139 years ago today, Harry Houdini was born in Budapest Hungary.
Author Archives: hhce
1922 Boys Cinema Card – Deep Sea Loot
Lately, we have seen a number of these cards for sale. I have seen them sell anywhere from $67.66 to $400 and I have seen them listed as high as $1,499.99 on eBay. Check out Kevin Connolly’s blog (Buy Me Now Before I Cost $3000) and the comments section for a discussion we had regarding price, condition, and grading.
Now, let’s focus on the card itself. The card with Houdini was number 4 of a set of 24 famous heroes that was issued in England by Boys Cinema as an insert in their magazine March 25th, 1922. It measures 2 1/16″ x 3 1/16″.
The image on the front is from still 298-63 of the Grim Game.
The bottom of the front of the card only lists Artcraft as opposed to Paramount-Artcraft; Paramount and Artcraft Motion pictures were part of the Famous Players-Lasky Corporation; In January 1918 Artcraft became a subsidiary of Paramount and in 1921, Paramount was part of a Federal monopoly investigation that caused Artcraft to be closed.
Now for the image on the back, it shows his birthplace as Appleton, Wisconsin which is not at all surprising. But what is surprising is that “Deep Sea Loot” is listed as chief among his films. So what was Deep Sea Loot?
During the 1910s, Houdini worked with underwater filmmakers J.E. and Ernest Williamson on a never-completed film (prospectively titled Houdini and the Miracle) that promised to show Houdini’s escape from a photosphere (an observation chamber that housed a camera that was attached to the bottom of a barge by a long tube). This film project was included in Houdini’s typewritten list of screen credits as Deep Sea Loot but was never made. [Disappearing Tricks by Matthew Solomon, pages 95, 98-99]
See the Movie Picture World, April 28, 1917, “Houdini For Pictures” article on page 622 and John Cox’s blog (Houdini’s Underwater Epic that wasn’t ) for more details on this Deep Sea Thrill.
Review of G&G and its connection with the GG
I finally received my long awaited copy of Magicol January 2013. I was not disappointed. My primary interest in this issue was the Magicol article that John Cox at Wild About Harry did on the Guests & Ghosts (G&G) of 278. You see, I was fortunate enough to meet the Guest & Ghosts of 278 at the Magic Castle on Wednesday, July 18, 2012. That is, I got to meet John Cox at the Magic Castle in Hollywood for the first time and hear his abbreviated version of the G&G talk he gave at the Magic Collectors Weekend in Chicago; it was quite the honor.
I have to agree with Magicana blog, that “John does a beautiful job highlighting some of the more famous and arcane visitors.“
John starts his article and presentation with a connection to the Grim Game (GG) which of course I found fascinating.
Apparently, Houdini added the Family Guest Book to his Harlem home right after making the GG. John mentions that Houdini, Bess, and Hardeen “christened the book with their signatures on August 1, 1919”. He also mentions that Larry Weeks (magician and Houdini collector) signed the guest book on April 22, 1956; Is it possible that Larry acquired what is said to be the only surviving print of the GG on this day?
Props to John for doing an outstanding job researching and presenting the Houdini Family Guest book from 278 W 113th Street.
See Ann Forrest on a motorcycle in the Grim Game
The photo below is my rendition of what Ann Forrest might look like riding a motorcycle:
Scene 325 of The Grim Game takes place on a mountain road where we see Mary (Ann Forrest) riding in on a motorcycle. After riding a long distance, the road is too rough for Mary to go any farther. She stops and gets off of the motorcycle and proceeds quickly up a path. [Paraphrased from files at Margaret Herrick Library]
What are some things Harry Houdini and Tony Curtis have in common?
Young Tony Curtis and Young Houdini performing Magic [German Newspaper clipping from Janet Leigh Collection at Margaret Herrick Library]
Both performed most of their own tricks/stunts in their respective films:
- Tony Curtis performs many of the tricks of the master himself in “H o u d i n i,” the Paramount picture…This accomplishment is probably worth noting, since the illusions could so easily be faked in a medium that itself used to be known as “the magic lantern.” [Newspaper clipping from Janet Leigh Collection] In fact, George Boston (magic instructor) and Joe Dunninger (magician who inherited some of Houdini tricks and books) were technical advisors on the magic and escapes.
- Harry performed most of his own stunts in “The Grim Game”, despite the fact that they could easily be faked by movie magic editing and using a stunt double (e.g., plane to plane transfer).
Both performed magic tricks on the set of their respective movies:
- Tony Curtis made up as old man showing magic tricks to studio workers. The consultant on the movie, George Boston, is the fellow in the black tie and dark coat. [Paramount Pictures Corporation]
- Houdini performs on the Famous Players-Lasky
Backlot
Both got injured making their respective movies:
- Tony Curtis sprained his right ankle .[Paramount Pictures Corporation]
- Houdini risked his life and sustained injury in making “The Grim Game”
Both are Kings of Cards:
- Tony Curtis King of Cards Still [Paramount Pictures Corporation]
Paramount-Artcraft Pictures: Classic Houdini Publicity Poses
The above photo of a classic Houdini pose just sold on eBay February 9th for $204.70; congratulations to the winner.
Below are other classic Houdini publicity poses taken when Houdini was working for Paramount-Artcraft Pictures:
The above image of Houdini appears on the cover of the pressbook for The Grim Game as well as the pressbook for Terror Island. This image of Houdini may have been used more than any other image of Houdini for publicity abroad; See Kevin Connolly’s blog.
The signed photo above will be auctioned by Lawsons in New South Wales on Friday, February 22, 2013. See John Cox’s blog for more info on auction.
Note: All of the above images can be found on various cards. Below are some examples from eBay that as of this date are currently for sale:
Still 298-80 (L302-80): Happy Valentines Day!
This photo (Still 298-80) appeared in a Swedish Program [HHCE Collection] and a Danish Program [Arthur Moses Collection] for the Grim Game.
So what is going on in this photo?
Harvey Hanford (HH) calls at the Cameron home and finds Mary Cameron (Ann Forrest) in the garden. HH and Mary are sitting on a rustic bench. To her he explains the great newspaper scoop he hopes to put over which will make it easier for them to elope. Mary is quite enthusiastic over her lover’s attempt to land a big story and agrees with the plans. Their plans all arranged, HH kisses Mary good night. [Paraphrased from files at Margaret Herrick Library]
Houdini Relaxes on Set with Marguerite Marsh Not
The image above is the front and back of card #38 from Houdini: The World’s First Superhero” cards. And once again the image on the right (back of card) is
misidentified. But instead of misidentifying the actress as Gloria Swanson like William Kalush and Larry Sloman did on page 360 of their book, The Secret Life of Houdini: The Making of Americas First Super Hero; the card misidentifies the actress as Marguerite Marsh. Close, but no cigar. The actress is not Gloria Swanson or Marguerite Marsh, but Ann Forrest (Houdini’s co-star) from the Grim Game. Houdini did spend time with Gloria Swanson on the Lasky set, but was never in a movie with her. See my blog Harry gets cozy with a young Gloria Swanson (and Ann Forrest) at Lasky Studios. Houdini also cozied up with Margaret Marsh when he made the serial The Master Mystery. As the card above points out, Margaret Marsh played Eva Brent, the imperiled damsel in distress in the Master Mystery.
In Search of Original Houdini Material for 1953 Houdini Movie, Part 2 of 2
While looking through the production 11495 department records (In Search of the Lost Plane to Plane Transfer) at the Margaret Herrick Library Academy of Motion Picture Arts and Sciences, I came across some very interesting correspondence WRT to Paramount trying to locate some original Houdini material for use in the 1953 movie starring Tony Curtis and Janet Leigh. Part 1 focused on the Milk Can and Part 2 will focus on Houdini’s Water Torture Cell(s).
Below is the text from a letter dated May 6, 1952 from Gordon Cole of Paramount Pictures, Inc to Mr. Sam Frey (Paramount Executive):
MR SAM FREY:
Will you please include in the night wire to New York the following message:
I have been advised that Julian B. Proskauer, 148 Lafayette, Canal 64450, may have or know the where-abouts of the original Chinese Water Torcher Cell, used by Houdini.
Could this be checked and advise us if the cell is available to us, condition and cost.
Gordon Cole
Below is the text from a letter dated May 8, 1952 from Gordon Cole of Paramount Pictures, Inc to Hillar:
Dear Hillar:
Herewith two photographs of the Chinese Water Torture Cell. You will note that they are apparently two different cells in construction and I do not know which one you have located in New York.
As I explained to you by telephone, we will undoubtedly have to fake the cell as far as our actor is concerned. It may be necessary to put a double glass in the front with water between the two glasses so that our actor in the back doesn’t drown. We estimate the cost of construction here of the cell at roughly Fifteen Hundred Dollars ($1500.00), and it may prove in the final analysis, better that we build it here for picture purposes, rather than use the original but we cannot afford to overlook the one in New York for the moment. It may be that the cost of getting the cell from Massachusetts, shipping it to the Coast, reshipping it to you, working it over, etc. can be more costly than starting from scratch.
If you do not think it favorable to attempt to ship the cell from New York here, and it does match either one of the photographs, it would be a great help to us if you could give us detailed dimensions, as we have nothing but photographs from which to construct the cell.
Thanks for all your trouble and hope to see you out here this summer. Best regards,
Gordon Cole
Below are pictures of Houdini’s water torture cells:
In Search of Original Houdini Material for 1953 Houdini Movie, Part I of 2
While looking through the production 11495 department records (In Search of the Lost Plane to Plane Transfer) at the Margaret Herrick Library Academy of Motion Picture Arts and Sciences, I came across some very interesting correspondence WRT to Paramount trying to locate some original Houdini material for use in the 1953 movie starring Tony Curtis and Janet Leigh. Below is the text from a letter dated May 22, 1952 from Julien J. Proskauer (Theo Hardeen’s closest friend, past publisher of Conjurors Magazine and co-founder of Magicians Guild) to Mr. Gordon Cole of Paramount Pictures, Inc:
Dear Mr. Cole:
I am sorry that I did not get this issue of Conjurors’ Magazine off to you earlier. It was very difficult to find a copy which was not defaced too much.
You will find on page 8 a copy of the only picture made with Hardeen and Houdini in an early model Winton motor car. On Page 13 is the story of the Milk Can which I referred.
You may recall that I mentioned the “Book of Life.” On pages 20 and 21 is the story of this illusion, and on page 35 is the complete working diagram showing the girl inside of the binding of the “Book.” Houdini and Hardeen had discussed this illusion as early as 1920 but nothing was done with it until a few months before Hardeen’s death, when we took the original working diagram from Houdini’s confidential books (found in a trunk at Hardeen’s home) and all of us doped out that which you see here.
Incidentally on page 23 is an accurate photograph of the original “overboard box.” This was the so-called “break away”which for many years was used by both Houdini and Hardeen.
Of great interest in the same issue is the picture of Houdini on page 22 in the Milk Can Escape pictured in full detail on page 1 of the book. This was the Milk Can Escape that Houdini made famous. The original can is for sale at this date.
My interest, as I explained to you, is solely that of insuring that the picture is correct. On page 12 of this issue are the handcuffs that Hardeen inherited from Houdini and are now in the possession of members of the Magicians’ Guild. Mr. Dunninger is not a member of the Guild and does not own any of these handcuffs.
I trust that this letter is quite explanatory both as to the existence of Houdini material as shown on page 40 and throughout this entire issue. I shall be glad to put you in touch with Douglas Geoffrey “Hardeen, Jr.”who owns all rights and titles to the “Houdini-Hardeen Show.”
Sincerely,
Julien J. Proskauer
Note: During Houdini’s life, no one ever escaped, or was permitted to escape, from the Houdini milk can. Hardeen built a second milk can which was gimmicked in 1928. No one ever used this can or knew the secret beside Jim Collins until in 1930, Theo Hardeen taught the escape to Julien J. Proskauer, who in later years became a co-founder with Hardeen of the Magicians Guild. Mr. Proskauer made the escape countless times using Jim Collins as his Assistant. [Page 13 Conjurors Magazine No. 6 July 1945]
The photograph above shows,- Hardeen making the escape with Douglas Geoffrey and Jim Vickery as his Assistants.
In Search of Original Houdini Material for 1953 Houdini Movie, Part 2 of 2 will include correspondence WRT obtaining Houdini’s original Water Torture Cell(s).




















