I decided to go for it. That is, I took a day off from work and drove to the Margaret Herrick Library with the hope of making a future appointment to finally see The Grim Game, Master File 681 Paramount Script Collection and Archive of photos (original stills).
I showed up at the Margaret Herrick Library with a notepad, pencil and driver’s license. The guard at the front greeted me, took my drivers license and had me fill out some paper-work. After signing in, he told me to take the elevator to the second floor and check in at the desk.
My heart was pounding as I got off the elevator. I was given a library card that was good for the day; I was then directed to go discuss my research project with the librarian.
Within moments, the librarian filled out a card for me to see the core collection for The Grim Game and the core collection for Terror Island.
The Grim Game core collection consisted of three envelopes:
Contents of Envelope 1 (1 card)
Contents of Envelope 2 (4 pages)
- Copy of November 1919, Photoplay article (Page 112 and Page 115)
- Copy of New School , program notes by Wm. K. Everson, “3/1/1974” (1 page)
- B&W Copy of Page 19 from MUM Society of Americans Magicians Monthly Magazine August 1919 (Click here to see it in color)
Contents of Envelope 3 (Six stills): The two in bold (298-19 and 298-51), I had never seen before
- 289-19 (Note: prod# is mis-labeled on still, should be 298 not 289) Harry Houdini and Ann Forrest reading The Daily Call Illustrated Magazine
- 298-51 (similar to this Library of Congress image) minus the chains and cuffs
- L302-64 (same as this Lot 271 image that sold at Potter and Potter auction)
- 298-16 (same as image found in MAGIC April 2001 magazine on page 106) Harry Houdini risks his life to escape by leaping out of moving car
- 298-53 (same as this Kevin Connolly’s L302-53 image but with 298-53 prod# on it)
- 298-87 (same as image in Grim Game Press Book and image in The Adventurous Life of Versatile Artist) Harry Houdini lying down on the top wing of an airplane
After reviewing the core files, the librarians showed me how to use the library computers and helped me locate some other references on Houdini.
While I was there reviewing other Houdini references, I also had the opportunity to discuss my research project with Barbara Hall, Special Collections Research Archivist and Faye Thompson, Photograph Department Coordinator. And schedule an appointment to see The Grim Game, Master File 681 Paramount Script Collection and Archive of photos (original stills). Stay tuned!
You are going to flip out when you see that file! 🙂
I flipped out just seeing the core file. I can hardly wait to share my experience with the special collection file.
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