Ormer Locklear (Locke) connection to Houdini and The Grim Game

Ormer Locklear Flying Circus, 1919 Newspaper Ad

A newspaper advertisement for Ormer Locklear’s Flying Circus, 1919.

How does Houdini know Ormer Locklear and what was his connection to The Grim Game?

Houdini went to the Trav Daniel Sporting Goods Store during his week [January 1916] in Fort Worth.  He asked for a pair of Spaulding track shorts that he wanted to use as underwear.  James Locklear was in the store and recognized Houdini.  He told Houdini that he had enjoyed his act at the Majestic and had also seen Houdini free himself from the straight jacket at the Star-Telegram Building.  During the conversation, Locklear mentioned to Houdini that his brother Ormer did tricks while riding a motorcycle.  After meeting Ormer, Houdini suggested that Ormer drag Houdini handcuffed behind his motorcycle.  Houdini also stated that Ormer would receive publicity from the stunt as well as Houdini and that perhaps Ormer would become a daredevil one day; The event took place on Main Street, because it was the first paved street in Fort Worth.  Houdini wore thick overalls and a hood for the stunt.  His hands were tied behind his back and a rope was attached to Houdini from the motorcycle.  With a crowd looking on, Houdini was pulled slowly behind the motorcycle.  Before Ormer could get any speed, the event was over. Houdini freed himself.  {Paraphrased from Locklear Walks on Wings by Art Ronnie}

Ormer did become a daredevil and was the first to walk the wings of planes in flight. He became well known during the 1920’s and became a star in Hollywood.  Houdini used the idea of a transfer from one plane to another in his film, The Grim Game.  It was at this time, that a tragic accident involving Houdini’s double occurred, and Houdini took the credit for the filmed transfer.  Houdini later claimed that it was he that was the first to be photographed in a plane transfer, but he always gave credit to Locklear as the first to actually make the transfer.

[Houdini’s Texas Tours 1916 & 1923 by Ron Cartlidge]

 

Ormer Locklear poses for a publicity still for The Skywayman

Ormer Locklear poses for a publicity still for “The Skywayman”

Addendum: Houdini played a character with the last name of Locke in “The Master Mystery” and Ormer Locklear played a character with the last name of Locke in “The Skywayman”.  “The Skywayman” and “The Grim Game” both used Jenny airplanes with rope ladders on the bottom wing to perform their stunts.

Lookout Mountain in Laurel Canyon

Last Sunday, some of my Houdini colleagues and I went on “The Haunted Houdini Tour” of Los Angeles conducted by Richard Carradine, a renowned ghost hunter.   See John Cox blog at Wild About Harry for a full report of the places we visited.

Lookout MountainWhile discussing Houdini’s movie career, Richard Carradine showed a photograph of the site of the former Lookout Mountain Inn, that is just West of Laurel Canyon.  On October 26, l9l8, disaster struck the Lookout Mountain and Laurel Canyon area when a fire, fanned by strong winds, burned about two hundred acres and totally destroyed the famous Lookout Mountain Inn.

Richard then displayed a movie still from the 1919 movie, The Grim Game, and compared it to the photograph above of Lookout Mountain.

HHC L302-84 Postcard

Based on his familiarity with the area and the photographic evidence, Richard suspects that the Grim Game still was taken at the site of the former Lookout Mountain Inn.

On the tour, I confirmed his suspicion. That is, a plane had been positioned on the brow of Lookout Mountain so that, once inside, Houdini could be photographed against the sky as if in flight.

What is Houdini’s Greatest Stunt on Screen?

Care to take a guess?

1920 03 20 The Picture Show Image 1

During an half an hour interview, Houdini was asked the following question:

WHAT do you consider the greatest stunt you have done for the screen?

“ Another incident in the same picture,” answered Houdini.

“ I stood in the archway of a prison, thus –“ Here he took up a crouching position, in the corner of the room, and enacted the whole thing for my benefit.  “ A heavily loaded jerry, going at twenty-two or -four miles an hour rolled by me.  I threw myself on the ground, completely rolling over between the fast revolving fore and hind wheels over and over, till I caught the transmission bar, and hung there for very dear life! Thus was I carried to the aid of the heroine.  Though my words may not convey very much, this was my greatest stunt.  It allowed of no rehearsals – I said to the camera-man, ‘Get this now or never!’  And had I made the slightest false move I should have been crippled for life, if not killed ”.  [The Picture Show, March 20, 1920 p19]

Here is another account of the incident.

Here is another great stunt from the Grim Game.

Related:

The Prison/Truck stunt(s) sound amazing, as does the Strait-Jacket/Awning/Wall stunt(s). For me, I need to see the movie to decide which one is the greatest stunt.

Special Thanks to Bill Mullins who shared with me the “Half-An-Hour with Houdini” Interview and photo from The Picture Show Magazine.

Stills L302-1 to L302-3 Aeroplane Sequence

L302-1Above is a photograph that just sold on eBay last week for $123.50.  Congratulations to the winner. This is the first time, I have seen this image with a press released still number on it; It looks like it is L302-1.

Closeup of Still NumberThis is the first image of a sequence of three that appeared together in the newspapers documenting the actual collision in mid-air.  It was also used in ads promoting “The Grim Game”. It shows Kennedy climbing down the knotted rope toward Thompson’s top wing for the plane changing stunt in the movie.

L302-2 001I have yet to see the above second image of the sequence with the still number on it.  It may be L302-2. Notice that, as the aeroplanes are buffeted by the unstable air, Kennedy lifts his feet to avoid contact with Thompson’s propeller.

L302-3 Sphinx Sept 15, 1919 v18n7Above is the third image of the sequence with still number L302-3 on it.  After the collision, you see Kennedy dangling in space at the end of the rope as the aeroplanes start to descend.

Houdini Grim Game Stunt Doubles

His double for the plane-to-plane descent was Lieutenant Robert E. Kennedy.

New York Tribune, July 06 1919 p 6

 New York Tribune July 06, 1919, Page 6

Several other doubles were used for Houdini during the more hazardous feats in the movie. These were dummies with painted faces. They were dressed in striped shirts and dark trousers to match the clothes he wore. The dummies were filmed in long shots; then studio-made close-ups of the star were inserted to create the illusion that he performed breathtaking feats that not even Houdini would risk. [Houdini The Untold Story by Milbourne Christopher page 163]

Grim Game Dummies

Dummies of  Ann Forrest and Harry Houdini from the Grim Game. See Aviators in Early Hollywood (Images of America: California) by Kelly Shawna on page 52 for the complete photo which includes Robert E. Kennedy, Ann Forrest and Harry Houdini posing with their magical dummies.

Dummies do not land airplanes well in crash scenes but are desirable flight “fall guys” to drop on a rare occasion. 

See pages 51-53 for other amazing Grim Game photos. 

1953 Houdini: In Search of the Lost Plane to Plane Transfer

For some time now, I have been intrigued by John’s blog at Wild About Harry titled: LIFE photos reveal cut wing walking sequence in 1953 Houdini biopic.  So last year, I decided to go to the Margaret Herrick Library Academy of Motion Picture Arts and Sciences in search of the Lost Plane to Plane Transfer.  I got to look at the press book, stills, newspaper clippings, and a number of different versions of scripts for the 1953 movie starring Tony Curtis and Janet Leigh.

Unfortunately, there were no plane photos/footage, nor any mention of the plane to plane transfer in any of the versions of the script that I read.

However, I did discover the mention of the plane transfer buried in some production 11495 department records:

Apparently, on October 21, 1952, it was listed as Montage number 5 of 6 montages:

  1. Needle Trick
  2. Levitation
  3. Bullet through Woman
  4. Cremation
  5. Plane Transfer (Crank at 16)
  6. Shot of Canon Close up Tony

Note: Montages 4, 5 and 6 did not make the cut, but montages 1, 2, and 3 did appear in the movie.

It was still listed as a Plane Transfer montage on a production call sheet dated: FRIDAY, OCTOBER 31st, 1952, along with the Needle Trick, Levitation, Bullet thru Woman, and Cremation montage. Also, the Milk Can shows up for the first time on this call sheet as a montage, but the canon montage is missing on the call sheet. Note: The Milk Can did not make the cut, either.

Also, on a RETAKES AND MONTAGES sheet dated 10/31/52 there is a brief description of a plane transfer shot taken on 10/31/52 that read as follows:

  • MED. LONG SHOT – Houdini on rope swings to wing of plane – MOVES DOWN as he lands – releases rope – climbs down (BLACK & WHITE).

The RETAKES AND MONTAGES sheet also included a brief description of montage shots for the Canon, Cremation, Milk Can and others (e.g., Bullet thru Woman, needle trick, levitation, card tricks).

In reading the scripts and shooting schedule for the movie, discovered some other illusions/routines that did not make the final cut: IRON MAIDEN ILLUSION, ELEPHANT ROUTINE, PAPER BAG ESCAPE, WINDMILL ESCAPE, CARETTE ESCAPE, FOOTBALL ESCAPE, and BURIED ALIVE ESCAPE.

Although there were no photos of the plane transfer, there were some LIFE photos of Janet Leigh and Tony Curtis performing the Cremation Illusion and the Bullet thru Woman Illusion. Also, there were a couple LIFE photos of Janet Leigh escaping from a
see-thru lace straight jacket which unfortunately didn’t make it in the movie. And, there were two official Paramount Picture Corporation stills, 11495-43 and 11495-78 that showed the cremation illusion and the milk can escape respectively.

In future related blogs, I plan to describe some correspondence WRT trying to locate original Houdini material (e.g. handcuffs, Milk Can, Overboard box, Book of Life illusion, and Water Torture Cell) for use in the 1953 movie.  As well as describe in more detail some of the montage escapes and illusion sequences that didn’t make the cut.  I also plan to do a blog on what Harry Houdini and Tony Curtis have in common?

Double Take

What is the difference between these ads besides the variation in color?


Each version was the second page of a four-page ad created to promote the original release of the film.  The drawings on each are the same, but the text is quite different.

The first one is the version that appeared in my copy of the MUM Society of Americans Magicians Monthly, New York August 1919. The second one most likely appeared in some magazine as well due to the few staple holes.

Below is the breakdown of the text for comparison.  The text for the first version is in bold and the text for the second version is in italics.

HERE’S HOW IT HAPPENED
YOU READ IT IN THE PAPERS NOW SEE IT IN THE PICTURE!

On June First, 1919, the Associated Press carried from Los Angeles a story of the thrilling aeroplane accident that took place during the filming of “The Grim Game.”
The Associated Press on June 1, carried from Los Angeles a story of the most amazing aeroplane accident that has ever occurred. 

The story of the two planes which crashed together in mid-air and plunged to earth buzzed on the wires to every newspaper in America.
Amazing because no one was hurt, though two machines collided and fell thousands of feet to earth.

You will see the collision in “The Grim Game”.
The accident occurred in the filming of “The Grim Game”

It was an accident, but the camera man had the presence of mind to keep it turning.
The camera man in the third plane was cool-headed enough to keep on turning, though he was sure that the occupants of both machines would be killed.

The drawings on this page show how it happened.
The drawings on this page show what you see in the film. 

Houdini on the rope attempts to descend to the lower plane. 
Houdini prepares to descend to the plane beneath him. He swings off onto the rope.

The camera man was in the third machine.

The lower machine turned its propeller upward – the propellers gnashed together—
The lower plane turns its propeller upward – The propellers gnash together!

The lower plane crashed into the upper one – cutting off a wing –

The two planes, locked and helpless, crashed to earth!
The two planes lock – They plunge to earth!

It’s all in the picture – and lots more! 

The greatest thrill in the greatest thrill picture ever made!
A thrill that can never be duplicated!

 

Note: The third and fourth pages of the four-page ad are the same; And the first page of the four-page ad is the same with the exception that the ad that apprears in the MUM Society of Americans Magicians Monthly, New York August 1919, has one extra line of text added: Endorsed by the Society of American Magicians

On June First

On June First, 1919, the Associated Press carried from Los Angeles a story of the thrilling aeroplane accident that took place during the filming of “The Grim Game.”  The story of the two planes which crashed together in mid-air and plunged to earth buzzed on the wires to every newspaper in America.

You will see the collision in “The Grim Game”. It was an accident, but the camera man had the presence of mind to keep it turning.

The drawings on this page show how it happened.

Houdini on the rope attempts to descend to the lower plane.  The camera man was in the third machine.

The lower machine turned its propeller upward – the propellers gnashed together—

The lower plane crashed into the upper one – cutting off a wing –

The two planes, locked and helpless, crashed to earth!

It’s all in the picture – and lots more!  The greatest thrill in the greatest thrill picture ever made!

 

For more information (photos and footage) of the aeroplane accident, see my other related posts:

What a Mystifier or Coincidence?

I was looking thru my collection of Mystifier Newsletters (A Publication of the Houdini Historical Center that ran quarterly from April 1991 to the Fall of 2003) and came across some very interesting coincidences on pages 3 thru 5 in the First Quarter 1996 Newsletter:

 

  • Page 3 thru 5 had a well-written article, titled Ray Stark & Hollywood, Searching for Houdini, by the man who is Wild about Harry, John Cox.
  • Page 3 had a photo (L302-84) from The Grim Game
  • Page 4 had a photo misidentified as being from The Grim Game
  • And last but not least, Page 5 welcomed new HHC Member, Joseph M. Notaro

Now 16 years later, if finding this isn’t a mystifier or a coincidence, then I don’t know what is.

Aeroplane Sketches

The following original art work sold at the Manuscript and Collectibles Auction in November 5, 2005:

(Houdini) Original Art Work. Pencil and Ink Sketch, 20″x12½”, Signed by the artist: “R.B. Ogle / 1920.” The scene shows a frightened Houdini dangling by a rope from one bi-plane as it crashes with a second plane. This scene actually occurred while Houdini was filming The Grim Game. The legend below the sketch, with the title “Exploits of Houdini,” quotes Houdini: “…I was dangling from the rope end ready for the leap. Suddenly a strong wind turned the lower plane upwards, the two machines crashed together – nearly amputating my limbs – the propellors locked in a deadly embrace, and we were spun round and round….” This scene could possible have been drawn for a lobby card to be exhibited in the theater. In any event, it is intriguing.  Realized:  $1265

(Houdini) Art Work From The Master of Mystery. Pencil and Ink Sketch, 10¾”x14½” of Houdini looking over the side of a biplane assessing his next action as the pilot watches., c. 1919. Lower border identifies the scene as being from “‘The Master of Mystery (7th instal. p. 4.)” “Kinema Comic” is stamped in the lower left border, and some measurements are marked on the sketch, which is mounted to board. R.B. Ogle is identified as the artist on the back. The art work was probably for a lobby card.  Realized:  $575