Whitehead Second Visit

Whitehead Image

Only Known Image of Whitehead (circa 1950 Montreal)

First, let me start off by saying that the purpose of this post is not to argue one way or another WRT the intent of the infamous Whitehead punches; I will leave that to others. My purpose is to share and comment on the fact, that according to the sworn affidavit of J. Gordon Whitehead, he visited Houdini three times (i.e., two times after delivering the punches to Houdini); I found that to be quite interesting; feel free to draw your own conclusions to the significance of this. You can find a copy of the affidavit at Patrick Culliton’s Houdini’s Ghost website:

It is the second visit mentioned in statement 25 of the affidavit that I found fascinating:

  • 25. I called again on Houdini at the theater on Friday morning the 22 October 1926 at 10 AM during our conversation we spoke of longevity and he gave me a copy of the “Scientific American” for November;

After reading that statement, I just had to get a copy of the Scientific American for November 1926.

SA Nov 1926 Cover

Click on the page links below to read the Albert A. Hopkins article in November 1926 Scientific American on longevity that Whitehead mentions.

  • How Death Deals Its Cards: Death in a Thousand Shapes is Knocking Eternally at Everyman’s Door. [Page 362] [Page 363]

The article with an interesting title presents U.S. mortality statistics for 1923 by cause of death.  Don Bell (author of The Man Who Killed Houdini) mentions that it may have interested Whitehead to know that 8.12 percent of total deaths that year or 98,030, were caused by diseases of the digestive system, and there were 7,878 homicides.

I also found statement 11 of the Whitehead affidavit fascinating as it relates to statement 25:

  • 11. I had previously mentioned a book I had read which set forth the requirements of good health, such as the care of the skin, the maintenance of an abdominal muscular corset, and a good digestion;

Thoughts?

The infamous glass of water

HandCuffHarryHoudini

This photograph of the ‘Handcuff King’ was taken while Houdini was appearing at the London Hippodrome in 1904 – the occasion of his Mirror Challenge.

The March 17, 1904 Mirror Handcuff Challenge [click link to read a full account]

In the 1929 Sensational Tales of Mystery Men by Will Goldston:

  • At the end of an hour, he asked his wife to bring him a glass of water.  This she did, placing it on the edge of the cabinet.  Houdini took the glass between his hands and drained it.  Ten minutes later, he emerged from the cabinet and flung the handcuffs on to the stage.

In Houdini by Kenneth Silverman:

  • Houdini did not reappear for another thirteen minutes [35 minute mark]. Perspiring this time, his stiff collar broken, he explained that he needed to stretch his aching knees but was determined to continue.  Parker or by one account Bess gave Houdini a glass of water and [the Mirror Representative] consulted with the manager of the Hippodrome, who directed an attendant to bring a large cushion.  [Note: Silverman incorrectly refers to the Mirror Representative as Parker]

In The Secret Life of Houdini by Kalush:

  • Then at thirty-five minutes, Houdini emerged again.  His collar was opened, and sweat poured off his face. “My knees hurt and my legs have cramped,” Houdini explained. “Please allow me to stretch them.  I am not done yet.” The crowd cheered.  Mr. Parker, the manager, brought Houdini a glass of water.  Then the Mirror Representative conferred with Parker.  Parker nodded his head and signaled to an assistant. In seconds, the assistant was back with a large cushion.

In most newspaper accounts, a glass of water is not mentioned, only the large cushion.  The newspaper account that I found that mentioned the glass of water does not mention the large cushion nor does it mention who gave him the glass of water:

  • After the expiry of 32 minutes he re-appeared, sweating profusely, and with his collar hanging down his back. He wanted a drink of water and having quenched his thirst, retired once more.

Many magicians assume Houdini must have had a key to the cuff. If this is true, how did Houdini get the key?

Will Goldston, writing in his Sensational Tales of Mystery in December 1929, claimed that an informant of his “whose sources of information are usually correct”, had told him that Bess smuggled it to him when she gave him a drink of water.  The story goes as follows:

  • Houdini never escaped from the handcuffs.  After an hour’s struggling, the magician realized he would never escape.  So he asked his wife for a glass of water and gave her to understand that she would have to procure the key at all costs.  Bessie, realizing the terrible predicament of her husband, called one of the journalists aside, and frankly told him that her husband was beaten.  Since failure would have meant the end of everything for Houdini, whilst to the paper it meant but little, she asked to be given the key to pass on to her husband.  This request was granted.  It was rumored that Bessie placed the key in the glass of water and took it to Houdini on the stage.  Shortly afterwards, he walked from the cabinet with the handcuffs free from his wrists.

Considering the size of the Mirror Key, it would be hard to hide in a glass of water according to Kalush and Silverman; however, Handcuff Experts point out that the working area of the key is all that is required and that the key could have been cut down to a length of about 1 ½ inches.  The actual nested mechanism is only about an inch from the keyhole and not deep inside the cuff lock tube.

Bringing a glass of water for Houdini to drink does figure into several of his most phenomenal escapes, including the Hodgson torturing.

The October 24, 1902 Hodgson Torturing Challenge  [click link to read a full account] 

In Houdini – The Key by Culliton:

  • According to Richard Clegg Jr.: He guarded his little cabinet so’s nobody could tamper with it. They arranged that while he was there, if Houdini wanted anything – maybe a drink or something – he would tell my father and he’d hand it through.  But his brother traveled with him, and he asked my father if he could take him a drink.  My dad, said “if he wants a drink I’ll take it”, but in the end he decided to let him go up.  My father followed him, though, and watched him give Houdini this tray.
  • According to Myrum Carruthers: After he had been in the cabinet awhile he asked for a drink. This was taken to him by a woman (I expect his wife).  A member offered to take this to him but refused.  This was repeated quite a number of times.

Note: Bess and Hardeen were both nearby on the stage at the time.

In the Northern Daily Telegraph 24th October 1902:

  • The crowd, however, was fast losing patience, and they loudly hooted as Hardeen, brother of Houdini, approached the cabinet to give a word of cheer, or maybe some advice, to his imprisoned relative.  On receiving a refreshing drink Houdini, after again calling upon the people to have a little patience, exclaimed that every lock had been changed, and that made it all the more difficult for him to get free.

In The Secret Life of Houdini by Kalush:

  • And when the brother approached the cabinet to give him a word of cheer, some of the crowd began booing.  Apparently Houdini told Theo he was thirsty, because a cool glass of water was provided him.  Then he addressed the audience again from his cabinet.

Comments and Questions about the Challenges

So in the mirror handcuff challenge there was a glass of water and a pillow and in the Hodgson Torture challenge there was a glass of water and a tray.  In both challenges, Bess is misidentified by at least one account as bringing a glass of water to Houdini.  It was Parker, in the Mirror Challenge and Hardeen in the Hodgson torturing.

All kinds of questions could be asked about either challenge.  Was Houdini milking the situation, prolonging it for dramatic effect?  Had Houdini colluded?  Did a relative assist in the escape?  And did a glass of water really have anything to do with it. We may never know the answers for sure and they may be different for each challenge.

All of this has made me thirsty for a glass of water!

What is the Story of this Martinka Magic Token

Martinka Token (Front)

Martinka Token (Back)My son wanted to surprise me with something Houdini related for Christmas.  He was intrigued by a listing for a magic token from a shop, that Houdini was once president and owner [1919].  He did some more research, found 3 other Martinka magic tokens for sale and got the best looking one which turned out to be quite unique:

Martinka issued the first palming tokens in the late 19 century.  Not gimmick’d or gaffed in any way, it was designed simply to be easier to palm and show up well when performing.  Over the years they issued multiple designs (LT, AH L/LT, D/D, V/V, Dash 1/Dash 2) and sizes in various materials (Gold, Brass, Copper, White Metal, Aluminum).  You can determine the design by what letter the right hand is below. In the D design, the hand is below the D of DECIPI, but a little to the left.

This half dollar D/D design shows a conjurer (Hermann?) standing astride the top of the world, producing a profusion of objects from the end of the wand in his right hand and from a top hat in his left hand, while around the edge of the field is the legend “MUNDUS VULT DECIPI: DECIPIATUR”.  The reverse bears the same design. The Latin phrase translates as: “The world wants to be deceived: let it be deceived”.

This brass coin covered with a thin gold wash was issued by Martinka. It is quite scarce and has a story attached to it:

The gold washed tokens appear to have been produced for, or at least used by a professional magician, Frederick Eugene Powell. Since they were the D/D type they were made later than the others.  One of the tricks in which Powell used them employed a picture frame suspended in the air by cords.  The frame had glass front and back and nothing between.  Five gold tokens held in his hands vanished one at a time, immediately reappearing visibly between the sheets of glass. FWK, Jr. acquired this frame and it still had three of the gold pieces in it.  Edgar Heyl acquired his example from the late Dr. Eugene L. Bulson of Fort Wayne.  Many years ago Dr. Bulson bought three of them in mint condition from the Martinkas, so it is obvious this issue could also be considered a commercial production. [The Martinka Magic Tokens by Edgar Heyl and F. William Kuethe, Jr.]

Houdini performed Robert Houdin’s Crystal Casket, in which five coins disappeared from Houdini’s hands and reappeared one at a time, with loud “clinks”, in a small glass casket which was hanging above the stage. [Culliton]

What was Houdini’s relationship to Frederick Eugene Powell:

  • Frederick Eugene Powell was a good friend of Houdini [Kalush]
  • In 1922, Powell headed one of the four touring companies for “The Houdini Wonder Show of 1922” which was presented in connection with Houdini’s film “The Man From Beyond” [Silverman]
  • After Houdini’s death, the Houdini Fraudulent Spirit Medium Lecture was continued by Frederick Eugene Powell. [Sparks]

I hope you liked the story of this Martinka Magic Token; I know I enjoyed receiving it and researching it.

Update:  Another F. E. Powell gold-plated Martinka token in similar condition just sold February 8th 2014 at Potter & Potter Auctions for $360.00 (includes 20% premium).

 

London Hippodrome Match – A Press Agents Challenge

HoudiniHandcuffedLondonIllustratedMirrorRepresentative

The Mirror Representative fastens the Cuff on Houdini’s Wrists

I have been intrigued by the London Hippodrome Match and the famous Mirror Handcuff ever since I saw the cuff along with the silver replica as a kid at the Houdini Magical Hall of Fame in June 1980. The original cuff and silver replica are now in David Copperfield’s private museum.

In the spring of 1904 Houdini was in England playing the London Hippodrome. Each day he issued his standard challenge to the audience to bring forth their handcuffs to challenge him. One day in March a representative [TBD] of the Daily Illustrated Mirror newspaper issued a special challenge to Houdini to escape from a special pair of handcuffs supposedly built by a blacksmith [Nathaniel Hart] in Birmingham over a five year period. Houdini accepted the challenge and it was scheduled for St. Patrick’s Day, March 17.  [handcuffs.org]

The account of Houdini’s great victory appeared in the Daily Illustrated Mirror March 18, 1904.

In “Houdini – The Key”, Patrick Culliton mentions a couple times (page 146 and page 155) that no one knows the name of the representative from the Mirror.

So who was this representative and what was his story?

Click the link below to finally learn the name and read the press agents entertaining story:

Some observations about the story:

The Press Agents story comes out a little over 6 years after the famous match, while Houdini is appearing at the Tivoli Theatre in Sydney, Australia.

It would have been on March 11th, 1904 that the press agent 1) suggested the challenge “gag” for the paper, 2) bribed a policeman, 3) first discovered the locksmith in Birmingham who spent 5 years of his life perfecting a lock that no mortal can pick, and 4) borrowed the cuff to test Houdini.

There is no mention of anyone giving Houdini a glass of water during the match.

The locksmith is still referred to as Nathaniel Hart.

“It was only a peculiar physical defect that enabled Houdini to defeat his beautiful mechanism”.

H A P P Y  N E W  Y E A R!

2013 – An Amazing Year for HHCE

Houdini Nuts Get-Togehter Nov 2013

2013 was an amazing year for Harry Houdini Circumstantial Evidence (HHCE) for a number of reasons:

Houdini Nuts Get-Together Exchange

Participated in an exchange of ideas regarding the life of Harry Houdini and his enduring effect on modern history with John Cox, Patrick Culliton, Arthur Moses, and Stacey Zimmerman.

GG5

Shared a number of not widely known facts about the Houdini movie starring Tony Curtis and Janet Leigh:

mysterio (Al Pitroff) 1913

Buffalo Evening News November 21, 1913 clipping courtesy of Bill Mullins

Researched and shared evidence WRT when Houdini may have first publicly performed his suspended strait-jacket escape from a building, as well as where he got the idea from:

Houdini Grim Game Limited Edition 1 of 10

Acquired a signed limited edition Grim Game Three Dimensional Giclée Print by Disney Artist Dave Avanzino:

Marc Wanamaker Bison Archives Grim Game Image

Photo courtesy of Marc Wanamaker, Bison Archives

Discovered several rare behind the scenes shots from The Grim Game in the book, Aviators in Early Hollywood by Shawna Kelly:

298-07 Ebay

Discovered the true identity of the police reporter in The Grim Game:

The Fort Wayne Journal - Gazette Fort Wayne Indiana 19 Oct 1919 Page 5B

Shared some incredible Grim Game ads and not widely known info about Houdini and the movie:

houdiniPaperRobotPages (1)

Shared some incredible Master Mystery ads and not widely known info about Houdini and the movie:

bustcloseupShared research on how many times Houdini’s bust was replaced:

Hall of Fame Back CoverShared memories and ads from Houdini Magical Hall of Fame:

Shared Houdini’s last message to the American public:

Shared Houdini’s connection with the last days of the Father of American Music (Stephen Foster):

Mentioned numerous times by John Cox at his Wild About Harry (Houdini) blog and Facebook pages:

And last but not least, my daughter had a baby girl, my son got engaged, and I survived a heart-attack.  I am truly blessed and look forward to 2014.

In 2014, I will start the New Year by sharing some new information I came across about the Mirror Handcuff Challenge.  You won’t want to miss it.  See you next year!

What is Houdini’s Greatest Stunt on Screen?

Care to take a guess?

1920 03 20 The Picture Show Image 1

During an half an hour interview, Houdini was asked the following question:

WHAT do you consider the greatest stunt you have done for the screen?

“ Another incident in the same picture,” answered Houdini.

“ I stood in the archway of a prison, thus –“ Here he took up a crouching position, in the corner of the room, and enacted the whole thing for my benefit.  “ A heavily loaded jerry, going at twenty-two or -four miles an hour rolled by me.  I threw myself on the ground, completely rolling over between the fast revolving fore and hind wheels over and over, till I caught the transmission bar, and hung there for very dear life! Thus was I carried to the aid of the heroine.  Though my words may not convey very much, this was my greatest stunt.  It allowed of no rehearsals – I said to the camera-man, ‘Get this now or never!’  And had I made the slightest false move I should have been crippled for life, if not killed ”.  [The Picture Show, March 20, 1920 p19]

Here is another account of the incident.

Here is another great stunt from the Grim Game.

Related:

The Prison/Truck stunt(s) sound amazing, as does the Strait-Jacket/Awning/Wall stunt(s). For me, I need to see the movie to decide which one is the greatest stunt.

Special Thanks to Bill Mullins who shared with me the “Half-An-Hour with Houdini” Interview and photo from The Picture Show Magazine.

1920 Kinema Comic Insert

1920 Kinema Comic InsertThis is a large paper insert issue given away with comics.  It measures 212mm x 103mm.

The writing at the bottom of the card reads:

Paramount-Artcraft
Presented with No. 3 of the Kinema Comic, May 8th, 1920.
HOUDINI
The Handcuff King

Note: Paramount-Artcraft was the picture company that made “The Grim Game”.  The Handcuff King image on the card is from still L302-55:

HHCE L302-55 11x14

According to Arthur Moses, the British Boys weekly “The Kinema Comic” ran a serial “The Amazing Exploits of Houdini” (“Written by Houdini Himself” – or so it says) and always began on page 6 and continued on to others.  These were tales of pure fiction with maybe 2% fact thrown in. The weekly serials began with the v1n1 April 24, 1920 issue.

Harold Kellock says in his book “Houdini His Life-Story” (1928) that “The Kinema Comic” serial ran for seven years.

2005-09-007

The Master Mystery postpones Buried Alive Stunt on Stage

filmdaily Sunday Aug 25 1918 page 4

“The Master Mystery” Film Daily Ad – August 25 1918

Harry Houdini is recovering from injuries received while working in the new Houdini (Rolfe) serial [The Master Mystery] at Yonkers, Houdini bumping against a wall while making an indoor descent in a parachute. His left wrist was fractured and bruises suffered, but the injuries will not prevent him from opening with the Hip show, New York, Aug 22. [Variety Fri August 16 1918 page 6 Vaudeville]

“Everything” opens Thursday August 22, 1918 at the Hippodrome (aka the Hip) in New York.

Buried Alive on Stage PosterHoudini appeared with his left hand bandaged.  He explained that because of an accident in which his wrist was fractured, he could not present his burial trick.  But he escaped from a straight jacket, while hanging head down, at a height near the top of the proscenium.  He must have been in pain, for he never did the escape quicker in public. [Variety Fri August 30, 1918 page 16 Show Reviews]

Houdini felt called upon to apologize for the simple nature of his stunt. [New York Tribune August 23 1918]

Several acts left “Everything” at the Hippodrome Saturday [Nov 2], including Houdini, Reynolds and Donegan, and Gerda Guida, the Danish danseuse. They had been engaged on a ten-week basis with contracts expiring and not renewed.  Houdini had been working under a handicap ever since the opening of the show because of a broken bone in his wrist. [Variety Fri November 8 1918 page 5 Vaudeville]

When Houdini returns to the Hippodrome he promises to present the most sensational act he has ever attempted.  In full view of the audience, lying flat on the floor of the stage itself, he will allow himself to be covered with three tons of sand — dumped on him out of a big automobile truck.  Then he will dig himself up through the pile in less than 60 seconds.  To make it more difficult Houdini will be put in a strait-jacket before the sand is dumped on him.  The date of his reappearance at the Hippodrome will depend on his complete recovery from a recent accident in which he broke his wrist. [Variety Fri November 29 1918 page 7 Vaudeville]

Harry Houdini was in New York Monday [Dec 2] with the plaster cast off his wrist.  He has a ten weeks’ leave from the Hippodrome.  Three of them have been spent by Houdini before the camera [The Master Mystery].  He may play vaudeville during the other seven weeks outside Greater New York, according to permission given by the Hip management. [Variety Fri December 6 1918 page 11]

Buried Alive Poster 1926Buried Alive Stunt on stage is postponed until September 1926.  The escape is finally debuted at the Majestic Theatre in Boston:

  • John Cox blog – Ad shows Houdini performed Buried Alive in 1926
  • Dean Carnegie blog – Episode 3 Additional Information (Includes another 1926 Buried Alive ad)

Another Ending to the Tony Curtis Houdini Movie

TC JL Flower

Paramount Picture Corporation

Kevin Connolly over at Houdini Himself replied to my post that described two different endings with the following comment:

I haven’t read the script in a very, very long time, but I seem to remember that there was a third ending. As I try to remember it, I think it was just Bess (Janet Leigh) at the end by herself and Houdini has been dead for a while. I think she was doing something with a flower setting.

As promised, I said that I would do a blog about the third ending that Kevin mentioned.

The second draft screenplay (Yellow) dated August 5, 1952 ends as follows:

After Otto smashes the glass front of the cell with his axe, there is a close shot of a crystal vase of red roses on a table before a half-opened window.  A gust of wind whips the curtains back against the vase.  The vase topples to the floor and crashes.

We then see Bess dressed for traveling, packing a wardrobe trunk.  She crosses the broken vase, gathers up the red roses, and sees a small note twined around the stem of one of the roses.  She lays the roses on the table and curiously unwinds the note from the one red rose.  The wind whips the lace curtain across her face, shrouding it like a mourning veil.  As she brushes the curtain aside from her eyes to read the note:

Roses are red,

Violets are blue,

Even after I’m dead

I’ll still love you.

As tears well in her eyes she glances up from the red rose to a faded yellow poster on the wall.  The music of the Dime Museum comes softly over the poster of Houdini at the age of twenty, wearing his ill-fitting dress suit and pulling a rabbit out of a silk hat, the age old symbol of the magician.

The End.