror cuff, and my research on two other endings to the Tony Curtis movie.

Shared some special posts that included not widely known information about Houdini:

Shared my research on the McGill Lecture:

Shared a number of items from my personal collection:

Shared a number of McCord Museum Collection related posts:

Shared additional information on the Mirror Challenge:

Shared news from Houdini Museum – Scranton:

Ended the year by receiving, studying, and commenting on unpublished Houdini footage to be shared next year.

All of this said, the highlight of 2019 for me, was the discovery of a message from the clouds, the Australian Grim Game Advertising Card, used as a bookmark:

2020 should be another amazing year for Houdini.

The Amazing Exploits of Houdini – “Stop Thief!”

During my visit to the McCord Museum, I was fortunate enough to have read a compilation (April 24, 1920 v1 n1 to June 5th 1920 v1 n7) of “The Amazing Exploits of Houdini” found in The Kinema Comic.

  1. The Bride & The Orangutan.
  2. The Jewel Thieves.
  3. “Stop Thief!”
  4. The Gold Melters.
  5. Adventure of the Midland Express.
  6. In The Dead of Night.
  7. Out of The Sky.

Each issue contains a several page serialized fictional story (by-lined by Houdini). This week I share my paraphrased version of “Stop Thief!” found in the May 8 1920 v1 n3 issue:

The hour was late and the London streets empty, when suddenly Houdini was approached by a runner, who flung a bag into his arms, and said:

“Here! Quick! Mother McGinty’s in the Mile End Road, at five o’clock. I’ll take the cops off the scent.”

Then, without the slightest warning, a policeman tackled Houdini.

Houdini told the police who he was and that they got the wrong guy.

“The Handcuff King?”, questioned the inspector laughingly at the station, as he locked Houdini in a cell.

The cell into which Houdini was put presented no difficulties. Years ago he had broken out of the condemned cell in Liverpool Bridewell, and had even exchanged some of the prisoners and placed into different cells in which the authorities had placed them, to the sheer surprise of the governor.

Houdini went to work very quietly on the lock of the cell, and soon had it undone. Then, opening the door quietly, removed his boots and crept quietly along towards the charge-office.

The passage by the side of the counter, which led towards the door appeared to be perfectly clear.

Houdini reached the door of station, took the boots he had been holding in his mouth, put them on, and was on his way to Mother McGinty’s.

It was a little broken-down hardware shop, obviously a receiver’s pace, and Houdini knocked loudly on the door.

The door was opened a few inches, and Houdini asked, “Had he got back?”

The reply was that Jim got back about an hour ago and has been waiting.

Houdini stepped inside the shop and told Jim that he was the one who passed him the sack and mentioned the name of the road.

“Who are you? Jim asked.

“I’m the fellow who got the sack and I’ve had to plant it because the police kept on my track.”

“Oh, where?

“Well, that’s hardly a fair question. Now that I’m in on this outfit, I think I ought to be on a share and share alike basis. Come with me, and I’ll show you where.”

“All right, Jim said. ‘I’ll come with you.”

Houdini saw Jim slip a revolver in his pocket and realized that what he intended to do was to get possession of the sack of valuables, then bolt, leaving Houdini shareless and perhaps lifeless.

They left the shop, and together tramped along the Mile End Road, until Houdini was fortunate enough to get a hold of a taxi returning to the garage.

Houdini explained that they wouldn’t be able to carry that large sack through the streets at this time.

When they were safely in the cab, Houdini gave the driver the address of the police station, and told him to drive straight up to the door and pull up suddenly.

As soon as they pulled up a the police station, Jim suspected the trap, and made a dive for the pocket with the revolver.

Although Houdini was only average height, he was strong and had Jim on the floor of the cab before Jim realized it, and the revolver in his possession.

The rest of the adventure was elementary. With the revolver leveled at his heart. Houdini commanded Jim to walk with him into the station, which he did.

The expression of the inspector’s face when he saw Houdini driving this man into the station was really funny.

Houdini said, “This is the burglar you are looking for, and the man you should have arrested instead of me.

The inspector’s lower jaw dropped as he looked towards the door leading to the cells.

Houdini said, “I know, I told you I was Houdini, but you would not believe me, and I had to demonstrate the fact to you.

A servant from the house which had been burgled identified the man captured as the burglar. Jim got three years, and Houdini was thanked by the judge for the part he played in the capture.

Master Mystery 101 Years Ago – Motion Picture News; Moving Picture World

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I am sharing from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

And at the conclusion (next week) of this series, I will do a special post that ties it all together.

Today, I share the reviews from Motion Picture News and The Moving Picture World:

Master Mystery 101 Years Ago – Exhibitors Trade Review; Billboard

The Master Mystery (first four episodes) was first shown at a special trade show on November 7, 1918 at the Strand Theatre in New York City.

To honor this special event, I am sharing from my personal collection, the following 1918 Master Mystery Newspaper Reviews on the day they appeared 101 years ago:

And at the conclusion of this series, I will do a special post that ties it all together.

Today, I share the reviews from Exhibitors Trade Review and The Billboard:

Hanging out on Maui without a book to read

Hanging out on a tropical island on the day of the long awaited release of Joe Posnanski’s book, The Life and Afterlife of Harry Houdini.

You can get the book by ordering it at Amazon.com (US release Oct 22) and Amazon.co.uk (UK release Oct. 31)

My copy should be waiting for me, when I return from vacation. Can’t wait to finally read it.

BTW, I have been told that how I discovered the name of the daily mirror reporter, my current thoughts on how Houdini escaped the mirror cuff, and my research on two other endings to the Tony Curtis movie, are in the book. which is very exciting.

My next planned post will be on Halloween.