The Zanetti Mystery (Chapter 3 of 8)

Harry Houdini wrote a short novel in 1925, a romantic detective thriller, called The Zanetti Mystery (ghostwritten of course).

Houdini builds his story about the monstrous figure of Zanetti — genius faker, and arch rogue; he shows the methods by which even profound scientists have been hoodwinked by prophets of the occult and materializers of demons and spirits, and tells of the private lives often rivaling Babylon in abandon and luxury– of those who strip both rich and poor by mystery and mummery.

Through the whole fabric of the story there move the amazing characters of the half-world and underworld spies “snowbirds”, “lobby gows”, “stoppers”, “floppers”, “controls”, and “falls”, whom only Houdini can write about, because his special investigations have made him know them all and how they work as links in a chain system which is one of the weirdest forces for fraud and evil in the world. [The Journal]

The short novel (8 Chapters) was serialized over eight weeks in various Newspapers.

This week, I share Chapter 3 (Prologue) of 8:

CHAPTER III
Prologue:
HERMAN STEINWAY, an aged millionaire, is being victimized in his belief in the spiritualistic powers of Zanetti, notorious fake medium.
Zanetti works a trip of psychology on the old man and establishes his faith. Herman Steinway offers Zanetti one million dollars if he will produce his deceased wife, in the flesh, for just a few moments. Steinway explains that he must beg her forgiveness and hear her voice.
Zanetti sends out his chief detective, Van Haarlem, on this job. Meanwhile, Wallace Haines, a young assistant district attorney is making every effort to round up Zanetti as a faker. Lucile Linton, a social worker with whom Haines is in love, finds a clue for her sweetheart when she calls on the “Gopher” who is an ex-convict.

 

 

The Zanetti Mystery (Chapter 2 of 8)

Harry Houdini wrote a short novel in 1925, a romantic detective thriller, called The Zanetti Mystery (ghostwritten of course).

Houdini builds his story about the monstrous figure of Zanetti — genius faker, and arch rogue; he shows the methods by which even profound scientists have been hoodwinked by prophets of the occult and materializers of demons and spirits, and tells of the private lives often rivaling Babylon in abandon and luxury– of those who strip both rich and poor by mystery and mummery.

Through the whole fabric of the story there move the amazing characters of the half-world and underworld spies “snowbirds”, “lobby gows”, “stoppers”, “floppers”, “controls”, and “falls”, whom only Houdini can write about, because his special investigations have made him know them all and how they work as links in a chain system which is one of the weirdest forces for fraud and evil in the world. [The Journal]

The short novel (8 Chapters) was serialized over eight weeks in various Newspapers.

  • Chapter 1
  • CHAPTER 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Chapter 6
  • Chapter 7
  • Chapter 8

This week, I share Chapter 2 (Prologue) of 8:

CHAPTER II
Prologue:
HERMAN STEINWAY, an aged millionaire, is being victimized in his belief in the spiritualist power of Zanetti, notorious fake medium. Wallace Haines, a young assistant district attorney, has been assigned to rid the city of these fakers.
Van Haarlem, Zanetti’s chief detective, who supplies advance information on the faker’s victims, renews his acquaintance with an old friend, an ex-convict called the “Gopher.” Lucile Linton, the girl who has captured Wallace Haines’ affections, meets the Gopher through her social work when she calls on his crippled child, Milly. Haines confides his ambition to Lucile and she promises to help him in the stupendous task of rounding up Zanetti.

 

 

The Zanetti Mystery (Chapter 1 of 8)

Harry Houdini wrote a short novel in 1925, a romantic detective thriller, called The Zanetti Mystery (ghostwritten of course).

Houdini builds his story about the monstrous figure of Zanetti — genius faker, and arch rogue; he shows the methods by which even profound scientists have been hoodwinked by prophets of the occult and materializers of demons and spirits, and tells of the private lives often rivaling Babylon in abandon and luxury– of those who strip both rich and poor by mystery and mummery.

Through the whole fabric of the story there move the amazing characters of the half-world and underworld spies “snowbirds”, “lobby gows”, “stoppers”, “floppers”, “controls”, and “falls”, whom only Houdini can write about, because his special investigations have made him know them all and how they work as links in a chain system which is one of the weirdest forces for fraud and evil in the world. [The Journal]

The short novel (8 Chapters) was serialized over eight weeks in various Newspapers.

  • CHAPTER 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Chapter 6
  • Chapter 7
  • Chapter 8

This week, I share Chapter 1 (The Characters) of 8:

CHAPTER I
The Characters:
Zanetti—The Faker, Spiritualist—Medium and Sinister Figure, Who has Never Been Outside of His Elaborate and Mysterious Mansion.
Steinway—The Aged Millionaire Widower and Victim of Zanetti.
Van Haarlem—The Medium’s Chief Detective. Who Looks Up the Unfortunate Victims.
The Gopher—An Underworld Character Employed by Zanetti.
Lucile Linton—Ex Chorus Girl and Social Worker, Who Has Befriended the Gopher and is in Love with
Wallace Haines—Her Sweetheart, a Promising Young Assistant District Attorney
Brent Mitchell—Another of Zanetti’s Private Agent’s.

 

 

Kinema Comic Original R.B. Ogle Publicity Illustration Sells Again

In October 2016 and February 2021, this very nice publicity illustration above sold at the Potter & Potter Auction for $1920 and $2040 respectively. Congratulations to the new owner!

Below is the auction description:

LOT 63 DETAILS

[Houdini, Harry (Ehrich Weiss)] Ogle, R.B. Original Publicity Illustration of Houdini. Circa 1919. Pen and ink on paper, possibly depicting a scene from The Master Mystery (1920), in which Houdini is shown climbing through an open window into a bedroom at night and bearing down on a man wielding a dagger. “Kinema Comic” annotated in pencil in lower margin, with scattered printer’s annotations and stamps. Artist’s name identified on verso. 10 x 13″. Old central vertical fold.

The description mentions that it is “Possibly Depicting a Scene from The Master Mystery”.

Well, I have seen all of Houdini’s Movie, The Master Mystery, plus studied the script, synopsis, and book, and can tell you that is not a scene from The Master Mystery.

So what is it a scene from.  Well, I have also have read a number of “The Amazing Exploits of Houdini” found in The Kinema Comic and that illustration was made for the story  “In The Dead of Night” found in the May 29 1920 v1 n6 issue that I did a post on.

That said, the February 2021 Potter & Potter Auction did feature some nice items from his movie, “The Grim Game”, Lot 61 Lobby Card ($1,680) and Lot 62 Pressbook ($2,040).

Next Week:

Houdini performing some card manipulations in San Francisco 1920?

Recently came across this embedded video at Historic Films – The Society of American Magicians:

which shows Houdini performing some card manipulations in San Francisco 1920?

This footage has been previously described as Marvels of Motion (aka Houdini in “VELVET FINGERS”) a short from 1925/26.  However, we know that Pathe released a serial titled “Velvet Fingers” on December 5, 1920:

So, can we infer this card manipulation footage is actually from 1920 and not 1925/26?

The title card in the video clip says “Magic in SAN FRANCISCO 1920 Courtesy Jesse A. Mueller” and the S.A.M. caption on the site for the video, says Houdini performing some card manipulations in San Francisco.

Well, its highly unlikely this is Houdini in 1920 performing live in SF since AFAIK, he only visited SF in 1899, 1907, 1915, 1923 and 1924.

And FWIW, Jesse A. Mueller was a SF magician, S.A.M. member, knew Houdini and was President of the Sphinx Magazine in 1920.

With that said, can that still be Houdini on the screen in a 1920 short or serial? or is that an older Houdini?

Thoughts!

Bonus:

Moving Picture World May 30 1925 Marvels of Motion Issue C

 

 

April 1922 Portuguese Magazine article – How Does Houdini Do It?

Thanks to our good friend Arthur Moses, I get to share the Portuguese version of an article titled, How Does Houdini Do It? By William Eastman.  The English version of this article first appeared in the May 1921 Physical Culture Magazine.  The photos are the highlight of the article.

Bonus:

Below is a snippet from the May 1921 Physical Culture Magazine article that covers his movies.

Search for Tatler Handcuff given to W.W. Durbin leads to Abbotts?

W.W. Durbin with Jim’s Mom in 1926

Earlier this year, I sent the following email to the great grandson of W. W. Durbin:

Hi Jim!

I have been studying Houdini for 45 years and have a Houdini blog, HarryHoudiniCircumstantialEvidence.com that I have been running since 2011.

Leo Hevia, a Houdini Colleague, has been in contact with you regarding the search for a Houdini handcuff associated with the famous Mirror Challenge that was given to your great grandfather, W.W. Durbin, by Bess Houdini.

According to the February 1934 Linking Ring article, “With the Old Masters” by William W Durbin, President I.B.M., Kenton Ohio:

Today, I have in my possession, presented to me by Mrs. Houdini, the handcuffs which were made by Birmingham blacksmith and who took five years in making same, which Houdini got out of in the London Hippodrome after he worked for almost seventy minutes to release himself…I have never been able to find any magician or other person who can open and close these handcuffs.

 Attached is a photograph from a May 18, 1933 Pittsburg Sun Telegraph newspaper of the handcuff.

Last year, I shared three ground-breaking blog posts on my latest investigation and findings on the Mirror Challenge. Which Included additional information, insight and new photographic evidence on the Mirror Challenge confirming Houdini escaped from a cuff known as the “Tatler Cuff” as opposed to the Mirror Cuff in David Copperfield’s collection:

Any information you can provide to help determine what happened to these cuffs would be greatly appreciated. Did they stay with the Durbin family?  Or did the I.B.M get them, or did they become part of Egyptian Hall Museum Collection, which has had a number of different owners (David Price, David Price III, Mike Caveney and George Daily) or did something else happen to them.

Thank You for your time,

Joe Notaro

May 18, 1933 Pittsburg Sun Telegraph

The following is the reply I got back from Jim:

Hi Joe. I did do some investigating.  Happy to discuss more on the phone, but here is what I did:

    1. I checked my David Price file, as I had a number of long letters from him.
    2. You know that David was the buyer of the Durbin memorabilia left over from the American Egyptian Hall. I visited him and saw the museum he built in his own home in Nashville.
    3. Before David, the remnants of the magic theater were acquired by two brothers, Tom and Bob Dowd—Kenton farmers. Tom became a judge, I believe. Before he died he brought me Durbin memorabilia, including a scrapbook from his time as Register of the Treasury.
    4. But in my Price file is an article written by Bob Dowd about how they acquired the collection from the August 1994 Linking Ring. Here is the line of most importance to you. “His apparatus, books and whatever paraphernalia existed was sold, perhaps to Abbotts for resale.”
    5. So my guess is the handcuffs were sold by my great-grandmother, probably not checking. But best guess is they went through Abbotts.
    6. One fun sidebar. Two years ago, some nice guys from Kenton, Ohio, asked me to come over and speak about Durbin and my book on him. They took me to the home that was made from the magic hall. The Dowds moved it to the country and made a one-story home of it. Completely cool to see that the wallpaper on the ceiling was still intact in what is now an attic. I have photos. The previous owner said she definitely heard an orchestra playing sometimes and felt the presence of a good spirit at times.  Who knows, but the report seemed sincere. Maybe those cuffs are hidden in the walls of that home? We need to get Geraldo Rivera on it!

Will keep thinking about it. I cannot tell you how hard it is for me to know these artifacts from my family are far-flung—but most people take good care of their collections, like Mike Caveney.

I am pleased you reached out, Joe. Nothing like a good old-fashioned obsession with a great riddle!

Jim

Below is a snippet from the August 1994 Linking Ring article, Egyptian Hall, the Reprise, by Bob Dowd:

When Durbin’s estate was settled, I was living on my own in Cincinnati. His apparatus, books and whatever paraphernalia existed was sold. I don’t know to whom, perhaps to Abbotts for resale. But I’m not sure of that.

At any rate, the building, with its vestibule, walls and ceiling covered with a plethora of photos mounted under glass, as well as the large, book-like folio of 8×10’s which stood, head-high, to the right of the stage remained.

The distinctive front curtain with its Egyptian painting was left in place. The hangings also remained on the rather deep stage, with its side curtains and traveler to divide the stage into two sets. Backstage, the sides and rear were lined with seven-foot high glass-fronted, shelved cabinets which had provided large storage. And, of course, there were the footlights with a carpeted walk at the center leading to steps down to the auditorium floor.

Photo from The Linking Ring Aug 1994

So, we learned from Jim and the August 1994 Linking Ring article that there were additional owners (Tom and Bob Dowd) of the Egyptian Hall Museum prior to David Price. We also learned that most likely the handcuffs and other paraphernalia along with Durbin’s apparatus and books were sold (possibly to Abbott’s) by his great grandmother after Durbin’s death (Feb 4,1937) and before Tom and Bob Dowd acquired the remnants of the magic theater (1940).

So where do we look now, Abbotts? Or maybe those cuffs are hidden in the walls of that home made from Egyptian Hall?

My sincere thanks to Jim Robenalt (great grandson of W.W. Durbin) for adding a new piece to the puzzle and to Leo Hevia for laying the groundwork for me to contact Jim.

BONUS:

The Tatler Cuff is not the only thing missing from Durbin’s collection. There are three magic wands made of the flooring from the original independence Hall in Philly, one given to Durbin which is missing.

Update:

Thanks to Jim Klodzen, we now know that one wand was given to Harry Blackstone Sr and is is housed at the American Museum of Magic. See photo below.

Train Track Escape – Believe It or Not

Image from: https://www.houdini.org/houdinirr.html

According to the September 1954 National Police Gazette article in my collection titled, “How Houdini Did It”, by Walter Gibson:

In Germany, Houdini undertook a death race with the Berlin-Dresden Express. He allowed himself to be lashed to the railroad track, a few miles outside Dresden, exactly 15 minutes outside Dresden, exactly 15 minutes before the train was due, picking a spot where the crowd could watch him.

Houdini had first tested this escape and was sure he could perform it in ample time. In fact, he was running so well ahead of schedule that he was beginning to stall for time, when the express suddenly appeared around the bend. It was running ahead of schedule too!

“I had just freed my hands.” related Houdini, “and was working to release my feet, which were tied to the other rail. I couldn’t get them free, but as the train thundered closer, I managed to gain enough slack to throw my body over the far side of track and pull my feet, still bound, down beside the rail. The wheels of the locomotive missed me by mere inches and cut the ropes instead.”

This happened on the side of the track away from the onlookers. After the express roared by, they looked in horror for Houdini’s mangled body. To their amazement, he arose beyond the track and gave the ropes a triumphant toss.

Believe it or Not!

BTW: Houdini was in Dresden Germany in September 1900 and October 1903.

Bonus:

Image from: Who Is Houdini? by Fred Lockley Photoplay, June 1920  HHCE Collection

Grim Game Pressbook is up for auction

Potter & Potter have posted their February 27 magic auction which includes a listing for a Houdini Grim Game Press Book.

Lot 62 Description

Houdini, Harry (Ehrich Weisz). Houdini Grim Game Press Book. New York: Famous Players-Lasky, 1919. Oversize booklet filled with stories and data related to the stunt-filled film, and reproducing dozens of photographs and posters used to advertise it. Front wrapper detached, lacking rear wrapper. 15 ½ x 10 ½”.

Any Grim Game Pressbook is an extremely rare item.  This one is almost complete, only missing pages 23 and 24 (rear wrapper).  In fact, I only know of one complete Pressbook with all 24 pages.

Original 24 page pressbook

I happen to have a 24 page reproduction from Stephen A Sparks, who once owned the original.

As well as a 24 page reproduction that Arthur Moses included in the limited Grim Game Souvenir Folder given to Houdini Nuts in celebration of the 2015 TCM screening of the movie:

Besides the reproductions, the original 22 page pressbook being auctioned off on February 27th and the one 24 page original, I am only aware of two others:

The 20 page original Pressbook I own.

And an original  Houdini signed wrapper in the collection of Ken Trombly.

Credit: Ken Trombly Collection