Tom Cruise HOUDINI Directed By Paul Verhoeven (Original Screenplay)

I recently acquired this item on eBay:

DESCRIPTION

Movie script for “Houdini” starring Tom Cruise. Due to production issues, this film wasn’t released in 1998 as planned. After a change in directors, it was slotted to be released in 2000. This didn’t happen either. Here is your chance to read the script for a movie that never happened.

Per our friend, John Cox at WildAboutHoudini.com:

The veteran scribes [Stephen J. Rivele and Christopher Wilkinson] who had tackled Nixon for Oliver Stone in 1995, focused their story on Houdini’s famous confrontation with the medium Mina “Margery” Crandon. The thrilleresque script blended fact with fiction and offered some dramatic recreations of not only the Margery sittings, but also the Water Torture Cell, Buried Alive, and the Russia Transport Prison Van escape. The movie opened with a dramatic depiction of Houdini’s famous sea monster challenge.

For more details on how this script came about, check out the following post at WildAboutHarry:

Future posts will look at the rest of the escapes planned for the movie:

  • Russia Transport Prison Van
  • Water Torture Cell
  • Berlin Bridge Jump
  • Buried Alive

Weird Tales May 1924 – Ask Houdini (Answers)

This post looks at Houdini’s answers to questions posed in an earlier post.

No. 1

What is meant by a clairaudient?

“Clairaudient” is French for “clear-hearing,” and “clairvoyant” is French is “clear-seeing.” A clairaudient, in the parlance of the spiritualists, is a medium who hears spirit voices, and a clairvoyant is one who sees spirit forms. The word “clairvoyant,” however, usually includes both meanings.

No. 2

Believing that most people approach the hour of death with fear and apprehension, regardless of the scientific proofs of the existence of psychic phenomena, don’t you think that belief in the religion of spiritualism is to be encouraged if only that it helps to relieve this fear and that it would, too, assuage the grief of those who mourn for a departed one.

No, I do not think the belief in spiritualism ought to be encouraged until it is definitely proved to be honest, unless you wish to take the viewpoint that we ought to believe there is a Santa Claus. I would like to believe in Santa Clause, I think, but you don’t find fraud mediums who look upon their work as of a Santa Clause nature. I believe that one ought to face the inevitable with all the courage possible, knowing full well that we must face the great disintegration.

No. 3

I have before me a well known spiritualism publication which devotes a lot of space to your activities in the world of magic and escapes. In view of your present stand on the subject of spiritualism, I am curious to learn what you have to say concerning the following:

“The controversy raging round the performance of a lady entertainer, who, posing as a ‘medium,’ recently mystified an audience composed of people well known in spiritualism and psychical research, re-opens the question as to the possibility of conjurers doing some of their sensational tricks by means other than normal. For example, Houdini opening a jail cell door in under 3 seconds with the keyhole sealed or Houdini opening a new strong room, secured by the latest time-locks.

As my work consists of a willing acknowledgment of manipulation, and as I accomplish it by my knowledge of the construction of locks, I do not believe you would ask me to expose my secrets. However, any time that you meet me personally, I will explain how I opened the time lock, but I do not care to broadcast this information at present time.

No. 4

I am curious to hear your views on sleep. Do you think that when you lie down and fall asleep (you cannot remember the moment you do) that you pass from one state of existence into another?

You ask for my views on sleep. Strange to say, we spend almost a third of our lives in this peaceful state. Some humans require more sleep than others. I rarely take more than six or seven hours out of the twenty-four. I use sleep as a necessity; others as a luxury; and still others as a life-waster. There are a number of books on the subject. I believe that sleep rests the energy of life, and that the tenant (yourself) who occupies your body permits the landlord (nature) to make repairs in your abode while you sleep. If human beings would realize that they hold only a limited lease on their bodies, then they would not abuse them so unknowingly.

No. 5

Do you believe that a person who suddenly lost a very dear friend would naturally be in a better position to communicate with the departed than one less acquainted, if there actually is such a thing as communication with the dead?

Yes, I positively believe that any person who has lost a dear friend or relative would be in a much better position to communicate with the lost ones. I think that is why the shock of suddenly losing loved ones often causes persons to imagine things.

No. 6

Have you heard of John Slater, whose home was in California? I think he is the man who comes to Lilly Dale every summer and lectures and gives readings. What do you think of his work?

You ask my opinion of John Slater. What do you mean, as a human being, as a clairvoyant, as a spiritualistic evangelist, or as an impossible lecturer before a high-grade audience?

No. 7

In the first installment of your story, The Spirit Fakers of Hermannstadt,” you state that you were playing Vienna at the time. If I am not mistaken , I had the pleasure of viewing  one of your performances, though it might have been Berlin. I was very much interested in the story, and, knowing as I do the superstitions of those people, I can appreciate the predicament you were place in. I await your further experiences with interest.

Yes, I have appeared in Berlin a number of times. My first appearance there was at the Berlin Winter Garden about twenty-five years ago. I played there consecutively for almost fifteen years, and was then brought back as a feature of the Hippodrome Circus by Director Busch. As a matter of record, I have played almost every principal city in the world, except in South Africa and South America.

No. 8

[intentionally skipped due to length]

No. 9

You say that you want to expose fraud mediums. But are there not also legitimate mediums, who can stand every test imposed on them?

Perhaps there are such, but I have never met any. To show you how difficult it is to find a genuine medium, let us go back to 1857, when the “Boston Courier” offered $500 for a medium who could successfully meet the test. Such offers have been repeatedly made since, and a similar offer was backed up by the $60,000 willed to the University of Pennsylvania by Henry Sybert. In rough figures, during the past sixty years there has been offered almost one hundred thousand dollars for a medium who could meet a genuine test, yet no one has ever been granted any bonus for meeting such a test.

No. 10

What is the ritual of “Black Mass”? Looking for a detailed description.

Rarely will you find references to the “Black Mass.” My opinion is that it is a sort of convention of devils, and there the witches, wizards and sorcerers confess. This is supposed to take place on the Devil’s Sabbath.

I have never seen a complete description of the “Black Mass” and the rituals. Some of it, if my memory serves me right, was photographed in Sweden, and was of such a nature that the picture, which cost a fortune, had never been seen by the public. It was called, I believe, “Superstition of the Age.” I saw this film run, but up to the present it has never been seen outside of a private projection room. It took more that two years to make it.

According to Funk & Wagnalls, “Black Mass” is a burlesque on the Christian mass.

No. 11

Is Swami Bhakta Vishita, Hindoo master and author of “The Development of Seership, Hindoo and other Oriental Methods” a fraud?  Also, what about a lady that came this winter from Lilly Dale, N.Y. and has been conducting a spiritualist church in the Moose Hall in Daytona Florida all season and professes to be a medium.

Hindoo psychics in all branches are the most guarded against. I do not what good it will do to read their books, unless you are able to read upon them and eventually refute their teachings. If anyone of them possessed one-third of the power the Hindoo psychics all claim to possess, he could come forward and claim the huge rewards awaiting true psychics. This applies to all who did not come forward for the public test. Incidentally, you mention Lilly Dale, That is the breeding place for psychic fanatics, who are consciously and subconsciously frauds.

No. 12

[intentionally skipped due to length]

No. 13.

[intentionally skipped due to length]

No. 14.

[intentionally skipped due to length]

No. 15.

I am seeking the supreme ruling powers. Can you enlighten me?

There is but one supreme Creator. I believe He has no proxies to perform spiritualistic phenomena. Our destiny is in His hands, and we must be submissive to His mandates.

No. 16

[intentionally skipped due to length]

Weird Tales May 1924 – Ask Houdini (Questions)

In this post, we look at some of the questions that appeared in the Ask Houdini section.

No. 1

What is meant by a clairaudient?

No. 2

Believing that most people approach the hour of death with fear and apprehension, regardless of the scientific proofs of the existence of psychic phenomena, don’t you think that belief in the religion of spiritualism is to be encouraged if only that it helps to relieve this fear and that it would, too, assuage the grief of those who mourn for a departed one.

No. 3

I have before me a well known spiritualism publication which devotes a lot of space to your activities in the world of magic and escapes. In view of your present stand on the subject of spiritualism, I am curious to learn what you have to say concerning the following:

“The controversy raging round the performance of a lady entertainer, who, posing as a ‘medium,’ recently mystified an audience composed of people well known in spiritualism and psychical research, re-opens the question as to the possibility of conjurers doing some of their sensational tricks by means other than normal. For example, Houdini opening a jail cell door in under 3 seconds with the keyhole sealed or Houdini opening a new strong room, secured by the latest time-locks.

No. 4

I am curious to hear your views on sleep. Do you think that when you lie down and fall asleep (you cannot remember the moment you do) that you pass from one state of existence into another?

No. 5

Do you believe that a person who suddenly lost a very dear friend would naturally be in a better position to communicate with the departed than one less acquainted, if there actually is such a thing as communication with the dead?

No. 6

Have you heard of John Slater, whose home was in California? I think he is the man who comes to Lilly Dale every summer and lectures and gives readings. What do you think of his work?

No. 7

In the first installment of your story, The Spirit Fakers of Hermannstadt,” you state that you were playing Vienna at the time. If I am not mistaken , I had the pleasure of viewing  one of your performances, though it might have been Berlin. I was very much interested in the story, and, knowing as I do the superstitions of those people, I can appreciate the predicament you were place in. I await your further experiences with interest.

No. 8

[intentionally skipped due to length]

No. 9

You say that you want to expose fraud mediums. But are there not also legitimate mediums, who can stand every test imposed on them?

No. 10

What is the ritual of “Black Mass”? Looking for a detailed description.

No. 11

Is Swami Bhakta Vishita, Hindoo master and author of “The Development of Seership, Hindoo and other Oriental Methods” a fraud?  Also, what about a lady that came this winter from Lilly Dale, N.Y. and has been conducting a spiritualist church in the Moose Hall in Daytona Florida all season and professes to be a medium.

No. 12

[intentionally skipped due to length]

No. 13.

[intentionally skipped due to length]

No. 14.

[intentionally skipped due to length]

No. 15.

I am seeking the supreme ruling powers. Can you enlighten me?

No. 16

[intentionally skipped due to length]

A future post will look at Houdini’s answers to these questions.

Weird Tales April 1924 – Ask Houdini (Answers)

This post looks at Houdini’s answers to questions posed in an earlier post.

No. 1

Years ago there traveled around the country a man named Samri S. Balwin, known as the “White Mahatma,” Could you tell me if he is still living, and if so, where a letter could reach him. Were there any other White Mahatmas that did the same kind of work?

There were a number of While Mahatmas, all imitating Samri S. Baldwin, who is still alive and now resides in San Francisco, California. A letter addressed to the Golden Gate Assembly of the Society of American Magicians, care of the Tiffin Studio will reach him.

No. 2

Many explanations have been offered of this practice [used by dowsers to find water] and I am anxious to hear your opinion regarding same.

This is not new; in fact, it is centuries old, and you will find any number of books in your library regarding same.

The fact remains that these “dowsers” or water diviners were not always accurate, and in view of this infallibility, it is unwise to believe that they were capable of locating water or metals.

The Psychical Research Society have gone thoroughly into this class of humans, and I would advise you to look up their literature on this subject.

No. 3

During one of the sittings or seances, the medium sat directly in front of me, held both of my hands in her right hand, and placed he other hand on my shoulder. Then I could see by glancing upward, then a guitar and then a mandolin. This instrument, would float over the heads of the sitters, and I have never been able to discern how this was accomplished. Can you explain?

There are several ways of the medium getting one hand free when you are supposed to hold both. It is one of the best known ruses used by fraud mediums.

In order to guard yourself in the future, when you go into a seance room, insist on holding the medium’s hand in your own. You do the holding, and do not allow the medium to hold you. See that there is no confederate to produce the manifestations, which is frequently done.

No. 4

You are answering all questions on spiritualism. Do you consider yourself a human encyclopedia on the subject? I know you will not dare to answer this.

How do you explain Jacoby, who in his autobiography said he saw a number of musicians in his room and they played until early morning?  Jacoby was a brilliant man and gifted scholar.

How can you, at the present time, explain how this happened?

I do not think you would care answer this question, but am sending it to relieve my mind.

No, I do not consider myself a human encyclopedia, but I have been delving in mystery ever since I could walk and talk, and if there is anything in the line of mystery I do not know, I certainly am going to try and find out.

Any time you see me billed anywhere, drop around and have a chat.

I am not prejudiced, as I keep telling people. I am perfectly willing to believe, but I have not been convinced or converfted as yet.

Jacoby did write that he saw and heard musicians in his room. He called his servants, if you remember the incident, but they were unable to see them.

After I am suspended from the top of a building by my ankles and make my escape from the restraint and come down to earth, the whole population and the houses whirl about me, but that does not signify it is true.

Theefore, I claim that he might have thought he had seen the musicians and heard them, but that does not necessary make it true, although in his own mind, it was true.

You go to any insane asylum where you are permitted to go by the authorities, and you will find a lot of poor mortals who hear voices and see forms. I think that Jacoby simply hads hallucinations at the time this happened, and that is all there is to it.

No. 5

Why do mediums employ various paraphernalia in conducting their seances. For instance, why is it necessary for the departed one to speak through the medium with the aid of a trumpet or horn? If there is such a thing as communication with the dead, can you advance a logical explanation of why a trumpet or horn should be used?

The aid of trumpets, tambourines and musical instruments used in seances, to the best of my knowledge and belief is simply to give auricular proof that the spirits are present, and in speaking through a trumpet, it is the simplest thing in the world to muffle your voice and make it difficult to recognize.

No. 6

The question I asked on the slip of paper, “H*—, have you any relief from your suffering?” My handwriting was purposedly bad and I wrote the proper noun in such a manner that it would be hard to distinguish whether the word was Harry or Henry. I did this to discover if the medium actually read the questions or not. I am convinced that she did but how? Perhaps you can offer an explanation.

The method used by this medium is very simple and is not new. It has been greatly improved upon recently. If I am not mistaken it was first used in the early 70’s. When you tied the handkerchief with the gloves over her eyes, she simply frowned as much as possible. Then by raising the eyebrows she was enabled to see enough to suit her purpose.

You understand I am not exposing a legitimate performer’s efforts. When a medium resorts to trickery, I feel that the deception should be explained to prevent their playing upon the gullibitiy of this public as much as possible.

 

Weird Tales April 1924 – Ask Houdini (Questions)

FOREWORD

Ingrained in me is a love of mystery and marvel. As a child, Red Riding Hood, Ali Baba, and the Arabian Nights found as much favor with me as the stories from the Bible. All were read to me by my mother. Stories of the weird and wonderful exercise a surpassing charm over my imagination. I feel there are many thousands like me and from these I will be delighted to hear. Who knows but that this department may be the means of bringing to light another Poe or another Hawthorne? Only by writing can you learn to write. By throwing off restraint, the greatest pieces of literature have been produced. This department is yours as much as mine.  HOUDINI

No. 1

Years ago there traveled around the country a man named Samri S. Balwin, known as the “White Mahatma,” Could you tell me if he is still living, and if so, where a letter could reach him. Were there any other White Mahatmas that did the same kind of work?

No. 2

Many explanations have been offered of this practice [used by dowsers to find water] and I am anxious to hear your opinion regarding same.

No. 3

During one of the sittings or seances, the medium sat directly in front of me, held both of my hands in her right hand, and placed he other hand on my shoulder. Then I could see by glancing upward, then a guitar and then a mandolin. This instrument, would float over the heads of the sitters, and I have never been able to discern how this was accomplished. Can you explain?

No. 4

You are answering all questions on spiritualism. Do you consider yourself a human encyclopedia on the subject? I know you will not dare to answer this.

How do you explain Jacoby, who in his autobiography said he saw a number of musicians in his room and they played until early morning?  Jacoby was a brilliant man and gifted scholar.

How can you, at the present time, explain how this happened?

I do not think you would care answer this question, but am sending it to relieve my mind.

No. 5

Why do mediums employ various paraphernalia in conducting their seances. For instance, why is it necessary for the departed one to speak through the medium with the aid of a trumpet or horn? If there is such a thing as communication with the dead, can you advance a logical explanation of why a trumpet or horn should be used?

No. 6

The question I asked on the slip of paper, “H*—, have you any relief from your suffering?” My handwriting was purposedly bad and I wrote the proper noun in such a manner that it would be hard to distinguish whether the word was Harry or Henry. I did this to discover if the medium actually read the questions or not. I am convinced that she did but how? Perhaps you can offer an explanation.

A future post will look at Houdini’s answers to these questions.

Weird Tales March 1924 – Ask Houdini

THE name, “Houdini,” has long been synonymous throughout the world with such words as “uncanny” and “supernatural.” Indeed, so widely known is Houdini’s name, that it appears in this connection in Funk & Wagnalls’ Dictionary.

Houdini emphatically does not believe in occult superstitions, and he probably would deny, jus at vigorously, that his miraculous escapes from prison cells and handcuffs are aided by disembodied “spirits” – as so many believe they are. And yet there is no denying that many of his amazing exploits smack of the supernatural. No wonder his name is associated with things that cannot be explained!

His strange adventures in the far corners of the world are as hair-raising, as uncanny and as deeply absorbed as the fiction we have published in WEIRD TALES. Wherefore, mindful of what our readers like, we proposed to Houdini that he select from his vast store of experiences a particularly thrilling adventure and tell our readers about it.

He acquiesced – and the first installment of his extraordinary article appears in this issue of WEIRD TALES. You probably have read it before turning back here to read The Eyrie; and we think you will agree with us that it’s one of the most interesting things we’ve ever published.

Unless we’re grievously mistaken, you will like the second and final installment still better.  Terrifying, to say the least, were Houdini’s adventures in that underground, torture chamber, but more terrifying still are the things that follow.  In the April issue of WEIRD TALES the Houdini article will be concluded, and we can promise you that you’ll feel well repaid for having read the rest of it.

We recommend that you order the April issue early. Tell your newsdealer to save a copy for you. There is likely to be an unprecedented demand for it; and you will feel chagrined if the salesman says, in response to your belated request, “We’re all out of April WEIRD TALES.”

We also suggest that you miss none of our forthcoming issues. This Houdini article, remember, is only the first of a series.  More will follow.  Watch for them.

Related:

HHCE Attends his first Magic Collectors Expo

Last week, I teased the above photograph of me in front of Korby’s, which I can now reveal is the front for the entrance to David Copperfield’s private museum in Las Vegas.  Well, a museum tour was included in the price for the 2021 Magic Collectors Expo, August 19-21, 2021 at The Orleans Hotel, Las Vegas, NV.

So what a perfect time for me to attend my first Magic Collector’s Expo. But, before we get to the tour of a lifetime, which was on day 2 of the expo, let’s start with Day 1 and go from there.

Thursday, August 19 2021

At the registration table, Stan Alan greeted me and made me feel very welcome.

I then entered the dealer room and saw my buddy, Arthur Moses, who had a couple of tables filled with Houdini related items.  I picked up some Houdini movie images, magazines, and his latest Houdini and Sherlock Holmes books.

Next stop was Roger Dreyer’s table where I picked up an original Houdini photo of “Hollywood Harry”.  I first met Roger in 2018 at his Houdini Museum of New York.

After chatting with Roger about a recent post and Houdini movie items in his collection, made by way over to Tom Ewing’s table where I picked up a copy of his book on Frederick Eugene Powell: Master of Magic & Mystery.  Powell has quite the connection with Houdini and Man From Beyond movie.

So within an hour, my wallet was quite a bit lighter, but I was thrilled with my latest additions to my collection.

Spent the next hour, visiting the other dealer tables (which included a nice chat with Gabe Fajuri about Potter & Potter Salon De Magic auction October 30th) before the introductory session began.

Unfortunately, fellow Houdini collector, Ken Trombly, didn’t make the trip.  Hopefully will get to catch up with him in the near future.

The first session of Day 1 kicked off at 4pm with Paul Stone and Mike Caveney.

Paul welcomed everyone to Las Vegas and did a tribute to Siegfried & Roy, Norm Nielson, and Johnny Thompson.

And Mike shared how the David Copperfield Collection came to be with an off the cuff comment for David to buy the Mullholland (Houdini) Collection.  Apparently, David wasn’t a collector at first, but Mike mentioned to David that it would be nice to keep the Mullholland collection together in America and it could be a tax deduction. The rest is history; the purchase of the Mulholland collection led to many more purchases and the collection of all collections.

The evening session of Day 1 started at 7pm and included David Charvet, Charles Greene III, David Sandy, and Mike Caveney.

David C presentation was on Alexander.  It was based on his latest book, Alexander, Before He Knew.

Charles presentation was on Iona. It was based on his latest book, Iona (Clementine de Vere).

David S magical presentation was on the Helicopter Cups.

And, last but not least, Mike’s presentation was on the corrected history of sawing a lady in half. It was based on his latest book, Sawing: The Astonishing History of Magic’s Most Iconic Illusion.

After the killer presentations, spent some time hanging out at Arthur’s table in the dealer room, where he introduced me to some folks, which included Ben Winn, Lupe Nielsen and Charles Greene III.

Talked to Lupe about the idea I had for adding one of her beautiful reproductions of the 3 sheet Grim Game poster to my collection in the future, and using it as one of two secret ways in and out of a new Houdini room I plan to have built; the other secret way would be book shelves.   She loved the idea and said to let her know when I’m ready.

Charles and I had a nice chat about researching Iona, my Houdini research, and him taking a trip to Los Angeles in the future.

Friday, August 20, 2021 (David Copperfield Tour)

I was on tour 11 with some great people, including Les Arnold.

We entered through the Korby’s store front and watched a short video.  David Copperfield himself opened up a door and peaked in on the group before disappearing.  I may have been the only one that saw him, he gave me a thumbs up and I gave him a thumbs up back.  After the video, we were escorted into a large warehouse area that had some of David’s larger props like the Death Saw.  We then moved to what appeared to be a very small room, where David stood behind the original Macy’s Department Store Magic counter where he bought his first trick (which he performed).

David then turned, lights&music magically came on, and the next thing you know we were all transformed back in time to Tannen’s Magic Shop.  It was simply breathtaking and a moment of wonder and amazement that I will never forget.  And this was only the start of the tour.  Oh, baby!

Jim Rawlins then took us through the Magic Props room housing the Albo collection. There was areas devoted to Thayer, Abbots, P&L, Owen, Marshall, Okito and German manufacturers.  This was followed by Stan Allan’s tour of contemporaries like Mr. Electric (Marvin Roy), Richiardi, Chanin Pollack, Walter Blaney and Doug Henning.

Next, Mike Caveney led the tour of The Golden Age of Magic, which included Blackstone, Carter, Chung Ling Soo, Dante, Thurston and others.

We then went upstairs, where Gabe Fajuri pointed out items belonging to Houdini like the bath tub from 278, Double Fold Death Defying Mystery Chest, a Milk Can, Original Wax cylinders and Edison player, Baby shoe, Mirror Cuff, Silver Replica Cuff, Straijacket, Iron Maiden, and Water Torture Cell (WTC).  I did my best from a distance to get a good look at the Mirror Cuff and the Silver Replica that were in separate display cases from each other.  Would love to see them close up, side-by-side and over-layed on one another for comparison, someday.  I did get a close-up look at what I believe was De Kolta’s Cube, which I found quite interesting.  I also found it interesting as to how small the WTC looked on display; I knew it was small, but it looked even smaller in person.

Also, got to see Houdini’s bookcase from 278 and some amazing posters which included: two different WTC posters, a 1911 Buried Alive Poster, Overboard Box Escape Poster, French poster for Master Mystery, 3 Sheet Grim Game Poster, and a giant Straitjacket poster, among others.

Next, Chris Kenner took us through Robert Houdin Autoomata Heaven, followed by Charles Green III overview of magic posters, and then Will Bradshaw from Copperfield’s staff showed us the research center. After that, we made our way pass the Houdini bookcase and posters along the back wall, where we were overlooking the Golden Age of Magic below, where they allowed us to snap a couple quick photos on our way to the library, which was the end of tour.

Tour of a lifetime!  Thank you to all the tour guides and people behind the scenes; and thank you David for opening up your house and sharing your treasures. Truly amazing!

Footnote: Apparently, two Merry and Bright books with different publication dates than the one I own, were seen on a private tour after one of David’s shows many years ago. Would love to know the publication dates, contents, and story behind the one’s in David’s collection. On the tour, I looked for them in the Houdini bookcase, research center and library but didn’t see them.  My copy was owned and signed by Harry Houdini and contains all 30 publications (Sept 1920 to April 1921) of “Houdini’s School Days” ghostwritten by Herbert Allingham.

Returned to Orleans Hotel and had dinner with Arthur Moses, Gary Hunt (handcuffqueens.com), and Michelle Ainsworth.

After dinner, beer, and great conversation, Stan Alan hosted the evening session on the Blackstone Show which included Magic Starring Harry Blackstone 1995 PBS Television Special with commentary from Gay Blackstone, Bill Smith and Allen Bracken. Wish Adele Rhindess could have made the trip! Lot’s of fun was shared by all.

Saturday, August 21, 2021

Joe Hanosek and I helped Arthur Moses pack up his stuff for his long drive home.

The morning session was hosted by David Sandy, which included Richard Hughes sharing with us the little known history of feather flowers, Gabe Fajuri sharing excerpts from John Fisher’s Heroes of Magic book, and Les Arnold sharing about the career of his grandfather and the great lengths he went to in order to perfect his original illusions (Fire and Water, the Miniature Haunted House, Ribbon Shot Through a Woman and others)

Had lunch with Gary Hunt and Michelle Ainsworth.

The afternoon session was hosted by Lance Rich.

Phil Schwartz kicked it off with a light-hearted look at some notable magicians’ demise. Phil started his presentation with a quote from Houdini:

“The easiest way to attract a crowd is to let it be known that at a given time and a given place someone is going to attempt something that in the event of failure will mean sudden death.” Harry Houdini

Retonio Breitenmoser shared the History of Quick-Change

And Lance Rich closed the afternoon session with a trip down the strip of Las Vegas history of magicians (Greats, Dates, and Firsts) that received a standing ovation.

Returned for Cocktail Hour at 6pm, where I shared with Roger Dreyer the story of how I came to own the extremely rare Grim Game “Message From The Clouds” advertising card that was dropped from a plane, found by a road workman and later used as a bookmark in his journal.

The Expo closed with a fabulous Las Vegas Dinner & Show with performances by Mac King, Retonio & Natalie, Les Arnold, David Sandy & Lance Rich (Leon Pillary Escape) and David Goldrake.

After the show, got a chance to catch up with Hatari (Joe Patire) and his wife Lisa, who I met during my trip to Scranton Houdini Musuem in 2015.

Hatari and I talked about David’s Houdini milk can (left) that we saw on the tour compared to the Houdini milk can (right) Hatari escaped from at the 2015 Magic History weekend.

Special thank you to Bill Smith and all his helpers for putting on an amazing Expo.

And a shout out to Arthur Moses for making my first Magic Collector’s Expo extra special.

I plan to attend the next Magic Collectors Expo  April 13th-15th in Austin, TX which will include a tour of Harry Ransom Center, which is on my Houdini bucket list.  Hope to see some more Houdini Nuts there.

 

Credits:

Houdini’s School Days Summary (9/18/1920 to 4/2/1921)

As promised in a previous post, I am sharing a condensed summary of the first 29 publications (9/18/1920 to 4/2/1921) of Houdini’s School Days leading up to the final publication (4/9/1921), Houdini’s Last Great Stunt at Rathgar.

Hope you enjoy this special treat which is being shared for the first time:

Harry Houdini at the age of fifteen is sent to Rathgar, a school for troublesome boys.  He is introduced to Dick Heart, a sneak, and Arthur Merlin, the First Eleven captain.

Later Heart interferes with Houdini. A fight is arranged, and Houdini quickly defeats Heart, much to the surprise of his schoolfellows.

Houdini overhears a conversation between Heart and a flashy dressed man. Heart is entrusted with money to take to the bank of Burnash. He invites Merlin to accompany him.  He introduces Merlin to a billiard saloon.  Merlin loses eight pounds of the headmaster’s money. Houdini recognizes the billiard shark, and plays him a game. He wins back Merlin’s eight pounds.

Houdini and Merlin are attacked in the grounds of the bank manager’s house. The burglars lock them in an empty shed. They escape, and in turn, lock the burglars in the strong room.

The Head orders Houdini and Merlin to his study for punishment, and accuses them of theft. They mutiny, and lock themselves in a class-room.

Harold Jugson, the new scholar, is introduced. Mr. Jugson, the bank manager, saves them from the doctor’s anger. The new pupils – the “Terrible Twins” – upset the school; Merlin is knocked out. Houdini challenges them to a fight.

He beats Joe Barker after a terrible tussle.  They return to school through a wood, and find Jugson tied to a tree. They rescue him.

Burnash Fair is put “out of bounds.” Houdini & Co. determine to visit the fair. They meet the doctor and Heart there. Heart has set a trap for them.

Heart takes the clown’s place at the circus. On their return, to Rathgar the Doctor sends for Houdini and Merlin.

Houdini has trouble once again with the “Terrible Twins”.

Houdini and Merlin are attacked by the twins and Ginger, the school porter. They escape from the Twins’ study, and run away from school.

Houdini and Merlin meet Lord Markham. He invites them to breakfast with him.

The doctor heads a deputation to Lord Markham. He meets Houdini and Merlin, and demands an explanation.

Lord Markham makes Houdini and Merlin promise to return at once to Rathgar.

They do so, and meet a new pupil, Percy Vere, who poses as spiritualist, and claims great detective abilities.

The terrible twins Joe and Jim Barker are in trouble.  Jim is ill with measles, and Joe, becoming very unpopular, bolts from school. Houdini and Merlin search for him on Preacher’s Island.

They find him tied up in a sack. They release Joe, and he tells them Flash Ben had attacked and bound him. Flash Ben returns, Houdini & Co. overwhelm and capture him.

They afterwards release Flash Ben, who goes away. Joe Barker remains on the island, hidden in a tree. Flash Ben returns at night and searches in the ruined hut. He brings forth a parcel tied up in a cotton handkerchief, which he deposits in his boat. Heart and a card-sharper named Fitz George turn at the island in a boat. They demand a share of the treasure from Flash Ben. Joe Barker escapes in Flash Ben’s boat with the treasure. He hides it among the play-boxes, and after writing a letter to his brother, starts off for London. The jewels prove to have been stolen from Lord Markham’s castle. He writes to Dr. Dickson, and suggests that Houdini, and Merlin have hidden them in a spirit of mischief. The gems are found in Merlin’s play-box.

Merlin is told by Dr. Dickson that he is under a cloud, but pending investigation he is to have his liberty. Houdini and Merlin go for a ramble towards the sea. They are captured by the pupils of Crag Castle College, and accused of attempting to set fire to a wood. Mr. Grimthorpe Jones, the headmaster, orders them to be locked in separate cells. Houdini makes a daring descent from his prison window, and escapes from his raptors on a borrowed horse. He returns to Crag Castle College disguised as an apple woman and rescues Merlin.  Cycling back to Rathgar, Houdini and Merlin meet Fitz George, the billiard sharp, who tells them of Heart’s connection with the stolen Markham jewels. The “Dauntless Three” of Crag Castle College challenge Houdini & Co to a battle royal.

Houdini & Co accept the challenge and meet the Dauntless Three at the Three Beeches. Tough Ben appears, and strikes Houdini a terrible blow. They carry Houdini back to college, but Dr. Dickson disbelieves their story. He decides to personally investigate, and meets Tough Ben, who give him a shock.

Note: This info was compiled from the Merry and Bright’ book in my collection that was once owned by Harry and Bess Houdini and signed by Harry Houdini on the first page.

Now Rare – Weird Tales Girasol Collectibles

I am the proud owner of all 3 Houdini issues of 2004 reprints by Girasol Collectibles:

  1. March 1924. “The Spirit of Fakers of Hermannstadt” (part 1 of 2) p3+. “The Eyrie – Ask Houdini” p83+.
  2. April 1924. “The Hoax Of the Spirit Lover” p3+. “The Spirit Fakers Of Hermannstadt” (part 2 of 2) p52+. “Ask Houdini” p86+.
  3. May-June-July 1924 (single issue) “Imprisoned with the Pharaohs” p3+. “Ask Houdini p167+.

While not as rare as the originals, these limited Girasol Collectibles are now out of print and extremely hard to come by all three.

The Girasol Collectible was a ‘Pulp Replica’ designed to give the reader a true taste of the pulps without the frailty or expense of a decades-old collectable.  That said, the replicas are no longer inexpensive ($60 to $100), but still cheaper than frail originals ($600 to $1000).

The outer covers, the interior pages and the advertisements are all taken directly from the pages of the original magazines. They were left intact to give the reader a true feel of the originals, as well as appreciating them for their interest.

The original magazines were printed on cheap pulpwood paper high in acid content, which contributed in part to their scarcity today. These editions are on an off-white bond paper intended to simulate the original look, while offering a greater longevity.

The overall construction and appearance are as faithful to the original items as was reasonably possible.

Future posts will look at the Ask Houdini sections of each magazine.