Boys Cinema March 4 1922 v5 n117

Boys Cinema ran every week from Dec 1919 (n1) to May 1940 (n1063). Houdini appeared in 1920, 1921, 1922, and 1923 issues:

  1. Jan 17, 1920. v1 n6. “Houdini the Handcuff King”  cover & p26.  (HHCE Collection)
  2. Feb 21, 1920. v1 n11. “Houdini”  p12+.  (HHCE Collection)
  3. Jan 8, 1921. v3 n57. photo  p5. (HHCE Collection)
  4. Feb 5, 1921. v3 n61. photo p26. (HHCE Collection)
  5. Feb 19, 1921. v3 n63. photo  p5. (HHCE Collection)
  6. May 7, 1921. v3 n74. “The Grim Game”  p14. (HHCE Collection)
  7. May 14, 1921. v3 n75. “Terror Island”  cover & p2+.  (HHCE Collection)
  8. June 25, 1921. v4 n81. “The Grim Game”  p14+. (HHCE Collection)
  9. July 30, 1921. v4 n86.  “The Marvelous Houdini” (photo feature)  p14+.  (HHCE Collection)
  10. March 4, 1922. v5 n117. Houdini card on cover.  (HHCE Collection)
  11. March 25, 1922. v5 n120. Houdini cover with Famous Heroes Card # 4 insert. (Missing)
  12. Jan 13, 1923. v6 n162. “Houdini In The Man From Beyond”  p14+.  (Arthur Moses Collection)

This week I share Houdini’s appearance in Boys Cinema March 4, 1922. v5 n117 from my personal collection.

Boys Cinema July 30 1921 v4 n86

Boys Cinema ran every week from Dec 1919 (n1) to May 1940 (n1063). Houdini appeared in 1920, 1921, 1922, and 1923 issues:

  1. Jan 17, 1920. v1 n6. “Houdini the Handcuff King”  cover & p26.  (HHCE Collection)
  2. Feb 21, 1920. v1 n11. “Houdini”  p12+.  (HHCE Collection)
  3. Jan 8, 1921. v3 n57. photo  p5. (HHCE Collection)
  4. Feb 5, 1921. v3 n61. photo p26. (HHCE Collection)
  5. Feb 19, 1921. v3 n63. photo  p5. (HHCE Collection)
  6. May 7, 1921. v3 n74. “The Grim Game”  p14. (HHCE Collection)
  7. May 14, 1921. v3 n75. “Terror Island”  cover & p2+.  (HHCE Collection)
  8. June 25, 1921. v4 n81. “The Grim Game”  p14+. (HHCE Collection)
  9. July 30, 1921. v4 n86.  “The Marvelous Houdini” (photo feature)  p14+.  (HHCE Collection)
  10. March 4, 1922. v5 n117. Houdini card on cover.  (HHCE Collection)
  11. March 25, 1922. v5 n120. Houdini cover with Famous Heroes Card # 4 insert. (Missing)
  12. Jan 13, 1923. v6 n162. “Houdini In The Man From Beyond”  p14+.  (Arthur Moses Collection)

This week I share Houdini’s appearance in Boys Cinema July 30, 1921. v4 n86 from my personal collection.

Boys Cinema June 25 1921 v4 n81

Boys Cinema ran every week from Dec 1919 (n1) to May 1940 (n1063). Houdini appeared in 1920, 1921, 1922, and 1923 issues:

  1. Jan 17, 1920. v1 n6. “Houdini the Handcuff King”  cover & p26.  (HHCE Collection)
  2. Feb 21, 1920. v1 n11. “Houdini”  p12+.  (HHCE Collection)
  3. Jan 8, 1921. v3 n57. photo  p5. (HHCE Collection)
  4. Feb 5, 1921. v3 n61. photo p26. (HHCE Collection)
  5. Feb 19, 1921. v3 n63. photo  p5. (HHCE Collection)
  6. May 7, 1921. v3 n74. “The Grim Game”  p14. (HHCE Collection)
  7. May 14, 1921. v3 n75. “Terror Island”  cover & p2+.  (HHCE Collection)
  8. June 25, 1921. v4 n81. “The Grim Game”  p14+. (HHCE Collection)
  9. July 30, 1921. v4 n86.  “The Marvelous Houdini” (photo feature)  p14+.  (HHCE Collection)
  10. March 4, 1922. v5 n117. Houdini card on cover.  (HHCE Collection)
  11. March 25, 1922. v5 n120. Houdini cover with Famous Heroes Card # 4 insert. (Missing)
  12. Jan 13, 1923. v6 n162. “Houdini In The Man From Beyond”  p14+.  (Arthur Moses Collection)

This week I share Houdini’s appearance in Boys Cinema June 25, 1921. v4 n81 from my personal collection.

Two reels of Houdini Film “Lost and Found” at Sherman Grinberg Film Library

Sherman Grinberg Film Library (Lance Watsky)

Last year (Dec 2019), I received the following email from our friends Dick Brookz and Dorothy Dietrich (D&D) at the Houdini Museum in Scranton:

Hi Joe,

Just got 14 minutes of digital Houdini film highly watermarked to protect ownership

.Each reel is about seven minutes

One is Houdini hanging from a bed sheet from a 4 story building, swinging from window to window swinging over to a drain pipe and lowering himself to the ground.  It is in broken segments as it was filmed.

The other is various clips we have seen small part of before but these are more lengthy.  One lowering a person on a shipment, and kissing Bess, a couple quickies wit Harry Kellar, Houdini taking a bow, the putting him a crate and dumped overboard, him being tied up by a gang of monks, etc.

Any thoughts?

Dick Brookz and Dorothy Dietrich

Without seeing the film clips, my initial thought was that they all sound familiar and that there is a “hanging from a bed sheet” scene in The Man From Beyond (TMFB).

Meanwhile, D&D let Lance Watsky at Sherman Grinberg Film Library know I was an expert on Houdini Films, and got permission for me to study and review the two reels, which I did in December 2019.

It turns out, I had gotten a gimpse of the two reels once before, when Librarian Bill Goodwin shared them at our Houdini Nuts gathering at the Magic Castle (June 2018), but at the time was not allowed to describe what I saw, nor study the films.

Well, thanks to Sherman Grinberg Film Library (Lance Watsky), Dorothy Dietrich & Dick Brookz, John Cox (Wild About Houdini), and the Academy of Magical Arts (Magic Castle), we can now share what’s on them to a larger audience.

In fact, on the Magic Caste website (August 20, 2020), AMA Trustee Shoot Ogawa presented Episode 37, “Behind The Bookcase” with guests John Cox and Lance Watsky, who showed the world premiere of this recently discovered film footage of Houdini.

The quality of this footage is amazing, which is important. Lance Watsky believes the film Sherman Grinberg Film Library owns was struck from a copy of an orginal 35mm negative.

Here’s a breakdown of the Houdini Footage on Reel 1.

Monk Table Tie Escape (0:00:00)

This is footage of Houdini doing an escape on the set of Haldane of The Secret Service. This is not from the movie itself. The scenario appears to be that he’s being challenged by monks (played by actors and assistants.) This is the same cut footage that has appeared in documentaries, but is of much higher quality. The uncut version shows the full escape and Houdini being raised up on the of the shoulders ecstatic monks.

Houdini, Kellar and Hardeen (0:01:48) 

This is familiar footage of Houdini shaking hands with Kellar, and then the two getting into backseat of car driven by Hardeen. But, because of the high qualify of the footage  (and John Cox going thru frame by fame), we now know that this is Kellar being picked up at the Hotel Astor in Times Square New York and being driven to Flatbush, N.Y during the week of Nov. 5-11 1917 (most likely Nov 10, 1917 the day before Houdini hosted the Antilles Benefit at the Hippodrome).

 

Houdini and Kellar Rope Ties (0.02:15) 

This footage (found on Film-Flamming and other documentaries) was shot in front of Dash’s house in Flatbush (where Houdini and Bess was living at the time). Per Bill Goodwin, the footage is so clear you can read the address on the porch; Houdini and Kellar are seen taking turns demonstrating rope ties. You also see a shot of Bess with Kellar and Houdini in front of the house. As well as Kellar having fun demonstrating his famous Kellar rope tie escape by having Houdini and Hardeen tie his wrists.

 

Behind the Scenes filming of The Man From Beyond (0.03:21)

You see Houdini rehearsing a scene on a vessel and then consulting with Burton King about the scene. You also see the famous footage of Bessie “sprucing up” Houdini and getting a little smooch from him.

 

Master Mystery Packing Case (0.05:02)

This is familiar footage from the Master Mystery movie of Houdini doing a Packing Case escape.

 

Miscellaneous (0.06:15)

This is familiar footage of Houdini in white bathing suit handcuffed with 4 pairs of handcuffs.  You then see Houdini surfacing and resurfacing with the handcuffs, checking to see they got some good shots.

So the footage on Reel 1 has appeared on documentaries and much of it is available on YouTube (at a much lower quality).

 

Now Reel 2 is unique and has never appeared on any any known Houdini movie, nor documentary for that matter.

Scaling a Building (0:00:00)

Houdini is hanging from a bed sheet from a 4 story building, swinging from window to window swinging over to a drain pipe and lowering himself to the ground. It is in broken segments as it was filmed.

(0.00.00) We see Houdini opening the shutters of the top window of a 4 story building and looking around. He then pulls out bed sheet’s tied together and hooks them to the window. Houdini then puts his left leg outside the window and grabs the bed sheet ladder.

(0.00.47) We see the bed sheets hang down to the bottom of the second window. Houdini grabs the bed sheet ladder and starts climbing down. He kicks open the right shutter of the second window below and climbs down grabbing hold of the left shutter. He then swings himself attached to the shutter and bed sheet to the adjacent window where he grabs the right shutter and lets go of the bed sheet ladder. He then swings the right shutter close while grabbing the left shutter.

(0.01:50) We see Houdini holding onto a drain pipe and then dropping to the ground and walking away.

(0.01.59) Similar to (0.01:50) footage.

(0.02:06) We see back of Houdini from the waist down on the drain pipe jumping down and walking away.

(0.02:14) Similar to (0.02.06) footage

(0.02:25) We see back of Houdini’s head and hand on drain pipe looking down before he starts to climb down.

(0.02:30) Similar to (0.02:25) footage

(0.02:41) We see Houdini from the waste up climbing down the drain pipe and jumping down.

(0.02:54) We see most of Houdini climbing down the drain pipe and jumping down and walking away.

(0.03:03) Similar to (0.02:54) footage

(0.03:12) Similar to (0.00:00) footage.

(0.03:52) We see Houdini on adjacent window after he let go of bed sheet ladder and shutter of adjacent window. And then we see him make his way to the next adjacent window shutter and then the drain pipe. He then climbs down the drain pipe pass two stories of windows until he reaches the ground.

(0.05:30) We see Houdini at the top window going down the sheet ladder to window below, swinging over to the adjacent window, and from there swinging over to another adjacent window.

(0.06:36) We see Houdini swinging over to another adjacent window, transfer to drain pipe and then slide down the drain pipe.

So where is this footage from?

This footage is not from The Grim Game (TGG).

Although, the TGG synopsis for the scenario writer had Houdini escaping from a jail, then using the rope of a flag pole from the building to scale down each story; arriving on each window ledge, he cuts off the end of the rope, ties it to he cell bar on the window and lowers himself again. TGG script also had Houdini freeing himself from a strait-jacket, swinging like a pendulum at the end of a rope, catapulting his body through a small window, and then scaling a wall and disappearing over the other edge.

Escaping and scaling buildings definitely was a theme in some of his movies.

And Houdini was also known to do “human fly” stunts.

Per a Wild About Houdini post:

He climbed the exterior of 278 to bring Bess flowers on their anniversary. He performed at least one human fly stunt during his return tour of the UK in 1920, when he climbed to the top of a castle in Newcastle and dangled from a parapet.

Houdini also shot random scenes in London, Edinburgh and Paris for a movie he was going to call The Dupe. Some of that footage was later used in Haldane of the Secret Service. But some footage was never used.

This footage is not from the TMFB or is it?

The Man From Beyond (TMFB)

Well, The “hanging from a bed sheet” used in TMFB is totally different. But after examining screenshots of Houdini in each of his known films, I came to the conclusion that the “hanging from a bed sheet” footage on reel 2 resembles Houdini during the making of TMFB. And that he filmed two different escapes from sheets, and the one on reel 2 was not chosen for TMFB.  John Cox concurs and also points out that because of how clear the film is, you can tell that a haness and stunt double (Bob Rose?) was used.

Susposedly, Bob Rose was an uncreditied stunt double for Houdini. Below are a couple related newspaper references:

In all that time, I have never been in a hospital. That may be destiny- or it may be a close adherence to the precepts laid down for me by my teacher, the greatest stunt man of them all – Houdini. [30 Sep 1934 LA Times article by Bob Rose]

 

It was the first time he [Bob Rose] had ended in a hospital. He had always stuck to the rules laid down to him by Houdini who said, “Do every stunt scientifically. Don’t do it on nerve . Don’t attempt a stunt if you are afraid. Stunt work must be done on the same basis as gambling. You’ve got to have a feeling that it is a cinch or you must not do the stunt.” [04 January 1936 Larne Times]

Houdini wrapped up TMFB (and Haldane) in 1921.

The Man From Beyond (TMFB)

Special Thanks to Sherman Grinberg Film Library (Lance Watsky), Dorothy Dietrich & Dick Brookz, John Cox, and the Academy of Magical Arts for allowing me to review and comment on this extroadinary footage.

Update:

The film treatment, Marvelous Adventures of Houdini, self-published and copyrighted in 1917 has a scene where Houdini uses sheets on side of warehouse and makes his way down a water pipe or from window to window. There are also many elements of the Marvelous Adventures story that echo in his other films.

Related:

 

Boys Cinema May 7 1921 v3 n74

Boys Cinema ran every week from Dec 1919 (n1) to May 1940 (n1063). Houdini appeared in 1920, 1921, 1922, and 1923 issues:

  1. Jan 17, 1920. v1 n6. “Houdini the Handcuff King”  cover & p26.  (HHCE Collection)
  2. Feb 21, 1920. v1 n11. “Houdini”  p12+.  (HHCE Collection)
  3. Jan 8, 1921. v3 n57. photo  p5. (HHCE Collection)
  4. Feb 5, 1921. v3 n61. photo p26. (HHCE Collection)
  5. Feb 19, 1921. v3 n63. photo  p5. (HHCE Collection)
  6. May 7, 1921. v3 n74. “The Grim Game”  p14. (HHCE Collection)
  7. May 14, 1921. v3 n75. “Terror Island”  cover & p2+.  (HHCE Collection)
  8. June 25, 1921. v4 n81. “The Grim Game”  p14+. (HHCE Collection)
  9. July 30, 1921. v4 n86.  “The Marvelous Houdini” (photo feature)  p14+.  (HHCE Collection)
  10. March 4, 1922. v5 n117. Houdini card on cover.  (HHCE Collection)
  11. March 25, 1922. v5 n120. Houdini cover with Famous Heroes Card # 4 insert. (Missing)
  12. Jan 13, 1923. v6 n162. “Houdini In The Man From Beyond”  p14+.  (Arthur Moses Collection)

This week I share Houdini’s appearance in Boys Cinema May 7, 1921. v3 n74 from my personal collection.

Houdini Movie Lots

An episode 10 Master Mystery Poster sold yesterday (7/25/2020) at Heritage auctions for $43,200 which included Buyer’s Premium.

Also, yesterday (7/25/2020) , there were some great Houdini Movie Lots (390, 397, 398, 398A, 404, 405, 406, 410, 418, 419, 432, and 434) from The Magic Collection of Jim Rawlins and others that sold at Potter & Potter. Click here for prices realized.

While I have many of these items already, I had my eyes on Lot 398A (which had 2 items I had never seen before) and Lot 404.

Lot 398A

Houdini, Harry (Ehrich Weisz). Houdini “The Grim Game” Airplane Photographs. Circa 1919.  Uncommon group of five possibly unpublished photographs of Houdini and others on the set of “The Grim Game,” one of Houdini’s films.  One photo shows Houdini standing next to the Curtiss “Jenny” camera airplane piloted by Al Wilson; Lt. David E. Thomson, pilot; Robert Kennedy, Houdini’s stunt double; and Lt. Christopher Pickup, pilot of second airplane. Other photos show various images of pilots, cameraman, director, and co-star Ann Forrest. During the filming of a sequence, the planes collided in mid-air but managed to land safely, in what was likely the first airplane collision ever filmed. The damage to the one of the airplane’s wings is clearly visible in three of the photos. Very good.

Notes: Three of the five photographs have been published before. For example pages 94, 95 and 97 of “Locklear: The Man Who Walked on Wings.”  But two of the photographs, AFAIK, haven’t been published before.

Lot 404:

Houdini, Harry (Ehrich Weisz). Houdini Mastery Mystery Invitation. [New York], 1918. Brown ink on cream stock, listing the names of each character and actor playing the role, including Houdini as “Quentin Locke,” and being a “special invitation performance given at the Strand Theatre” on Nov. 7, 1918. 8 ¼ x 5 7/8”. Central folds.

Notes:  A broadside from my personal collection gave Newspaper reviews for this special performance at the Strand Theatre on Nov 7, 1918.

Congrats to the winners.  BTW: I won Lot 404, which will complement my Master Mystery broadside nicely.

Boys Cinema Feb 19 1921 v3 n63

Boys Cinema ran every week from Dec 1919 (n1) to May 1940 (n1063). Houdini appeared in 1920, 1921, 1922, and 1923 issues:

  1. Jan 17, 1920. v1 n6. “Houdini the Handcuff King”  cover & p26.  (HHCE Collection)
  2. Feb 21, 1920. v1 n11. “Houdini”  p12+.  (HHCE Collection)
  3. Jan 8, 1921. v3 n57. photo  p5. (HHCE Collection)
  4. Feb 5, 1921. v3 n61. photo p26.  (HHCE Collection)
  5. Feb 19, 1921. v3 n63. photo  p5. (HHCE Collection)
  6. May 7, 1921. v3 n74. “The Grim Game”  p14. (HHCE Collection)
  7. May 14, 1921. v3 n75. “Terror Island”  cover & p2+.  (HHCE Collection)
  8. June 25, 1921. v4 n81. “The Grim Game”  p14+. (HHCE Collection)
  9. July 30, 1921. v4 n86.  “The Marvelous Houdini” (photo feature)  p14+.  (HHCE Collection)
  10. March 4, 1922. v5 n117. Houdini card on cover.  (HHCE Collection)
  11. March 25, 1922. v5 n120. Houdini cover with Famous Heroes Card # 4 insert. (Missing)
  12. Jan 13, 1923. v6 n162. “Houdini In The Man From Beyond”  p14+.  (Arthur Moses Collection)

This week I share Houdini’s appearance in Boys Cinema Feb 19, 1921. v3 from my personal collection.

Question: Was this photo of Houdini and actor Theodore Roberts taken when he was on the west coast making The Grim Game or Terror Island?

Clue: Lila Lee, Island

Answer: The Grim Game

Lila Lee, Gloria Swanson, Tom Meighan and Thomas Roberts were making the Cecil B. DeMIlle film, “Male and Female” (the big picture production of the famous Barrie play, “Admiral Crichton“), at Lasky Studios around the same time. In June 1919 they filmed shipwreck scenes at Santa Cruz Island; Elaborate sets built to add realism to the location, in addition strengthening the illusion of tropical verdure. [June 21, 1919 LAT]

 

Related:

 

The New School Presents The Incredible Houdini

In 1974, Houdini’s film, The Grim Game, was shown publicly on March 1st, at The New School in New York:

And in 1977, you could take a course on Houdini at the New School:

Bonus:

Larry Weeks, would occasionally screen the film The Grim Game at magic conventions, S.A.M. assemblies and after S.A.M. broken wand ceremonies.

I believe the first magic convention he screened it at was in April 1964 at The Wizard’s Conclave in Plainfield NJ.  And the last one was at a September 1986 Magicians Convention in Allentown PA.

In the 80’s, the S.A.M. parent assembly in New York would screen it as part of “Houdini Night” produced by Larry Weeks.

And in 1986, after an S.A.M. broken wand ceremony conducted at Houdini’s grave at Machpelah Cemetery in New York, on October 31st, Larry Weeks gave a lecture on Houdini and showed “The Grim Game” at the Glendale Public Library in New York.

CAMERA WORK AT FARMINGTON

While going thru my images from my December 2018 visit to the McCord Museum, I came across a undated [May 1921] newspaper clipping that I found very interesting; especially with all of the great work being done by our friend Sean Doran at the Mysteriarch who is searching for locations from the 1922 silent film classic, The Man From Beyond. So without further adieu, here is the text from the newspaper clipping:

HOUDINI HERE FOR MOVIE SCENE

—–

“Handcuff King” Wants Pictorial Record of His Wonder Feats.

—–

CAMERA WORK AT FARMINGTON

—–

Plans to Retire From Dangerous Profession After World Tour

—–

Houdini, the original “handcuff king” who appeared in Hartford for the first time somewhere near a score of years ago, before he had won his international fame, is back to this section again, this time as a moving picture star in his own company. With a company of sixteen people he is at the Elm Tree Inn in Farmington and several scenes for his picture “The Frozen North” which he and his company have been working on for a number of months will be taken there.

Some of the scenes were taken in California, others in Europe during Mr. Houdini’s last trip there, the company was at Niagara Falls waiting for a number of days to get the scene they wanted there, and now in Farmington, on the estate of Winchell Smith and other places there he is preparing to film the scene which will complete the picture. They will include a number of daring feats which have made Houdini famous, and the taking of the picture may take several weeks, during which time his company will be at the Elm Tree Inn.

Houdini talked last night with a “Courant” reporter who chanced to have been one of the “stage committee” at his first appearance here, when Houdini was a much younger man than he is today.

“I am beginning to feel that it is nearly time to retire,” he said. “I have seen others try to imitate me. Four of them were fairly successful in a way for a time, but they all lost their lives. Now there are none of the imitators left. I am taking this picture not because of a desire to enter the moving picture field, but because, if I should die, as the others have done, I wish to leave proof that I have actually done the things I have been advertised to do.

“In a short time—within a couple of years—I plan to make a farewell tour of the world and give up my profession. And when I am through I want to have this pictorial record left.

“This is not a million dollar picture. I don’t make any pretentions of any such thing as that. At the same time I think it is going to be a good one. It is one I wrote myself, to a large extent and besides presenting the feats, I want to have pictured, I think the story will prove an interesting one.

“Burton King is my director, and Jane Connelly, who was known as the ‘the Sarah Bernhardt of vaudeville is my leading lady. There are sixteen people in the company with me, and I have six camera men.”

Mr. Houdini was reluctant to say just when and where the scenes will be taken or just what feats he will perform. He stated that the weather made it uncertain just when the filming could start, but declared that it was likely that the work of arranging the settings for some of the scenes would be under way today.

After reading the newspaper clipping,  here were my initial observations:

Wow, just learned that the company stayed at the Elm Tree Inn in Farmington and filmed scenes on Winchell Smiths estate. But what about the scene references to “other places…” in Farmington?

now in Farmington, on the estate of Winchell Smith and other places there he is preparing to film the scene which will complete the picture.

What scene he is referring to? Houdini was “reluctant to say just when and where the scenes will be taken or just what feats he will perform”. Could it be the swim in the rapids [on the Farmington River] He told the Courant Reporter “that it was likely that the work of arranging the settings for some of the scenes would be under way today”.

After my initial observations, I decided to search Newspapers.com for references to Houdini and Farmington and according to the May 9th 1921 Hartford Courant, the rapids scene was done on Sunday, May 8th at Winchell’s Smith dam in the Farmington River:

COMPLETE FILMING FEATS OF HOUDINI

Screen Record of Daredevil’s Skill Finished at Farmington.

HANDCUFF KINGS SAYS HE IS A FATALIST

Not Concerned Over His Fate – “Hopes to Fool Em”

With beautiful summer weather to help him. Houdini the original “handcuff king” finished the scenes he needed for his new picture play, The Frozen North”, yesterday, in Farmington, and last night he had his company of sixteen departed. It had been expected that they would be at Elm Tree Inn for at least a week while getting “location” and otherwise preparing for the big scenes of the artic region in which Houdini does some of his marvelous feats, but Farmington, apparently has even Los Angeles beaten for “location.”

However that may be, the Houdini force, appeared to be “out on location” yesterday morning, not only picked the “locations” but filmed the scenes wanted and at about 4 o’clock in the afternoon “called it a days work” and also a finale and last night they packed up and departed for New York.

The scene for the big picture was taken at Winchell Smith’s dam in the Farmington river, and Houdini bound in a manner that would keep the average man secure for as long as he could live, was cast into the river above the dam.

The work of binding him was so well done that even the members of his company, who are used to seeing him do stunts which seem impossible declared that “he had a mighty close call.

“Yes,” said Houdini after it was all over. “It was a close call. It was nothing easy. And that was what I wanted. I am not trying to do easy work in this picture, but hard feats. I am trying to record just how far I can go and live. Some of the them thought I had gone beyond the limit, but I am still here.

“I am a fatalist,” he said, I believe I will not die until my time comes and when it does, I am ready.” He paused for a while, meditatively, “Isn’t it just about as worth while to die trying to do something that nobody else would attept as to die in bed? I think so.

“Thjs picture, which is to show just what I can do, is about completed now. When it is done I will have a permanent record of the feats I have achieved and when at least four of my imitators have died in attempts to reproduce. The time may come when I will make a miscalculation—when something will go wrong. It will furnish some material for the newspapers anyway. And I suppose there will be a lot of people who who who will say “I told you so”, But I hope to fool them all.

Houdini, who was one of the pioneers in aeroplane “stunting”, had planned to have Lieutenant Stuart Chadwick, now in Hartford, “drop in on him” while he was in Farmington and before leaving yesterday expressed his regrets at not having been able to wait for the promised airplane ride over Hartford and surrounding territory.

Bonus:

Houdini who always found a way to thrill his audience has a surprise ending for “The Far North” the special feature he is now making. The producers, while declining to state the nature of the thrill, declare it to be the greatest ever seen, not excepting the 4,000 feet aeroplane drop in another of Houdini’s films. [Buffalo Courier Sun Jun26, 1921].

Houdini Grim Game Promotional Poster/Brochure

I wish I could say that I was the proud owner of lot 258, Houdini Grim Game Promotional Poster (above) and Brochure (below) that sold at Potter&Potter Auctions 5/2/2020, but despite making a run at it, I finally had to tap out.

The items described below would have looked great in my Houdini room devoted to The Grim Game, but it was not meant to be. Congratulations to the winner!  The lot sold for $3840 which includes 20% buyers premium.

Lot 258 DESCRIPTION:

Houdini, Harry (Ehrich Weisz). Houdini Grim Game Promotional Poster/Brochure. 1919. Two-color offset poster and brochure advertising Houdini’s stunt-filled film, The Grim Game, a Paramount picture which captured for the first time on film a genuine plane crash. Replete with drawings and photographs of Houdini. 26 7/8 x 20 ¼” (open). Splitting at original folds, one small chip. Rare.